The UAE’s art scene isn’t imported, Emirati curator argues

UAE NOW curator Munira Al-Sayegh. (Art Dubai)
Updated 24 March 2019
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The UAE’s art scene isn’t imported, Emirati curator argues

  • Several art platforms participated in the new segment
  • One of the artists said her piece is actually a collaboration with the public

ABU DHABI: This year, Art Dubai introduced a new segment into its program — the UAE NOW exhibit that showcased the country’s local independent, artist-run platforms.

The region’s largest art fair ran from March 20-23 and Arab News caught up with UAE NOW curator Munira Al-Sayegh to find out more about the push to showcase homegrown creativity.

“The UAE NOW section of Art Dubai is extremely important to me. It is a moment where we are looking at the cross-collaboration of grassroots platforms that have taken place out of the sheer idea of collaboration between creatives and it is extremely important to showcase this as a counter-narrative to the usual stereotypical idea that the UAE’s art scene is a very commercial art scene or one that is imported,” the curator said.

The participating platforms included Bait 15, Banat Collective, Jaffat el Aqlam, PAC (Public Art Collective) and Daftar Asfar. The platforms were invited to showcase their works and many ended up creating small, informal spaces that showed off the artists’ pieces in a cozy atmosphere. Bait 15’s booth featured a large mattress in the middle, where visitors could rest their weary feet, and the Banat Collective boasted draped chiffon on which passers-by could draw and doodle with chalk pastels.  

The piece by Saudi Arabia-based Palestinian artist Jana Ghalayini was a “collaboration with the public,” she told Arab News, adding that she was hoping to explore themes of identity and empowerment through the interactive installation.

For her part, co-founder of the Abu Dhabi-based Bait 15 studio Afra Al-Dhaheri was equally interested in opening up a dialogue.

“This is the first time that Art Dubai allows for community spaces to be present… I think this dialogue has to emerge one way or another, like, having the artist community speak,” she told Arab News.  

“Art is important for any society. It’s a register for the history of the society, the community and the times,” she added.


Islamic Arts Biennale reveals dates for its third edition

Updated 24 February 2026
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Islamic Arts Biennale reveals dates for its third edition

DUBAI: The Diriyah Biennale Foundation has announced the third edition of the Islamic Arts Biennale, open from Nov. 1, 2027, through March 1, 2028, at the Aga Khan Award–winning Western Hajj Terminal of King Abdulaziz International Airport in Jeddah, Saudi Arabia.

Conceived and launched by the Diriyah Biennale Foundation, the Islamic Arts Biennale is the first biennale in the world dedicated exclusively to the exploration of the arts of Islamic civilizations, past and present. The biennale brings together a large number of historical works — some of which have never been displayed before — into dialogue with contemporary commissions, to highlight questions and perspectives that resonate with the lives of people around the world today.

The third edition of the Islamic Arts Biennale and future editions of the Diriyah Contemporary Art Biennale will open at the end of each year, allowing the foundation to deepen its focus on institutional partnerships and align with the Kingdom’s wider cultural calendar.

The Islamic Arts Biennale 2027 will build on the success of its inaugural and second editions, which presented over 500 historical objects from more than 40 institutions across more than 20 countries, with the second edition tripling the number of participating institutions.

Central to this expansion is AlMadar (“The Orbit”), an initiative conceived by the Diriyah Biennale Foundation to transform the biennale from a periodic exhibition into a sustained global platform for Islamic arts. Launched with the biennale’s first edition and reflecting an understanding of Islamic heritage as an evolving field, AlMadar reconsiders how works from across eras and geographies are convened, studied, and experienced. The initiative demonstrates the Kingdom’s commitment to cultural collaboration internationally and across disciplines.

AlMadar will evolve into a continuous, year-round initiative structured by four pillars: AlMadar Exhibition, presented at each edition of the Islamic Arts Biennale and accompanied by public programs; AlMadar Digital, a repository that leverages technology for research, collaboration, and storytelling; AlMadar Initiatives, consisting of symposia, talks, and workshops that support research and creative practice; and AlMadar Community, a network connecting member institutions for knowledge exchange and collaborative opportunities.