What We Are Reading Today: Blind Spots

Updated 19 February 2019
Follow

What We Are Reading Today: Blind Spots

Authors: Max H. Bazerman & Ann E. Tenbrunsel

When confronted with an ethical dilemma, most of us like to think we would stand up for our principles. But we are not as ethical as we think we are. In Blind Spots, leading business ethicists Max Bazerman and Ann Tenbrunsel examine the ways we overestimate our ability to do what is right and how we act unethically without meaning to.
From the collapse of Enron and corruption in the tobacco industry, to sales of the defective Ford Pinto, the downfall of Bernard Madoff, and the Challenger space shuttle disaster, the authors investigate the nature of ethical failures in the business world and beyond, and illustrate how we can become more ethical, bridging the gap between who we are and who we want to be.
Explaining why traditional approaches to ethics do not work, the book considers how blind spots like ethical fading — the removal of ethics from the decision-making process — have led to tragedies and scandals such as the Challenger space shuttle disaster, steroid use in Major League Baseball, and the crash in the financial markets.
, and the energy crisis. The authors demonstrate how ethical standards shift, how we neglect to notice and act on the unethical behavior of others, and how compliance initiatives can actually promote unethical behavior. They argue that scandals will continue to emerge unless such approaches take into account the psychology of individuals faced with ethical dilemmas.


What We Are Reading Today: ‘The Treehouse’

Photo/Supplied
Updated 10 January 2026
Follow

What We Are Reading Today: ‘The Treehouse’

  • Walter excels at building tension and sustaining dread

Author: B P Walter

“The Treehouse” by B P Walter unsettles readers with a story told through the eyes of the perpetrators of a horrible crime. It follows two brothers in their 30s — Robert and Kieran — who are bound by blood, secrets, and a terrible act they committed in their youth. Their inner world is an uneasy position for the reader to inhabit, and at its best, the novel leans into that discomfort. 

This 2025 psychological thriller begins with the broadcast of a television series titled “The Treehouse.” The brothers notice a resemblance between the show and their past that is impossible to ignore.

Someone knows, or seems to know, what they did all those summers ago during a family holiday in Cornwall. Someone has taken their secret and turned it into entertainment. For Robert, especially, the fear of being exposed is suffocating. 

Walter excels at building tension and sustaining dread. The anxiety that coils through Robert’s thoughts is convincing, and the dynamic between the brothers becomes increasingly claustrophobic and toxic as the story unravels. It is clear that this is a family, a household, where love exists alongside something far darker.

The question of what exactly happened in the treehouse in 2004 hums beneath every chapter. Yet, despite a compelling premise and moments of real shock, the novel ultimately fell a little flat for me.

The opening is gripping, but once the story settles into the extended childhood timeline, the pacing begins to falter. The past is important, but it dominates the narrative to the point that the present-day thread, which felt sharper and more urgent with its high stakes, is left wanting. 

The limited presence of secondary characters also makes it ultimately feel more predictable than it should, lacking the external conflicts that made the first act of the book so promising. The twists and turns of the final act arrive in quick succession and are less than satisfying.

This was also a difficult book to emotionally connect with; The characters are flawed, often unlikable, and while that may be intentional, it created distance rather than intrigue. 

“The Treehouse” did not hold my attention in the same way as some of Walter’s previous thrillers. It’s a story that seems to linger more for the atmosphere it creates than for where it takes the reader.