Tech giants must probe Qatar hate preacher, analysts say

In media appearances spanning decades, Yusuf Al-Qaradawi has espoused extreme views, which have included justifying suicide bombings and authorizing attacks on Jews. (Getty Images)
Updated 02 April 2019
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Tech giants must probe Qatar hate preacher, analysts say

  • Yusuf Al-Qaradawi is ‘a maker of bomb-makers’ and platforms must investigate his online activity
  • Al-Qaradawi has ‘most certainly’ encouraged acts of terror in the past, and continues to disseminate messages via social media despite being in his 90s

LONDON: It is time for social media companies to get tough with Qatar-based Yusuf Al-Qaradawi, experts on extremism have said, as the controversial cleric is named in Arab News’ ongoing “Preachers of Hate” series.
In media appearances spanning decades, notably on the Doha-based Al Jazeera news channel, Al-Qaradawi has voiced his often extreme views, which have included justifying suicide bombings, praising the Holocaust and authorizing attacks on all Jews. He has also issued fatwas (religious edicts) that demean women.
It is for this reason that Al-Qaradawi was included in this newspaper’s “Preachers of Hate” series, which analyzes extremist preachers from various religions, backgrounds and nationalities.
Despite his weekly show on Al Jazeera no longer airing, and a recent tweet in which Al-Qaradawi claims that he is not a preacher of hate, experts say the renegade cleric still has vast influence. Much of this is via social media, prompting calls for action.
Josh Lipowsky, senior research analyst at the Counter-Extremism Project (CEP), said it was inappropriate for Qatar to have provided Al-Qaradawi with a media platform on Al Jazeera. “It helped raise his profile, to expand his influence. Even though he isn’t making as many appearances as he once did, his words still matter and he still has influence,” Lipowsky said.
“The elevation and prominence given to Al-Qaradawi has enabled him to continue to spread his views. We need to make sure these platforms are no longer available.”
Research by the CEP, a non-profit organization that combats extremist groups, points to Al-Qaradawi’s vast social media network.

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As of Jan. 15, his main channel on YouTube had almost 6 million followers, while his verified Twitter and Facebook accounts had about 2.3 million followers each.
Blocking the cleric’s YouTube channel, for example, would be “one step” in curtailing his influence, said Lipowsky. “We’d call on the social media companies to seriously review these accounts to determine whether they’re in compliance with these companies’ own terms-of-service agreements.”
“Based on his past rhetoric and support of violence, these social media companies should take a thorough look at his accounts in order to determine that they’re not being used to further spread extremist propaganda.”
Facebook and Twitter did not respond to an Arab News request for comment. Al Jazeera did not respond to questions about its airing of Al-Qaradawi’s weekly show “Shariah and Life.”
Lipowsky pointed to some of Al-Qaradawi’s more extreme comments made on that show, such as claims that the Holocaust was a divine punishment for the Jews.
“His platforms gave him widespread influence across the world. His ‘Shariah and Life’ program on Al Jazeera reportedly had an audience of 60 million people before it ended in 2013. He used the show to espouse many of his hard-line views,” Lipowsky said.
“Even though his TV show has since ended, he continues to maintain influence online, on Twitter … His Facebook (account) has more than 2 million followers,” he said.
“What we need is to apply pressure in order to remove his support. It could be diplomatic, it could be economic,” he said.
“We’ve already seen countries like Saudi Arabia, Bahrain, the UAE and Egypt take action. But I think there needs to be a more concerted effort by governments in the region to identify extremist propaganda and act against it.”
Writer and columnist Abdellatif El-Menawy agreed that investigating whether Al-Qaradawi is in breach of social media sites’ terms and conditions is “part of their responsibility.”
Paul Stott, research fellow at the Center on Radicalization and Terrorism at the Henry Jackson Society in London, said the best approach to combating Al-Qaradawi’s views is to challenge rather than ban them.
Social media companies have been effective at removing pornographic images, but are less effective at taking out extreme political content that advocates violence, he added.
“Probably knowledge among the big social media companies about Islam per se, and then the more extreme currents within it, is probably pretty low,” Stott said.
Al-Qaradawi has “most certainly” encouraged acts of terror in the past, and continues to disseminate messages via social media despite being in his 90s, Stott added.
“Al-Qaradawi’s views are reprehensible … He isn’t someone who mellowed with age. In a way, his danger comes from his ability at certain times to convince people that he’s a sort of ‘man of peace’,” Stott said.
“This is somebody who’s a maker of bomb-makers, rather than being a bomb-maker himself.”


