Why Bollywood can’t get enough of fashion from the Arab world

No major red-carpet event in India is complete without at least a couple of leading ladies wearing a gown from an Arab designer. (AFP)
Updated 17 July 2019
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Why Bollywood can’t get enough of fashion from the Arab world

  • When Indian cinema’s leading ladies need to slay on the red carpet, they are increasingly turning to Middle East designers.

DUBAI: Bollywood has long been popular in the region. The Gulf is Indian cinema’s largest overseas market, and — in return — Bollywood has fallen in love with fashion from the Middle East. The two have plenty in common: not least a passion for opulence, (melo)drama and craftsmanship.

No major red-carpet event in India is complete without at least a couple of leading ladies wearing a gown from an Arab designer — and designers from, or based in, the Middle East are increasingly becoming the “go-to” for Indian actors at international film festivals too. At the most recent edition of the Cannes Film Festival, for example, Priyanka Chopra wore a white strapless gown from Lebanese designer Georges Hobeika, Aishwarya Rai wore a white gown by Beirut-based Ashi Studio, Kangana Ranaut opted for a sheer embroidered gown by Dubai-based Filipino designer Michael Cinco and Diana Penty was spotted in a yellow dress with feather details by Oman’s Atelier Zuhra.




Priyanka Chopra wears Georges Hobeika. (AFP)

Mohit Rai, one of India’s leading celebrity stylists, started his career with Harper’s Bazaar India and made the switch to working with Bollywood several years ago. His client list includes Kareena Kapoor Khan, Sonakshi Sinha and Shilpa Shetty. He says, “The Middle East is the only other region apart from India that really appreciates a high level of couture and craftsmanship. Their common aesthetic is a major reason for Indian stylists looking to Middle Eastern fashion. Plus, Arab designers are able to combine the Parisian and European flair for pattern cutting while retaining the Indian love for embellishment.” 

With many designers from the Middle East showing at Paris Couture Week (this year, Maison Rabih Kayrouz became the second Arab designer after Elie Saab to be authorized by the French Couture Federation to use the tag haute couture), they understand silhouette and tailoring, and because the region has a heritage of handcrafted beading and threadwork, they are able to marry the best of East and West.

Dubai-based Syrian designer Rami Al-Ai recently worked with Bollywood star Kareena Kapoor Khan. “We both appreciate the same beauty, and there’s a lot of similarity in the way they celebrate life. Both have this kind of dramatic celebration when it comes to weddings and functions.” Indeed, when Deepika Padukone married Ranveer Singh last year, she turned to acclaimed Lebanese designer Zuhair Murad for one of her wedding looks.




Aishwarya Rai wore an Ashi Studio gown on the red carpet at Cannes this year. (AFP)

There are designers in India who specialize in red-carpet fashion, and while their surface embellishments are impeccable, their fit often is not on par with their embroidery. Historically Indian fashion is more about drape than construction, as Rai points out.

“I do not think India has enough designers catering to the Western evening wear segment in a very couture category such as the Middle Eastern ones,” he tells Arab News.

His favoured Arab designers include Beirut-band ased Saudi Arabian designer Mohammed Ashi of Ashi Studio, Kuwait’s Yousef Al-Jasmi, Dubai based Atelier Zuhra. Whereas Hollywood tends to go with the region’s best-known designers such as Elie Saab and Zuhair Murad — who both have a strong international retail presence — Bollywood is happy to work with both seasoned and emerging designers.




Diana Penty wears Atelier Zuhra. (Via Instagram)

A shared aesthetic is what makes Arab design appeal to Bollywood’s stylists, but there is also a more pragmatic reason for the synergy between the Bollywood red carpet and Middle Eastern fashion: Their geographical proximity.

Ami Patel is one of the best-known celebrity stylists in India and works with stars including Priyanka Chopra, Alia Bhatt and Kananga Ranaut. She finds it easier to work with the Middle East than Europe, she says.

“I think Middle Eastern designers understand the Indian body type and silhouette very well. They know exactly what Indian celebrities want and cater to them. Since the countries are in close proximity working with them becomes easier.”

Patel adds that she finds designers from the region can work on quick turnarounds and are able to tweak designs when needed. Indian women do tend to be curvy, so regular European sample sizes are often just not an option for many of India’s leading ladies. And whereas European fashion houses may have only heard of Indian actors who have done international work — such as Priyanka Chopra or Deepika Padukone — designers from the Middle East are familiar with the landscape of Indian cinema, meaning they are easier to approach. As Patel says, “Middle Eastern designers follow Bollywood films and stars very closely and it’s a great amalgamation which has some really great outcomes.” 




