World-renowned Saudi artist returns to Hijazi roots for exhibition project

Sarah Al-Abdali's work on display at the house of her great-grandfather at Al-Balad district of Jeddah. (AN photo by Huda Bashatah)
Updated 14 March 2019
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World-renowned Saudi artist returns to Hijazi roots for exhibition project

  • Sarah Al-Abdali has grand designs for historic Jeddah property built by her great-grandfather

JEDDAH: An internationally celebrated Saudi artist has returned to her roots to stage an exhibition in a historic building close to her heart.

Sarah Al-Abdali, whose source of artistic inspiration is her identity as a Hijazi, has taken part in prestigious festivals around the world including Venice and London.

But now the 30-year-old is working on a project to turn “an architectural masterpiece,” built by her great-grandfather in the old Al-Balad district of Jeddah, into a museum and gallery. She currently has an exhibition of her work on display there.

Jeddah-born Al-Abdali was only 17 when she stumbled across the distinctive Bait Sharbatly property while out for a walk in Al-Balad. She told Arab News that her great-grandfather’s house was different than all the others in the area.

“I was bewildered as to why I didn’t know about such heritage,” said Al-Abdali. “It’s an architectural masterpiece. It inspired me to question everything and started my career as an artist. So, I thought it would be amazing to hold my exhibition in there.

“We are working to make the house into a museum with collections that will highlight the history of the property and how it was built. It wasn’t a residential house and for some time it served as the Egyptian Embassy,” she added.

Al-Abdali originates from Hijaz in the western region of Saudi Arabia and draws inspiration from the land, architecture and heritage of the area for her art work. Her exploration of the Arabic language, culture and philosophy and how to weave it into art and illustrations, has been the key to her unique take on life. 

“I see my journey as an artist as starting from my identity as a Hijazi,” she said. “I constantly question myself and explore the identities, history and heritage of Hijaz.”

Al-Abdali has participated in international art festivals such as Rhizoma in the 55th Venice Biennale (2013) and #cometogether by Edge of Arabia East of London (2012), and she has also exhibited in high-profile venues including the Saatchi Gallery and the British Museum, both in London. 

Many of her paintings are centered around women, depicting her imagined scenes of times gone by.

Al-Abdali said: “Looking at the history of Hijaz, I am fascinated by the strength of its women. They have strong characters, even in my own family, and I think that portrayal comes out naturally in my art.

“I focus on highlighting the social structure of Hijaz. Usually art related to Hijaz highlights either spirituality or architecture, but you never find out about the people who live there, their characters and their stories.

“More than anything I try to tell the stories of those people. I am fascinated by the tales I was told about Hijazi women throughout history.”

Al-Abdali also creates her own paints and pigments and works with natural materials. “If I am using ceramics, I use handmade ceramics. I like to merge traditional techniques with the modern way, and experiment with my materials while maintaining the traditional essence of the work.”

She added: “My work mostly focuses on the human touch and lost traditions. I have studied Islamic arts and feel a responsibility to continue that art in a very traditional, contemporary way.

“Most of my work is about the power of detail, working with basic materials and highlighting the craft of the artist which is a concept highly lacking in the contemporary art scene internationally and locally.”


Saudi Arabia witnessing comprehensive cultural development, says expert

Updated 14 February 2026
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Saudi Arabia witnessing comprehensive cultural development, says expert

  • Clotilde Entrecanales of Acciona hails pace of change in Kingdom

JEDDAH: Museums, exhibitions and art centers play a crucial role in the development of free and educated societies such as the one now burgeoning in Saudi Arabia, an expert has told Arab News.

Clotilde Entrecanales, the Spanish art historian and cultural executive who heads Acciona Living & Culture, a leading creator of technology-driven interactive museums, exhibits and events, said the Kingdom is making efforts to expand the role of culture development to show the world the greatest possible cultural offer.

She added that the Kingdom has quickly infused new energy into the region, and is rapidly establishing itself as a global cultural hub through massive investment in world-class museums, public art and international events, aligning with its 2030 vision.

She said: “With around 70 percent of the population under 30, cultural consumption looks very different than in Europe or the US. These spaces can’t feel like quiet, isolated institutions … they need to be fast, dynamic, brave and deeply connected to the city, blending into everyday urban life rather than sitting apart from it.”

Asked about the role of these sites in the evolving global cultural landscape, particularly in emerging cultural hubs like Saudi Arabia, Entrecanales said: “Our vision is to be a purpose-led partner for cultural and entertainment institutions, helping them be more relevant, connected, inclusive and sustainable.”

She added: “In emerging cultural hubs like Saudi Arabia, that approach feels especially relevant. The cultural transformation underway is moving fast — with major heritage and cultural destinations being developed and opened to the world.”

Speaking about her impression of the Kingdom’s approach to blending heritage with modernity face, Entrecanales said: “Others who attempt to achieve this balance often end up turning heritage into a theme, a layer of storytelling or a cultural program. What feels different about Saudi’s approach is how much pressure there is to treat heritage as the foundation, not just the surface.

“When you’re building at this speed and scale, there’s always a risk that history becomes a backdrop instead of a backbone. The projects that work best are the ones that slow down just enough to let the past set the rhythm for the present.”

Regarding opportunities and challenges, she said: “The opportunity is nothing less than positioning Saudi Arabia as a global cultural center. The challenge, as always, lies in balancing the speed and scale of that ambition with long-term sustainability and a sense of authenticity that remains credible and rooted.”

She added: “You can really feel this in places like the Islamic Arts Biennale, which shows hundreds of historical artefacts of the Islamic world, while re-framing them through contemporary scenography and designs by some of the best design studios in the world; or in AlUla, a world-class heritage site that hosts a major contemporary platform like Desert X, allowing ancient context and present-day artistic practice to coexist in a way that feels genuine.”

Under her guidance, ACCIONA Cultura aspires to create museums and cultural experiences that function as landmarks while fostering sustainable, inclusive and immersive interactions.

She elaborated on how the company is integrating technology, culture, and sustainability to preserve and promote the region’s cultural heritage: “We always start with human connection and storytelling: what’s the story, what should people leave with? Tech comes later.”

Recently, ACCIONA Cultura has been involved in significant projects in Saudi Arabia and is looking forward for more.

She said: “Right now, for example, we’re designing and curating a museum gallery where the entire space is shaped by the practice of a Saudi artist. Another example is the Net Zero exhibition at the King Abdulaziz Center for World Culture (Ithra), where we brought together Saudi and international artists to explore sustainability and our relationship with the planet, including voices like Dina Haddadin, Mohammed Al-Faraj, and Zahrah Al-Ghamdi.”

She added: “One of the projects I’m most proud of isn’t a museum, but our NEXT IN Summit, which we’ve hosted in two editions in our ACCIONA Campus in Madrid, highlighting the Kingdom’s unprecedented cultural momentum as it builds future-facing institutions with a startup mindset.”

About further collaboration with Saudi Arabia, she said: “Let’s just say … something’s definitely simmering in the kitchen.”

Commenting on being recognized among the Blooloop 50 Museum Influencers for 2025, she said: “It means a lot. More than anything, it feels like a nod to the years of teamwork and dedication behind Acciona Cultura, rather than to me personally.”