To infinity and beyond: Grendizer’s 50 years of inspiring Arabs

Updated 27 December 2025
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To infinity and beyond: Grendizer’s 50 years of inspiring Arabs

  • ⁠ ⁠50 years after its creation, the Grendizer anime series continues to capture Arab imagination
  • ⁠ ⁠⁠Arab News Japan speaks to creator Go Nagai, Middle Eastern fans and retells the story behind the UFO Robot tasked with protecting our planet

LONDON: Few cultural imports have crossed borders as unexpectedly, or as powerfully, as Grendizer, the Japanese giant robot that half a century ago became a childhood hero across the Arab world, nowhere more so than in Saudi Arabia.

Created in Japan in the mid-1970s by manga artist Go Nagai, Grendizer was part of the “mecha” tradition of giant robots. The genre was shaped by Japan’s experience during the Second World War, and explored themes of invasion, resistance and loss through the medium of science fiction.

But while the series enjoyed moderate success in Japan, its true legacy was established thousands of kilometers away in the Middle East.

By the early 1980s, “Grendizer” had spread across the Middle East, inspiring fandoms in Saudi Arabia, Kuwait, Iraq and beyond. (Supplied)

The anime “UFO Robot Grendizer” arrived on television in the region in 1979, dubbed into Arabic and initially broadcast in Lebanon during the Lebanese civil war. The story it told of the heroic Duke Fleed, a displaced prince whose planet had been destroyed by alien invaders, struck a chord with children growing up amid regional conflict and occupation by Israel.

Its themes of defending one’s homeland, standing up to aggression and protecting the innocent were painfully relevant in the region, transforming the series from mere entertainment into a kind of emotional refuge.

Much of the show’s impact came from its successful Arabization. The powerful Arabic dubbing and emotionally charged voice-acting, especially by Lebanese actor Jihad El-Atrash as Duke Fleed, lent the show a moral gravity unmatched by other cartoons of the era.

While the series enjoyed moderate success in Japan, its true legacy was established thousands of kilometers away in the Middle East. (Supplied)

The theme song for the series, performed by Sami Clark, became an anthem that the Lebanese singer continued to perform at concerts and festivals right up until his death in 2022.

By the early 1980s, “Grendizer” had spread across the Middle East, inspiring fandoms in Saudi Arabia, Kuwait, Iraq and beyond. For many, it was not only their first exposure to anime, it also delivered lessons on values such as justice and honor.

Grendizer was so influential in the region that it became the subject of scholarly research, which in addition to recognizing the ways in which the plight of the show’s characters resonated with the audience in the Middle East, also linked the show’s popularity to generational memories of displacement, particularly the Palestinian Nakba.

By the early 1980s, “Grendizer” had spread across the Middle East, inspiring fandoms in Saudi Arabia, Kuwait, Iraq and beyond. (Supplied)

Half a century later, “Grendizer” remains culturally alive and relevant in the region. In Saudi Arabia, which embraced the original version of the show wholeheartedly, Manga Productions is now introducing a new generation of fans to a modernized version of the character, through a video game, The Feast of The Wolves, which is available in Arabic and eight other languages on platforms including PlayStation, Xbox and Nintendo Switch, and a new Arabic-language anime series, “Grendizer U,” which was broadcast last year.

Fifty years after the debut of the show, “Grendizer” is back — although to a generation of fans of the original series, their shelves still full of merchandise and memorabilia, it never really went away.

 

Grendizer at 50
The anime that conquered Arab hearts and minds
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