Game on: The rise of eSports in the Middle East

It is estimated that by the end of 2019, the total audience of eSports will have grown to around 454 million viewers. (Getty)
Updated 07 August 2019
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Game on: The rise of eSports in the Middle East

  • What was once a solitary hobby is turning into a global phenomenon, and the Middle East is starting to beat the lag

LONDON: It isn’t often that a new sport becomes part of the cultural mainstream. For example, at next year’s Tokyo Olympics skateboarding will be included in the competition for the first time, marking a culmination of over 70 years as a hobby that turned into a competitive sport.

Much like skateboarding, another sport has bubbled up from its subculture beginnings into the monoculture: Electronic sports — or simply eSports. What started as an amateur pursuit is now too popular to ignore, but is still a mystery to the casual observer. Dismissing eSports as a fad today is akin to somene in 2000 proudly proclaiming that they don’t think the internet will amount to much. It is estimated that by the end of 2019, the total audience of eSports will have grown to an around 454 million viewers and associated revenues — mainly from advertising — will increase to over $1 billion.

The sport is distinct from casual gaming on a console in your living room. ESports consists of competitive multiplayer videogame competitions between professional players, either as individuals or as teams. Although organized online and offline competitions have long been a part of gaming culture, they were a largely amateur pursuit until the early 2000s. The meteoric rise of eSports over the past decade has been led primarily by South Korea, China, Europe and North America. Other regions are catching up quickly, and the Arab world is no exception. Gamers have known this for a while but now investors, governments and the general public are getting on board.




FIFA  is one of the most popular games in the Gulf. (FIFA) 

It is not premature to talk of an Arab eSports movement — there do appear to be regional specificities in the Middle East. Saaed Sharaf, founder of eSports Middle East and head of the Syrian eSports Association, draws us a map of the region.

“In the Levant and North Africa, you tend to have more freemium PC players, compared to the Gulf which is dominated by costlier consoles,” he says. Even the games played seem to differ, with “Player Unknown’s Battlegrounds” (PUBG), “Dota2” and “League of Legends” dominating the Levant and North Africa, and “Fortnite,” “Overwatch” and “FIFA” leading the way in the Gulf. The faultlines emerging mirror those in most other sectors in the Arab world, between a wealthy,well-connected and government-supported Gulf and a scrappier, independent entrepreneurial culture in the Levant and North Africa.

Media plays a central role in eSports, with many tying its rapid expansion in the 2000s to the explosion in livestreaming platforms such as now-defunct Panda.tv, YouTube, and, most importantly, Twitch. These platforms are central to the growth and promotion of eSports online, and they drive fans to attend offline competitions. Eric Husni, a gamer and entrepreneur, thinks these platforms haven’t done enough in the Arab world. That’s why he’s launched a new regional platform, Rawa, that aims to help Arab gamers develop the media side of their careers. “While Arab creators have mastered YouTube, Instagram and other platforms, the switch to live broadcasting — especially for gaming — hasn’t been an easy one, culturally.” Husni says. “We don’t have household names like Ninja in the region. We’re trying to change that with a distribution platform for content for the region.” Husni believes that without this vital element of the ecosystem, there is no way eSports can reach its full potential in the Arab world.




Eric Husni. (Supplied)

While enthusiasm and optimism around eSports is growing in the region, there are still structural problems that slow down growth. For example, there are no servers — players in the Levant connect to European servers, and those in the Gulf connect to Asian ones. This means the “ping” — essentially the network latency between a player's client and the game server — puts Arab players at an immediate disadvantage. Winning decisions in most games are made in milliseconds, and the lag caused by the distance from servers means that players in the Middle East are one step behind from the start.

Luciano Rahal is a veteran former pro with leading eSports team Nasr, and now works in PR and communications at Riot Games, publishers of one of the most popular multiplayer online battle arena games in the world: “League of Legends.” He talks excitedly about the recent announcement by Amazon Web Services (AWS) stating that it would be setting up a server in Bahrain. “It’s a step closer to being competitive. The potential is huge, but there is still an infrastructure gap to fill,” he says.

Rahal adds that those challenges extend to the rest of the ecosystem, beyond technical infrastructure. For example, visas are hard to come by for international players who might want to attend tournaments in the Middle East.

