Isabella Hammad’s debut novel pays homage to Palestine

It is a look into Palestinian history, from the onset of the First World War to Palestine’s independence through the eyes of a young man named Midhat Kamal from Nablus. (Supplied)
Updated 11 August 2019
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Isabella Hammad’s debut novel pays homage to Palestine

  • The novel is brimming with exquisite details, from France to Nablus, from the politics to the people

CHICAGO: From Isabella Hammad, winner of the Plimpton Prize for emerging writers, comes an exceptional debut novel, “The Parisian.” It is a look into Palestinian history, from the onset of the First World War to Palestine’s independence through the eyes of a young man named Midhat Kamal from Nablus. His life is one long journey that will force him to endure aspects of himself and the landscape around him with an analytical eye, and one that will help shape him, his future, and the ever-evolving political future of the Arab world and Palestine in the 20th century. 

The novel begins in 1914 when Midhat is traveling to France to attend medical school at the University of Montpellier. The son of a wealthy merchant named Haj Taher Kamal, Midhat loses his mother at a young age, is raised by his grandmother and attends the Mekteb-i Sultani boarding school in Constantinople. Although he has experienced a lot before he leaves Nablus, France forces him to look at himself as a possible doctor and as an Arab in Europe. Things may be different in France, but there are similarities between the Nablus countryside, with its hills and dry greenery, and Montpellier’s mountains and small streets.

With the world at war, Midhat’s life takes unpredictable turns along with the lives of those around him. He falls in love, faces betrayal, leaves France and comes back to Nablus only to find that the British have now taken the place of the Turks. The backdrop to this story is one that is pivotal to both Arab and Palestinian history. And while France serves as a prestigious opportunity for a young man, Midhat realizes that not everything is always better in Europe, especially during wartime. 

Hammad’s novel is brimming with exquisite details, from France to Nablus, from the politics to the people. She has captured an entire era, one of the most crucial moments in history through the eyes of Midhat, his Teta and his friends. Through him, there is a sense of ever-evolving change where lives are taken and given, villages and cities transformed, and governments made and broken.

There are layers of stories in Hammad’s debut novel, which pays homage to an ancient land where multiple faiths and hopes have turned the soil. The land in Nablus is riddled with structures built and half-built, indicating it is a place that has endured time and its people. 

Manal Shakir is the author of "Magic Within” published by Harper Collins India.


Riyadh to install 25 new public artworks after conclusion of Tuwaiq Sculpture symposium

Updated 09 March 2026
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Riyadh to install 25 new public artworks after conclusion of Tuwaiq Sculpture symposium

  • Move will extend the impact of the annual art event beyond its conclusion, bringing large-scale contemporary artworks into the city’s streets and parks
  • Artworks produced during the symposium will now become part of Riyadh Art’s permanent collection

RIYADH: Some 25 sculptures created during the seventh edition of the Tuwaiq Sculpture symposium and exhibition will soon be installed across public spaces in Riyadh.

The move will extend the impact of the annual art event beyond its conclusion, organizers said, bringing large-scale contemporary artworks into the city’s streets and parks.

Organized by the Royal Commission for Riyadh City through the Riyadh Art Program, the 2026 edition has ended after nearly two months of live sculpting, exhibitions and public programming.

The artworks produced during the symposium will now become part of Riyadh Art’s permanent collection and will appear across the capital as part of a broader effort to integrate art into everyday urban life.

This year’s symposium began in January and took place along Prince Mohammed bin Abdulaziz Road, widely known as Tahlia Street.

The site was transformed into an open-air studio in which visitors could observe artists carving, welding and assembling sculptures.

The live sculpting phase, which was held between Jan. 10 and Feb. 5, brought together leading Saudi and international artists to produce 25 large-scale works.

The sculptures were created using locally sourced granite and reclaimed metal, highlighting both the region’s natural materials and the creative reuse of industrial elements.

Visitors were able to follow the process of each artwork’s development, from raw materials to finished sculptures, while also interacting with the artists and learning about their techniques and concepts.

The event also featured a wide-ranging community engagement program designed to deepen public understanding of contemporary art.

The program included 10 panel discussions, 105 training workshops and 15 masterclasses exploring sculptural techniques, materials and the role of public art in cities.

Educational outreach formed another key component of the symposium. Organizers hosted 25 educational visits for more than 600 students, while daily guided tours enabled visitors to explore the artworks and gain insight into the creative processes behind them.

After the live sculpting phase, the completed sculptures remained on-site until March 8, giving visitors the opportunity to experience the works in their original setting before their distribution across Riyadh.

The symposium was curated by Lulwah Al-Homoud, Sarah Staton, and Rut Blees Luxemburg, who guided the artistic direction around the theme “Traces of What Will Be,” exploring how sculpture can reflect future possibilities while responding to the city’s evolving identity.