Deepika Padukone in a wedding outfit from Zuhair Murad. (AFP)

One recent look of which Patel is particularly proud is Alia Bhatt’s appearance in a midnight-black Zuhair Murad gown at the Indian International Film Academy Awards in New York.

“It was a really special look for me,” she says. “The gown was stunning; it had such beautiful delicate embroidery which gave an illusion as if the entire constellation of stars had descended onto Alia.”




Alia Bhatt in a midnight-black Zuhair Murad gown at the Indian International Film Academy Awards in New York. (AFP) 

The fact that the region is so close to India also means that Indian celebrities regularly visit the Middle East.

“A lot of Indian celebrities are doing a lot of events in the Middle East, and that plays a big role in picking what kind of outfits to wear,” says Rai.




Priyanka Chopra in Dubai. (AFP) 

Dubai designer Rami Al-Ali agrees. “Bollywood stars are also celebrities in the Middle East world,” he says.

“Since the Middle East is actually aligned with the industry, they are definitely keener on dressing Indian stars and even willing to customise and size outfits for our actors,” says Rai. And so, for Indian cinema, it is Arab designers who rule the red carpet.


Robert De Niro’s publicist denies video shows actor shouting at Pro-Palestine supporters

Updated 02 May 2024
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Robert De Niro’s publicist denies video shows actor shouting at Pro-Palestine supporters

  • Footage shared online was scene from upcoming Netflix series, Stan Rosenfield says
  • ‘Someone copied the post and fabricated an entirely different and bogus meaning,’ he says

DUBAI: Robert De Niro’s publicist has shut down a rumor that a video clip widely shared online shows the 80-year-old actor confronting pro-Palestinian protesters in New York.

The 34-second clip has been shared on social media with the caption: “Robert De Niro stands with Israel!”

But publicist Stan Rosenfield told CNN that the Hollywood veteran was actually rehearsing a scene for his upcoming series in which he plays a former president.

“What you saw was a direct scene from the Netflix series ‘Zero Day,’ with Robert De Niro reading lines as written in the script,” he said.

The video was shot on the streets of New York on Saturday and in the clip, De Niro’s character was confronting a crowd of people, he said.

“Someone copied the post and fabricated an entirely different and bogus meaning,” he said.

Netflix supported the story, according to a report by Just Jared.

In the clip, De Niro yells at the crowd: “This is not a movie! This is not a movie! Move behind the barricade. You like talkin’ nonsense? Then you gotta go home!

“That’s dangerous and they say they’re gonna do it again! Again! You don’t want that. You don’t want that. None of us want that. C’mon. Let’s all get serious.”

The footage was shared by various pro-Israel accounts on social media with some claiming the words “They say they’re gonna do it again” were a reference to the Hamas attack on Israel on Oct. 7.
 


The Weeknd donates $2 million for humanitarian aid in Gaza 

Updated 02 May 2024
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The Weeknd donates $2 million for humanitarian aid in Gaza 

DUBAI: Canadian singer The Weeknd has pledged to donate another $2 million to help feed families in Gaza, the United Nations’s World Food Programme reported. 

The donation comes from the star’s XO Humanitarian Fund, which helps combat global hunger. 

“This support will provide over 1,500 metric tons of fortified wheat flour, which can make over 18 million loaves of bread that can help feed more than 157,000 Palestinians for one month,” said WFP.

In December, the multi-platinum global recording artist, whose given name is Abel Tesfaye, donated $2.5 million to WFP from the fund, which he established in partnership with World Food Program USA. That equated to 4 million emergency meals, funding 820 tons of food parcels that could feed more than 173,000 Palestinians for two weeks. 

Tesfaye, who was appointed a Goodwill Ambassador in October 2021, is an active supporter of WFP’s global hunger-relief mission. He, his partners and his fans have raised $6.5 million to date for the XO fund.

In total he has directed $4.5 million toward operations in Gaza and has sent $2 million to support WFP’s emergency food assistance for women and children in Ethiopia. 


Jordan’s Princess Rajwa turns heads with maternity fashion statement

Updated 02 May 2024
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Jordan’s Princess Rajwa turns heads with maternity fashion statement

DUBAI: Princess Rajwa Al-Hussein of Jordan was spotted shopping in Amman on Wednesday, her growing baby bump proudly on show.

The princess, who is from Saudi Arabia, wore a blue denim maternity jumpsuit from the Tencel Denim Maternity range by British label Seraphine.

She completed her look with white sneakers and accessorized with a Bottega Veneta Mini Cabat Mini leather tote bag.