Other regional challenges are in line with those that eSports face globally. Women make up a tiny fraction of the ecosystem. Sharaf says that, globally, women make up 30 percent of eSports’ players, but in the Middle East that figure is closer to eight percent. “We’re witnessing some clubs forming female rosters and some companies organizing female-only tournaments,” he says. Given that one third of eSports viewers in the region are women, it’s hopefully only a matter of time before representation in the ranks of players comes in line with the global average.




Fortnite is leading the way in the Gulf. (Fortnite)

Talking to industry insiders, you get the feeling that eSports in the Arab world are at a turning point. A lot of the what is expressed by those involved in eSports regionally is not frustration that the Arab word is behind, but eagerness to get things done. There is also pride that, despite the challenges, the Arab world is leaving its mark on eSports. There are Arab players at the top of every game, including Lebanese “Dota2” player Maroun "GH" Merhej. He plays with Team Liquid (along with Jordanian-Polish gamer Amer “Miracle” Al-Barkawi) and ranks eighth worldwide in terms of earnings, having brought in close to $3.2 million from 36 tournaments.

Recently, MBC — the region’s largest broadcaster — announced that it would be setting up the MENA region’s first professional eSports league in partnership with ESL,  the leading league operator in the world. ESL has close to two decades of experience in medium-to-large-scale events and leagues, which brings an immediate sense of legitimacy to the newly formed league. Charbel Khoury, head of marketing at MBC Group’s emerging media division, says the network has eSports squarely in its sights. With a new generation of consumers cutting the cord with traditional media, MBC has identified an opportunity. The group’s thinking, Khoury says, was “How do we bring back millennials to our ecosystem, create brand stickiness and eventually migrate them to the rest of our offerings?”




Lebanese gamer Mroun Merhej. (Supplied)

There is certainly plenty of showbiz appeal to eSports. Tournaments are exciting festivals of light and sound, the players have near-superhuman reflexes, and the money at stake can be overwhelming. Throw in brands, governments and investors — all of whom are now muscling in — and this could be a recipe for great success or a complete disaster. But talking to people in the grassroots scene, they all seem to feel the same: the region is doing very well, but there is a still a lot to be done.

Sharaf singles out the potential of Saudi Arabia. “(With its) technical infrastructure, government investment, internet penetration and consumer buying power, it can be on the global map as powerhouse in five to 10 years if they continue their progress on the same level.”

Rahal, from Riot Games, sees an even shorter timeline, estimating the region will be fully integrated into the global eSports landscape in three to four years. But he warns that stakeholders need to be smart, because “the sport itself will be different by then too, given its exponential growth.” Gamers have lightning-fast reflexes; the rest of the ecosystem needs to keep up.


‘Bridgerton’ actress says she was warned not to campaign for Palestinians

Updated 26 April 2024
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‘Bridgerton’ actress says she was warned not to campaign for Palestinians

  • Nicola Coughlan: Hollywood insiders told her advocacy could harm her career
  • Irish star feels ‘moral responsibility’ to campaign for ceasefire, continue to fundraise 

LONDON: Irish actress Nicola Coughlan has revealed that she was told her Palestinian advocacy could harm her career.

The “Bridgerton” and “Derry Girls” star told Teen Vogue she had been warned by people in Hollywood not to be openly supportive of Palestinian rights, but has continued to campaign for a ceasefire in Gaza and still publicly wears an Artists4Ceasefire pin.

“You do get told, ‘you won’t get work, you won’t do this,’ but I also think, deep down, if you know that you’re coming from a place of ‘I don’t want any innocent people to suffer,’ then I’m not worried about people’s reactions,” she said.

“My family lived in Jerusalem back in the late ‘70s, early ’80s, before I was born, so I heard first hand stories about them living there.”

She said her father, who served in the Irish military, went to a “lot of war-torn regions after the conflict and try and help rebuild,” and this had left a profound impression on her.

“I’m so lucky I’ve gotten to this point in my career, and I’m privileged as a white woman, first off.

“Then the fact that I get to do the job I love and travel the world and meet amazing people, I feel a moral responsibility to give back.”

She has made a point of continuing to campaign and raise money around the issue, adding: “To me, it always becomes about supporting all innocent people, which sounds oversimplified, but I think you’ve got to look at situations and just think, ‘Are we supporting innocent people no matter where they’re from, who they are?’ That’s my drive.”

Coughlan said social media plays a role in driving advocacy but it requires nuance. “More of us should be trying to understand how upsetting and traumatising this is for Jewish people, and how horrific it is that all these innocent people in Palestine are being murdered,” she added.

