Mena Massoud’s Arabic message goes viral as ‘Aladdin’ takes a magic carpet ride at the box office

The Aladdin movie is expected to earn $105 million. (Supplied)
Updated 05 June 2019
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Mena Massoud’s Arabic message goes viral as ‘Aladdin’ takes a magic carpet ride at the box office

  • The actor seems proud of his Egyptian origins
  • The new live-action Aladdin is expected to earn more than earlier box office predictions

DUBAI: The actor who plays Aladdin in Disney’s latest live-action movie, Mena Massoud, said he is excited for the public to watch the movie in a video posted on his Facebook page.

Massoud, addressing viewers in Arabic, said he is proud of being part of the Disney franchise and hopes they love it as much as he did.

The actor concluded the video by repeatedly saying “long live Egypt.”

He was born in Egypt and then moved to Canada with his parents.

Massoud seems to be proud of his Egyptian roots.

He posted a video of himself asking a band to play a song by Abdel Halim Hafiz, an Egyptian actor and musician.

“Aladdin” apparently still has the old magic, as the new Disney film took in an estimated $86.1 million in the Friday-to-Sunday period in North America to lead all box-office offerings, industry watcher Exhibitor Relations reported.

The film is expected to earn $105 million when Monday’s ticket sales are included, well beyond earlier estimates of around $80 million, according to the Hollywood Reporter.

Directed by Guy Ritchie, the film stars Will Smith as the genie, Egyptian-born Canadian actor Massoud as Aladdin and Naomi Scott as Princess Jasmine.


Producer Zainab Azizi hopes ‘Send Help’ will be a conversation starter

Updated 31 January 2026
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Producer Zainab Azizi hopes ‘Send Help’ will be a conversation starter

DUBAI: Afghan American film producer Zainab Azizi cannot wait for audiences to experience Sam Raimi’s new horror comedy “Send Help.”

In an interview with Arab News, the president at Raimi Productions kept returning throughout her interview to one central theme: the communal thrill of horror.

“I started watching horror from the age of six years old. So, it’s kind of ingrained in my brain to love it so much,” she said, before describing the formative ritual that still shapes her work: “What I loved about that was the experience of it, us cousins watching it with the lights off, holding hands, and just having a great time. And you know, as an adult, we experience that in the theater as well.”

Asked why she loves producing, Azizi was candid about the mix of creativity and competition that drives her. “I’m very competitive. So, my favorite part is getting the film sold,” she said. “I love developing stories and characters, and script, and my creative side gets really excited about that part, but what I get most excited about is when I bring it out to the marketplace, and then it becomes a bidding war, and that, to me, is when I know I’ve hit a home run.”

Azizi traced the origins of “Send Help” to a 2019 meeting with its writers. “In 2019 I met with the writers, Mark and Damien. I was a fan of their works. I’ve read many of their scripts and watched their films, and we hit it off, and we knew we wanted to make a movie together,” she said.

From their collaboration emerged a pitch built around “the story of Linda Little,” which they developed into “a full feature length pitch,” and then brought to Raimi. “We brought it to Sam Raimi to produce, and he loved it so much that he attached to direct it.”

On working with Raimi, Azizi praised his influence and the dynamic they share. “He is such a creative genius. So, it’s been an incredible mentorship. I learned so much from him,” she said, adding that their collaboration felt balanced: “We balance each other really well, because I have a lot of experience in packaging films and finding filmmakers, so I have a lot of freedom in the types of projects that I get to make.”

When asked what she hopes audiences will take from “Send Help,” Azizi returned to the communal aftermath that first drew her to horror: “I love the experience, the theatrical experience. I think when people watch the film, they take away so many different things. ... what I love from my experience on this film is, especially during test screenings, is after the film ... people are still thinking about it. Everybody has different opinions and outlooks on it. And I love that conversation piece of the film.”