Princess Rajwa, the wife of Crown Prince Hussein bin Abdullah II, celebrated her birthday last week. The crown prince took to social media to send her birthday greetings as an official portrait of the princess was unveiled.

“May God continue to bless and nurture the bond between us. Happy Birthday Rajwa,” he wrote on Instagram, sharing a new photo of the couple.

The new official portrait of Princess Rajwa shows the princess wearing a blue outfit from French label Rabanne against a matching blue background.

Earlier this month it was announced that the royal couple, who married in June last year, were expecting their first baby this summer.


Action! Saudi Film Festival returns for 10th edition

Updated 02 May 2024
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Action! Saudi Film Festival returns for 10th edition

  • Everything you need to know about Ithra’s celebration of cinema 

DHAHRAN: The 10th Saudi Film Festival will begin May 2 at the King Abdulaziz Center for World Culture (Ithra) in Dhahran.  

This year’s eight-day event — organized by the Cinema Society in partnership with Ithra and with support from the Ministry of Culture — will feature 76 film screenings and 53 titles vying for 36 awards. The red carpet will be rolled out on both opening and closing nights, with filmmakers, actors and film buffs in attendance. There will be workshops and book signings and, of course, the opportunity for filmmakers from the Kingdom and the wider region to come together. 

The festival will open with “Underground,” a feature-length documentary by Saudi director Abdulrahman Sandokji about the Kingdom’s music industry. (Supplied)

The festival will open with “Underground,” a feature-length documentary by Saudi director Abdulrahman Sandokji about the Kingdom’s music industry. 

Festival director Ahmed Al-Mulla said at a press conference: “This event is fast developing into a must-attend festival across the GCC film community. This year’s 10th edition is shaping up to be the biggest and best yet.” 

“We have come a long way over the past decade and are pleased to see Saudi Film Festival’s importance and popularity across the region’s film community growing each passing year,” added SFF vice president, Mansour Al-Badran. “(It) has become a portal for cultural exchange and exploration, providing an avenue for cultural openness for the Kingdom and building bridges beyond borders for new programs and experiences.” 

Syrian filmmaker Mohammad Malas will be honored at this year’s Saudi Film Festival. (AFP)

The festival’s colorful history — back to its debut in 2008 — will be on display at the Cinema Society’s “Saudi Encyclopedia of Cinema,” which includes 20 books covering all aspects of film.  

This year’s edition has two main themes: Indian cinema and sci-fi films. The Spotlight on Indian Cinema program will explore India’s rich film industry beyond Bollywood and showcase Indian indie movies, which rarely get the chance to run in the Gulf region. Practical workshops and cultural seminars will be included for both the main themes, as well as programming designed especially for children.  

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

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The Plaza at Ithra will bring the future to the present by providing a Virtual Production Experience (NeoCyb) experience. Combining live-action film with digital environments or elements in real-time, virtual production uses advanced technologies such as real-time rendering engines and motion-capture to create immersive virtual environments that performers can interact with, enabling filmmakers to visualize and capture scenes with complex visual effects more efficiently and cost-effectively, by reducing the need for extensive post-production work. 

And speaking of production, the festival also includes a production market where people can meet up to work towards a common goal: making more movies. Filmmakers, producers, funders — and those seeking funding — will be present. The market is designed, the organizers say “to enhance the film industry in Saudi Arabia by encouraging collaboration between artists, producers, and investors in the cinema industry.” 

A total of 53 features, shorts and documentaries, nominated by the festival’s technical committee, will compete for 36 prizes at this year’s SFF. They will be displayed at the festival in three categories: the Film Competition, the Unexecuted Screenplay Competition, and the Production Market Projects Competition.  

There will also be a new category of prizes up for grabs: The Golden Palm, which will be presented to the best Saudi documentary about the environment as well as a second-place award for the best animated short film on the topic. 

On the sidelines of all the high-profile screenings, the festival also includes a myriad of activities for film professionals, including 10 training workshops, two of which will focus on production market participants and short- and long-scenario development. There will also be a symposium and a total of 13 masterclasses covering a wide range of topics. More details are available on Ithra’s website. 

SFF will also continue to celebrate the achievements of film pioneers in the Kingdom and the Gulf region. This year, the festival will honor Saudi actor Abdulmohsen Al-Nemer, who hails from nearby Al-Ahsa.  

Al-Nemer has starred in numerous films over his decades-long career, including “The Sun” (1990), “Shadows of Silence” (2006), “Thobe: The Wedding” (2016) and “Long Road” (2022). 