A number of Hollywood figures have faced repercussions for their open support of the Palestinians or criticism of Israel.

Mexican actress Melissa Barrera was fired from the latest “Scream” film over social media posts in support of Palestine, while director Jonathan Glazer caused controversy for using his acceptance speech at the Oscars for his film “The Zone of Interest” to criticize the Gaza war.


‘Game of Thrones’ star Liam Cunningham says world will ‘not forget’ those who stayed silent on Gaza

Updated 26 April 2024
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‘Game of Thrones’ star Liam Cunningham says world will ‘not forget’ those who stayed silent on Gaza

  • Irishman has been vocal advocate for Palestinian causes for decades

LONDON: Irish actor Liam Cunningham has said the public will “not forget” those who have not voiced support for Palestinians during the ongoing Israel-Hamas conflict in Gaza.

The “Game of Thrones” star has been a vocal advocate for Palestinian causes for decades. Speaking during a demonstration in Dublin led by Irish-Palestinian Ahmed Alagha, who has lost 44 family members in the recent Israeli assault on Gaza, Cunningham said he has been commended by his peers in the past for his activism.

“What concerns me is that the people who do care and are not doing anything are, in my opinion, worse than the people who don’t care,” he said.

Cunningham was asked if he had spoken to other actors to convince them to show support for the Palestinian cause, but responded by saying he could not speak for others, The Independent reported.

However, he added, “The internet doesn’t forget. When this comes around, when the ICJ (International Court of Justice) and ICC (International Criminal Court) hopefully do their work honorably, it is going to come out,” he said.

“And the people who didn’t talk — it is not going to be forgotten. It’s livestreamed, this genocide, and (saying) you didn’t know is not an option. You did know. And you did nothing. You stayed quiet. I need to be able to look in the mirror, and that’s why I speak,” he added.

A month after Israel launched its onslaught on Gaza in response to Hamas incursions on Oct. 7 in Israeli territory in which nearly 1,200 people were killed and around 250 hostages were taken, Cunningham said that for Irish people to ignore the treatment of Palestinians would be to “betray” their history.

“If we allow ourselves to accept this behavior, then we allow it to happen to us,” he said at the time. “We have to stand up for standards. We have to stand up for international law and it reduces us as human beings if we don’t.”

Israel’s assault on Gaza has killed more than 34,000 Palestinians, around two-thirds of them children and women, according to Hamas-run health authorities in the enclave.


Saudi Film ‘Hajjan’ wins 6 nominations at Critics Awards for Arab Films

Updated 26 April 2024
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Saudi Film ‘Hajjan’ wins 6 nominations at Critics Awards for Arab Films

DUBAI: Saudi Arabia-based film “Hajjan,” directed by Egyptian filmmaker Abu Bakr Shawky, is nominated for six categories at the eighth Critics Awards for Arab Films.

The movie is competing in the best feature film, best screenplay, best actor, best music, best cinematography and best editing categories. 

“Hajjan” tells the story of Matar, a boy who embarks on a journey across the desert with his camel, Hofira.

The movie is a co-production between the Kingdom’s King Abdulaziz Center for World Culture, or Ithra, and Egyptian producer Mohamed Hefzy’s Film Clinic. 

The movie, which is written by Omar Shama from Egypt and the Kingdom’s Mufarrij Almajfel, stars Saudi actors Abdulmohsen Al-Nemer, Ibrahim Al-Hsawi, among others. 

The awards ceremony, scheduled for May 18 on the sidelines of the Cannes Film Festival, is organized by the Arab Cinema Center in Cairo and assessed by a panel of 209 critics representing 72 countries. 

Sudanese director Mohamed Kordofani’s inaugural feature film, “Goodbye Julia,” and Tunisian filmmaker Kaouther Ben Hania’s Oscar-nominated documentary, “Four Daughters,” scored nominations in seven categories. 

Jordanian filmmaker Amjad Al-Rasheed’s “Inshallah A Boy” and Palestinian-British director Farah Nabulsi’s “The Teacher” have six nominations.


Emirati designer Hamda Al-Fahim dresses Anya Taylor-Joy for Tiffany event

Updated 26 April 2024
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Emirati designer Hamda Al-Fahim dresses Anya Taylor-Joy for Tiffany event

DUBAI: US actress Anya Taylor-Joy this week was spotted at the Tiffany & Co. celebration of the launch of Blue Book in Beverly Hills wearing a dress by Emirati designer Hamda Al-Fahim.

