Arab News launches Hajj special coverage with all-female team

The Arab News all-female team comprises Hala Tashkandi from our Riyadh bureau, Rua’a Al-Ameri from our Dubai bureau and photographer Huda Bashatah from our Jeddah bureau. (AN photo)
Updated 12 August 2019
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Arab News launches Hajj special coverage with all-female team

  • In tandem with comprehensive coverage in print and online, the Arab News Hajj app for mobile devices is again available as a free download from the Apple App Store and Google Play

JEDDAH: Arab News today launches its special coverage of Hajj 2019 — with, for the first time, an all-female team on the ground at the holy sites.

Today’s special edition of the newspaper, with a stunning cover-wrap image of the Kaaba, is being distributed to pilgrims at Mina as they begin their spiritual journey.

In tandem with comprehensive coverage in print and online, the Arab News Hajj app for mobile devices is again available as a free download from the Apple App Store and Google Play.

The app, developed with the support of the Muslim World League, features a digital Qibla compass, a real-time currency converter, Qur’an prayer audio files and live news updates.

This year the app also has an enhanced “pilgrim tracker” function, an optional feature that allows users who activate it to share their location and follow loved ones in real time, round the clock.

For Hajj 2019 our staff will also be distributing Arab News umbrellas; designed for sun protection, they were invaluable last year when Makkah and Madina were deluged with rain. This year, in association with the Makkah Health Affairs General Directorate, the umbrellas will also be distributed to outpatients attending hospital for treatment during Hajj.

The Arab News all-female team comprises Hala Tashkandi from our Riyadh bureau, Rua’a Al-Ameri from our Dubai bureau and photographer Huda Bashatah from our Jeddah bureau.

“It is both amazing and intimidating to know that I have the task of bringing news to the general public, who rely on us to deliver information accurately, quickly and in an entertaining way,” Tashkandi said.

“I hope we can supply new and exciting information to all our readers, from Hajj veterans looking to see how things have changed, to young Muslims soaking up information to prepare for their first Hajj experience, and even curious non-Muslims who just want to know what it is about.”

Al-Ameri, on her first visit to Saudi Arabia, will be focusing on stories with a human interest. 

“I am keen to learn about pilgrims’ experiences and share their personal stories on their spiritual journey,” she said.

Bashatah, the photographer, said: “I’m touched and proud to be part of the team as this is my first Hajj journey. I’m even more excited to leave my fingerprint on people’s memories with the photos I take of the pilgrims.”

The initiative for a 50:50 gender-balanced newsroom by 2020 was launched by Arab News editor-in-chief Faisal J. Abbas in 2018, reflecting Saudi Arabia’s drive toward reform and female empowerment. Hajj coverage was a key area for implementing the initiative, Abbas said.

“As the voice of our changing region, and the English-language newspaper of record for Saudi Arabia, Arab News sets the benchmark for reporting on Hajj, and our female staff play a crucial role in that work,” he said.


Saudi Arabia witnessing comprehensive cultural development, says expert

Updated 14 February 2026
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Saudi Arabia witnessing comprehensive cultural development, says expert

  • Clotilde Entrecanales of Acciona hails pace of change in Kingdom

JEDDAH: Museums, exhibitions and art centers play a crucial role in the development of free and educated societies such as the one now burgeoning in Saudi Arabia, an expert has told Arab News.

Clotilde Entrecanales, the Spanish art historian and cultural executive who heads Acciona Living & Culture, a leading creator of technology-driven interactive museums, exhibits and events, said the Kingdom is making efforts to expand the role of culture development to show the world the greatest possible cultural offer.

She added that the Kingdom has quickly infused new energy into the region, and is rapidly establishing itself as a global cultural hub through massive investment in world-class museums, public art and international events, aligning with its 2030 vision.

She said: “With around 70 percent of the population under 30, cultural consumption looks very different than in Europe or the US. These spaces can’t feel like quiet, isolated institutions … they need to be fast, dynamic, brave and deeply connected to the city, blending into everyday urban life rather than sitting apart from it.”

Asked about the role of these sites in the evolving global cultural landscape, particularly in emerging cultural hubs like Saudi Arabia, Entrecanales said: “Our vision is to be a purpose-led partner for cultural and entertainment institutions, helping them be more relevant, connected, inclusive and sustainable.”

She added: “In emerging cultural hubs like Saudi Arabia, that approach feels especially relevant. The cultural transformation underway is moving fast — with major heritage and cultural destinations being developed and opened to the world.”

Speaking about her impression of the Kingdom’s approach to blending heritage with modernity face, Entrecanales said: “Others who attempt to achieve this balance often end up turning heritage into a theme, a layer of storytelling or a cultural program. What feels different about Saudi’s approach is how much pressure there is to treat heritage as the foundation, not just the surface.

“When you’re building at this speed and scale, there’s always a risk that history becomes a backdrop instead of a backbone. The projects that work best are the ones that slow down just enough to let the past set the rhythm for the present.”

Regarding opportunities and challenges, she said: “The opportunity is nothing less than positioning Saudi Arabia as a global cultural center. The challenge, as always, lies in balancing the speed and scale of that ambition with long-term sustainability and a sense of authenticity that remains credible and rooted.”

She added: “You can really feel this in places like the Islamic Arts Biennale, which shows hundreds of historical artefacts of the Islamic world, while re-framing them through contemporary scenography and designs by some of the best design studios in the world; or in AlUla, a world-class heritage site that hosts a major contemporary platform like Desert X, allowing ancient context and present-day artistic practice to coexist in a way that feels genuine.”

Under her guidance, ACCIONA Cultura aspires to create museums and cultural experiences that function as landmarks while fostering sustainable, inclusive and immersive interactions.

She elaborated on how the company is integrating technology, culture, and sustainability to preserve and promote the region’s cultural heritage: “We always start with human connection and storytelling: what’s the story, what should people leave with? Tech comes later.”

Recently, ACCIONA Cultura has been involved in significant projects in Saudi Arabia and is looking forward for more.

She said: “Right now, for example, we’re designing and curating a museum gallery where the entire space is shaped by the practice of a Saudi artist. Another example is the Net Zero exhibition at the King Abdulaziz Center for World Culture (Ithra), where we brought together Saudi and international artists to explore sustainability and our relationship with the planet, including voices like Dina Haddadin, Mohammed Al-Faraj, and Zahrah Al-Ghamdi.”

She added: “One of the projects I’m most proud of isn’t a museum, but our NEXT IN Summit, which we’ve hosted in two editions in our ACCIONA Campus in Madrid, highlighting the Kingdom’s unprecedented cultural momentum as it builds future-facing institutions with a startup mindset.”

About further collaboration with Saudi Arabia, she said: “Let’s just say … something’s definitely simmering in the kitchen.”

Commenting on being recognized among the Blooloop 50 Museum Influencers for 2025, she said: “It means a lot. More than anything, it feels like a nod to the years of teamwork and dedication behind Acciona Cultura, rather than to me personally.”