He also starred in last year’s award-winning “Hajjan,” an Ithra Film Production that premiered at the 2023 Toronto International Film Festival and recently took home three awards at the Gulf Film Festival including Best Feature, Best Actor and Best Cinematography. 

The festival will also honor Syrian director, Mohammad Malas, whose work has often been banned in his homeland but is recognized as one of his country’s leading auteurs. His documentary about Palestinian refugee camps in Lebanon, shot in the Eighties, “Al-Manam” was awarded first prize at the first International Documentary Festival in France in 1987. 


Sci-fi franchise ‘Planet of the Apes’ gets new instalment 

Updated 02 May 2024
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Sci-fi franchise ‘Planet of the Apes’ gets new instalment 

  • Wes Ball directs as dystopic series jumps centuries ahead 

DUBAI: Wes Ball, known for directing dystopic flicks including “Maze Runner” and “Ruin,” wasn’t fully on board when he was first approached to helm “Kingdom of the Planet of the Apes”, the latest instalment in the sci-fi franchise that has spawned 10 films. 

“I was skeptical,” Ball told Arab News. “I’m a big fan of this franchise. I grew up on the original (1968) one. I love the previous three movies (the reboot series that began in 2011). What Andy Serkis did and what Matt Reeves did in those movies, they're distinct; they're incredible movies. And I was questioning whether there was a need for a follow up. 

“I wasn't really into the idea until we figured out this concept that allowed us to be brave enough to go our own direction and not feel the need to be so tied to the previous movies,” he continued. “Of course, there's a lot of love and respect (for) the previous movies, but we wanted to do something new and fresh and original — have a reason to exist, and not just to do another one for the sake of it. So we tried really hard to come up with a story and a group of characters that felt new and different and would be a worthy addition to what's now been 10 movies over 35 years.” 

“Witcher” star Freya Allan plays Mae (centre). (Courtesy of 20th Century Studios)

“Kingdom” is intended as a sequel to 2017’s “War of the Planet of the Apes” — the third film in the rebooted series — but is set nearly 300 years after its events. 

Over those three centuries, ape civilizations have grown and they have become the dominant species on Earth. Humans, meanwhile, have faded and become an “echo” of their ancestors, regressing into a more feral, primitive form. 

Against this backdrop, “Kingdom” tells the coming-of-age story of a young ape called Noa (Owen Teague) as he goes up against the tyrannical ape leader Proximus Caesar (Kevin Durand), aided by a young woman named Mae (Freya Allan). 

The tyrannical ape leader Proximus Caesar is played by Kevin Durand. (20th Century Studios)

Before filming commenced, the cast attended six weeks of ape school, spearheaded by movement coach Alain Gauthier. Teague also spent some time observing chimpanzees. 

“I learned how much like an ape I am. I might be more ape than human,” Teague said. “One of the most fascinating things to me was how political they are, and how complicated their social hierarchy is; it's not entirely vertical, there's this kind of intermingling. Two apes will form a coalition and try to take down another, and the one who's in power will go and campaign. There's all these strategies they use to get where they want to be socially. And I had no idea that they could lie or deceive or backstab the way they do. It makes a lot of sense that we come from them.” 

“Witcher” star Allan — who plays the only significant human role in the film — says her time on the sets of the fantasy Netflix show helped with some of the stunts for this movie. 

“I have gained confidence from doing so much on ‘Witcher.’ And I've done dance in the past. I enjoy doing that physical stuff. I find it really exhilarating to do a stunt well. But there was stuff I did in this film that I haven't done in other things. There was some water stuff that was really fun to do. And just a lot of falling over. I was always bruised,” she said. 

Filmmaker Wes Ball on the set of  ‘Kingdom of the Planet of the Apes.’ (20th century Studios) 

A film set centuries after the fall of human civilization is familiar territory for Ball, who directed all the “Maze Runner” films. 

“I just kind of fall into these worlds for whatever reason,” he said. “But I didn’t come up with the world for ‘Maze Runner,’ it was in the books. I just had to implement and execute it. But that’s a world you don't want to go into: It's dirty. It's dangerous. Whereas this ‘Apes’ world… it's beautiful. It's nature reclaiming the Earth and it's becoming a new Eden in a way. I hope people don't use the word dystopian for this movie. I hope they use words like, ‘a lost world.’ 

“So much time has passed that all signs of humanity have almost been wiped away. I love the idea that it becomes a lovely world that you would like to explore,” he continued. “And the cool thing about it is, underneath all that beauty and tranquility, there's this haunting idea of the mistakes that mankind made.”