Elton John’s songwriter to unveil new visual art at exhibit

Bernie Taupin, left, is portrayed as Elton John's, right, friend in the biopic “Rocketman.” (File/AFP)
Updated 06 June 2019
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Elton John’s songwriter to unveil new visual art at exhibit

  • The exhibit will feature 20 sculptures and artworks constructed from barbed wire, shattered guitars and several US flags
  • The artist is credited with co-writing Elton’s “Rocketman” and “Bennie and The Jets” songs

BEVERLY HILLS, California: Bernie Taupin is known for his longtime musical work with Elton John, but the British songwriter’s visual artistry is stepping into the spotlight through an art exhibit.

Taupin’s artwork called “Bernie Taupin: The Artist, The Raconteur & His Blowtorch” will be unveiled at the Galerie Michael on Friday. The exhibit will feature 20 unseen, life-size sculptures and artwork made from barbed wire, shattered guitars and various American flags.

The exhibit runs until June 30.

“This is inspired by things that inspire me,” said Taupin, who is credited for co-writing an array of songs with John including “Rocket Man,” “Bennie and The Jets,” “Tiny Dancer” and “Candle in the Wind.” He is portrayed in John’s new biopic “Rocketman.” He’s also written for Alice Cooper and Willie Nelson, and released three solo albums and two others with a band called With Farm Dogs.

Taupin has been creating visual art since the age of 17, and he says his work has appeared in museums and exhibits throughout the US The 69-year-old said his visual artwork is an extension of what he spent his life creating through words.

“This is a comprehensive overview of my work,” he said. “It’s certainly one of the largest that I’ve ever presented. This is very much me in the moment.”

Taupin said veterans and family members of veterans who were killed in action donated the flags to him. The flags include images of Captain America and Johnny Cash along with chicken wire.

Some of the flag artwork on display has a clean or weathered look. He intentionally burned pieces of the flag during his creation process to show the different elements of American patriotism.

Taupin said using the flag was an obvious choice, calling it an “iconic” artifact. The British-born songwriter said he is fascinated with the American flag because it is a “thrilling representation of the drama that this country is built upon. The good and the bad.”

“It’s got so much history attached to it,” he said. “For me, it’s a very heroic symbol. I always say it’s been battered and burned, but it has this ability to come back and unify people. Inspire people. Hopefully within the framework of my work, that’s what it’s doing.”

Taupin also created visual art with thought-provoking messages without the flag. He has a piece of artwork with Woody Guthrie’s “This Machine Kills Fascists” famous line, while another piece read “I Don’t Play Rock ‘n’ Roll” with an assembly of broken guitars underneath the message.

Michael Schwartz, founder of the Galerie Michael, called Taupin one of those “rare creative geniuses.”

“I thought to myself, ‘How will his art compare to the level of his genius and his writing music and poetry?’ But I was shocked,” said Schwartz, whose 40-year-old-plus fine art gallery has featured works from Rembrandt including originals from Picasso and Renoir.

“(Taupin’s work) has the same vibration,” he continued. “It has this unique quality of somehow being able to communicate on an inner basis. A visual basis to people.”

Taupin said his approach toward writing songs and creating visual art is totally different.

“One is visual, one is sonic,” he said. “One is created in a much more visceral atmosphere than the other. The art is very loud and noisy. When I write songs, it’s very quiet and tranquil. It’s as simple as that.”


Hamza Hawsawi on headlining The Fridge in Riyadh

Updated 14 February 2026
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Hamza Hawsawi on headlining The Fridge in Riyadh

DUBAI: Saudi R&B artist Hamza Hawsawi headlined The Fridge’s “Concert Series KSA Season 1” over the weekend, performing a show in Riyadh’s JAX District as part of a two-day program spotlighting emerging talent.

Hawsawi’s performance followed “The Fridge Open Mic,” which took place at the same venue the night before. The open mic offered rising artists a professional stage to perform original material in front of a live audience, creating space for experimentation and discovery within the local music scene.

Speaking during the event, Hawsawi highlighted the importance of platforms such as open mics for artists. “I think it is important because an open mic is an opportunity to get to know new artists,” he said. “For industry professionals, like Fridge, it is an eye-opener to the scene, and it lets you understand how the scene is going, what kind of artists you’re gonna be dealing with in the future.”

From an artist’s standpoint, he added, the format remains essential for growth. “We do need open mics. We do need to be out there and to try different things, and to sing to different people, and to test our art and find out if people are gonna gravitate towards it or not.”

Hawsawi has spent more than 15 years developing a sound rooted in R&B, soul and pop, building an audience that now spans the region and beyond. He has accumulated more than 33 million global views and collaborated with a range of regional and international artists. 

His track “Million Miles” was selected as the official Rally Dakar anthem, while his live performances have included stages such as MDLBeast and the Abu Dhabi Grand Prix.

Asked whether he feels a responsibility to help shape the Saudi R&B scene, Hawsawi described a fluid relationship with that role. “Sometimes I feel that sense of responsibility,” he said. “Other times I feel like I’m just a human being trying to express my feelings … But we’re just artists at the end of the day.”

He added that while he sometimes embraces being a beacon for the genre, “other times I feel like I want to be low-key, and I don’t even want to be seen or heard.”

Hawsawi also reflected on one of his personal challenges as an artist in the Kingdom: writing and performing primarily in English. 

“That has been the biggest challenge to face,” he said. 

While Arabic remains the most widely spoken language in Saudi Arabia, Hawsawi explained that English allows him to express what he feels more clearly, particularly when it comes to emotion and meaning.

“The nuances of what I feel and all the metaphors for me trying to say something but not saying it, you know, not a lot of people get that,” he said, noting that his work often reaches a niche audience. “But I’m happy with that.”