The actress from “The Queen’s Gambit,” who is the ambassador for the American luxury jewelry label, impressed her fans in a head-turning dark golden brown dress that featured a corset-styled bodice paired with a fitted velvet skirt that flowed down, culminating in a short train trailing behind her.

The dress is called the Velvet Canyon and is from Al-Fahim’s Earthy collection.

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Al-Fahim took to Instagram to share pictures of the star championing her design with her 498,000 followers.

“Anya Taylor-Joy (looks) stunning in our Velvet Canyon,” she wrote on her Stories. 

For her jewelry, Anya chose a glitzy diamond necklace embellished with red rhinestones, accompanied by matching earrings and a ring. She completed the ensemble with a statement chunky silver bracelet.

She styled her blonde hair with a side part, which cascaded in soft waves past her shoulders.

Taylor-Joy was accompanied by a star-studded lineup of celebrities, including Olivia Wilde, Emily Blunt, Gabrielle Union, Quinta Brunson, Rosie Huntington-Whiteley, Reese Witherspoon, Laura Harrier, Suki Waterhouse and Aimee Song, among others.

Wilde flaunted a black figure-hugging dress with a plunging neckline, Blunt was radiant in a white sequin dress, Union opted for a custom-made Staud dress in black and white, Brunson wore a black velvet midi-gown from Roland Mouret and Huntington-Whiteley chose a white Carolina Herrera dress.

Al-Fahim is an Abu Dhabi-based designer known for her elegant and ethereal aesthetic, often featuring intricate embellishments, delicate fabrics and flattering silhouettes. Her creations combine femininity and sophistication, blending traditional craftsmanship with modern sensibilities.

Seen on red carpets, premieres and high-profile events worldwide, Al-Fahim’s creations have captured the attention of international celebrities including Rihanna and Jennifer Lopez.

Al-Fahim has also previously teamed up with US luxury handbag designer Tyler Ellis on a limited-edition capsule collection in 2022.


REVIEW: Sofia Boutella’s heroic efforts can’t save ‘Rebel Moon — Part Two’

Updated 26 April 2024
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REVIEW: Sofia Boutella’s heroic efforts can’t save ‘Rebel Moon — Part Two’

DUBAI: “Rebel Moon — Part One: A Child of Fire” drew scathing reviews (our writer described it as perhaps “the most discombobulating collection of mismatched sci-fi tropes ever committed to film”). “Part Two: The Scargiver” simply adds to that legacy.

The story: Former Imperium soldier Kora and the surviving band of ragtag warriors she’s recruited return to the moon of Veldt — home to simple farming folk in danger of being blown to bits by the mighty Imperium for failing to supply the unreasonable grain quota demanded of them. With just a few days before the deadline, Kora and her band must train the villagers to fight (and harvest the grain in just three days to provide a bargaining chip). What Kora doesn’t know is that Admiral Noble, the bad guy she ‘killed,’ is still alive. And bent on vengeance.

Before the enemy arrives, the warriors tell their life stories in a trust-building exercise — one of the clunkiest pieces of exposition ever written. There are slow-mo shots of the harvest gathering and a brief interlude to show that Kora and farmer Gunnar are very much in love.

Then, thankfully, we’re into the battle(s). Here, at least, director Zack Snyder doesn’t disappoint, even giving an original twist to the ‘spaceship plummeting from the sky’ trope by staging a showdown between Kora, Gunnar and Admiral Noble on a floor that becomes increasingly vertical. Below them, the villagers fight heroically against odds very much stacked against them, even with the help of Nemesis and her two flaming definitely-not-lightsabers.  

The well-constructed battle scenes, though, aren’t enough. Not even with a cast fighting as heroically as the villagers to salvage something. Sofia Boutella, as Kora, emerges with most credit, proving herself a convincing action hero who deserves better than this material to work with (spoiler alert: perhaps even material that allows the heroine to kill the bad guy herself, without the intervention of her boyfriend).

Yes, no one’s sitting down to watch an “epic space opera” in the expectation of thought-provoking dialogue, but “Rebel Moon” is like the result of forcing a seven-year-old to watch all things “Star Wars” and “Star Trek” in random order, then asking them to write down what happened. The best thing to say about “The Scargiver” is that it finishes — but even that comfort is tainted by Snyder’s cynical setting up of a potential part three. Possibly because that seven-year-old fell asleep before writing an actual ending.