Inside Dubai’s Perfume House, a museum of scents

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Dubai Perfume House at the Shindagha Museum. (Supplied)
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Inside Dubai Perfume House. (Supplied)
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Exhibits at Dubai Perfume House. (Supplied)
Updated 10 June 2019
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Inside Dubai’s Perfume House, a museum of scents

  • “Perfume is an important part of Khaleeji and Arab culture," says Shatha Al-Mulla
  • The Perfume House is located inside the former home of the late Sheikha Sheikha bint Saeed Al-Maktoum

DUBAI: When a Queen in ancient Arabia wanted to impress kings, she would send them precious aromatic gifts, such as myrrh and frankincense — known as the earliest ‘Arabian oil.’

The ancient incense caravan route brought great wealth to Arabia as it passed from Yemeni kingdoms via Tayma — known as one of the oldest settlements in the province of Tabuk, Saudi Arabia — to the rest of the world from the 3rd millennium BCE to the first century CE.

From Bilqis, the Queen of Sheba, to tribal leaders, the great volume of incense, perfumes and spices traded during the last millennium BCE helped make the Arabian Peninsula an hub for trade between East and West.

The recently opened Perfume House at the Shindagha Museum in Dubai offers visitors a chance to experience these ancient fragrant cargos through custom-made devices and go on an aromatic journey to learn about the traditional making of perfumes, scented oils and incense, while exploring ingredients including saffron, Dihn Al Oud, roses from Damascus and Taif, and today’s synthetic materials.

“Perfume is an important part of Khaleeji and Arab culture. Every home has its own collection of perfumes and incense,” said Shatha Al-Mulla, head of the research and studies unit at the Architectural Heritage Department of Dubai Municipality, one of three entities that are working on the master plan of the Shindagha Museum.

The Perfume House is located inside the former home of the late Sheikha Sheikha bint Saeed Al-Maktoum, who was an avid collector of perfume. Many of the artifacts were part of her personal collection, including perfume applicators and a rare 28-kilogram piece of oud, a raw scent ingredient and one of the most expensive objects on display, which she donated to the museum. There is even an ode to perfume, written by the late Sheikha herself

“Her knowledge of the art of perfume and its history is now preserved here for all generations to learn from,” said Al-Mulla.

Each of the five main halls has a different theme. In the first, visitors learn about the natural ingredients in Emirati and Gulf perfumes. For instance, a ‘tolah’ of oud oil, the size of a traditional oud bottle (11.67 ml), requires a total of 11.6 kg of agarwood.

“One of the things you learn here is the amount of effort and time it takes to make a single small bottle of perfume,” said Al-Mulla. “It is truly an art of balance, of creativity, and patience.”

The second hall is dedicated to the culture of perfume, from poetry to different styles of application. In the third ‘social uses’ room, one discovers how fragrances are used on textiles and in everyday life, such as stuffing cotton mattresses with small amounts of musk or saffron, while Mashmoom (basil variety) was placed inside pillows for a gentle calming scent.

The fourth hall reveals the ancient trade routes, along with details of archeological discoveries that highlight perfume’s historic importance.

The last hall offers video displays explaining how certain traditional perfumes are made.

 “We each have a specific memory of different fragrances,” Al-Mulla concluded. “That’s why perfume remains a very personal ritual for each of us.”

THE LOWDOWN

WHERE: The Perfume House, Al-Shindagha Museum, Dubai

OPEN: Friday, 2.30 p.m. to 9 p.m.; daily except Tuesday from 10 a.m. to 6 p.m.

ADMISSION: Adults AED15; Children AED10; Free for under-fives

WEBSITE: alshindagha.dubaiculture.gov.ae


Review: ‘Sorry, Baby’ by Eva Victor

Eva Victor appears in Sorry, Baby by Eva Victor, an official selection of the 2025 Sundance Film Festival. (Supplied)
Updated 27 December 2025
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Review: ‘Sorry, Baby’ by Eva Victor

  • Victor makes a deliberate narrative choice; we never witness the violence of what happens to her character

There is a bravery in “Sorry, Baby” that comes not from what the film shows, but from what it withholds. 

Written, directed by, and starring Eva Victor, it is one of the most talked-about indie films of the year, winning the Waldo Salt Screenwriting Award at Sundance and gathering momentum with nominations, including nods at the Golden Globes and Gotham Awards. 

The film is both incisive and tender in its exploration of trauma, friendship, and the long, winding road toward healing. It follows Agnes, a young professor of literature trying to pick up the pieces after a disturbing incident in grad school. 

Victor makes a deliberate narrative choice; we never witness the violence of what happens to her character. The story centers on Agnes’ perspective in her own words, even as she struggles to name it at various points in the film. 

There is a generosity to Victor’s storytelling and a refusal to reduce the narrative to trauma alone. Instead we witness the breadth of human experience, from heartbreak and loneliness to joy and the sustaining power of friendship. These themes are supported by dialogue and camerawork that incorporates silences and stillness as much as the power of words and movement. 

The film captures the messy, beautiful ways people care for one another. Supporting performances — particularly by “Mickey 17” actor Naomi Ackie who plays the best friend Lydia — and encounters with strangers and a kitten, reinforce the story’s celebration of solidarity and community. 

“Sorry, Baby” reminds us that human resilience is rarely entirely solitary; it is nurtured through acts of care, intimacy and tenderness.

A pivotal scene between Agnes and her friend’s newborn inspires the film’s title. A single, reassuring line gently speaks a pure and simple truth: “I know you’re scared … but you’re OK.” 

It is a reminder that in the end, no matter how dark life gets, it goes on, and so does the human capacity to love.