What We Are Reading Today: Truth in our Times by David E. McCraw

Updated 15 March 2019
Follow

What We Are Reading Today: Truth in our Times by David E. McCraw

  • The author recounts his experiences as the top newsroom lawyer for the New York Times during the most turbulent era for journalism in generations

In his new book, Truth in Our Times: Inside the Fight for Press Freedom in the Age of Alternative Facts, David E. McCraw recounts his experiences as the top newsroom lawyer for the New York Times during the most turbulent era for journalism in generations.

“McCraw, the New York Times deputy general counsel, takes us behind the scenes of the venerable (or failing, depending on your perspective) New York Times,” said Preet Bharara in a review published in the daily. 

A self-professed “raving moderate,” McCraw is in prime position to provide this backstage view as he draws equally on his experience as a writer and a lawyer. He excels at both, explaining legal issues in lay terms and unspooling the stories that propel the book, added Bharara. 

“McCraw is rightly proud of his role in defending The Times in so many controversies. But there is also a whiff of helplessness in his telling about the degradation of truth and of people’s trust in the press, neither of which is really a matter of law or legal policy,” said Bharara.


Elie Saab, Zuhair Murad show new couture collections in Paris

Updated 29 January 2026
Follow

Elie Saab, Zuhair Murad show new couture collections in Paris

  • Saab’s collection uses light as central theme
  • Exploration of structure, movement by Murad

DUBAI: Lebanese designers Elie Saab and Zuhair Murad presented their Spring/Summer 2026 haute couture collections in Paris earlier this week.

Look 1 by Elie Saab. (Supplied)

Saab’s collection referenced light as a central theme, expressed through elongated silhouettes and layered embellishment, according to a statement from the brand.

Look 2 by Elie Saab. (Supplied)

The runway featured gowns built on sheer bases, with metallic embroidery, sequins and crystal beadwork creating layered textures across champagne, gold, bronze and soft ivory tones.

Look 3 by Elie Saab. (Supplied)

Column dresses, deep necklines and floor-length gowns dominated the collection, while draped panels, embroidered capes and sheer overlays added movement.

Look 4 by Elie Saab. (Supplied)

Several looks incorporated fringed detailing and geometric patterns, with crystal embellishments catching the light as models walked.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by ELIE SAAB (@eliesaabworld)

Accessories were kept minimal, allowing the focus to remain on craftsmanship and surface technique.

Meanwhile, Murad’s collection also placed craftsmanship at the center of the show.

Look 1 by Zuhair Murad. (Supplied)

According to the house, the collection explored structure and movement, using corsetry to define the body and draping to create fluidity.

Look 2 by Zuhair Murad. (Supplied)

The runway featured fitted gowns and sculpted eveningwear built around structured bodices, many finished with dense embroidery, crystals and metallic thread.

Look 3 by Zuhair Murad. (Supplied)

A palette of champagne, pale blue, sage green, ivory and gold ran throughout the show, with strapless silhouettes, off-the-shoulder gowns and column dresses appearing alongside sheer panels, thigh-high slits and flowing trains.

Look 4 by Zuhair Murad. (Supplied)

Shorter dresses with crystal-encrusted bodices were shown alongside floor-length gowns, with sheer layers and extended trains.