Swiss actor Bruno Ganz, who played Hitler, dies at 77

Swiss actor Bruno Ganz who gave a masterful performance as Adolf Hitler in "Downfall" has died. (Supplied)
Updated 17 February 2019
Follow

Swiss actor Bruno Ganz, who played Hitler, dies at 77

  • Hitler is a figure that German-speaking actors have historically been reluctant to take on and the Zurich-born Ganz conceded that being Swiss provided a necessary buffer

GENEVA: Bruno Ganz, the Swiss actor who gave masterful performances as Adolf Hitler in “Downfall” and an angel seeking mortality in divided Berlin, died Saturday aged 77, his agent said.
Ganz, who was suffering from cancer, died “in the early hours of the morning” at his home in Zurich, the agent said.
Considered one of the greatest German-speaking actors in the post-World War II era, Ganz had a distinguished career on screen and stage before his 2004 appearance in “Downfall,” which unfolds over the final, suffocating days inside Hitler’s underground bunker.
For many critics, his nuanced portrayal of the fascist tyrant that veers between explosive and somber was unparallelled.
Hitler is a figure that German-speaking actors have historically been reluctant to take on and the Zurich-born Ganz conceded that being Swiss provided a necessary buffer.
Ganz won acclaim, and some criticism, for a performance shaped by historical records that showed a complex Hitler — at once unhinged and quivering as he berated his defeated generals, but who later displayed tenderness toward a frightened aide.
Ganz told The Arts Desk that he was amused by those who chastised him for “humanizing” the Nazi leader instead of portraying a caricature of evil.
People “need an intact icon of the evil itself,” he said. “I don’t know what evil itself is.”
When asked if he approached the part with the mindset that Hitler was, in the end, a human being, Ganz said: “Of course he is. What else should he be?“

Before the Oscar-nominated “Downfall,” which vaulted Ganz into new levels of global fame, he had already been acknowledged as one of the most important German-language actors.
In 1996 he was given the Iffland-Ring, a jewel officially owned by the Austrian state but held successively by the most significant performer in German theater of the time.
His fame was based on theatrical performances such as a landmark starring role in Goethe’s “Faust.”
He played the part in a 21-hour production mounted by director Peter Stein that ran at the beginning of the century.
On screen, his most prominent role before “Downfall” was in “Wings of Desire“(1987), in which he starred as the angel Damiel who eavesdrops on ordinary, melancholy moments around pre-unification Berlin. The original title was “The Sky Above Berlin.”
Dieter Kosslick, director of the Berlin film festival which holds its awards night late Saturday, called Ganz “one of the greatest and most versatile actors,” who made “international film history.
Ganz also starred in American films such as “The Boys From Brazil” about Nazi war criminals starring Gregory Peck and Laurence Olivier, a remake of “The Manchurian Candidate” and “The Reader” starring Kate Winslett.
His latest films saw Ganz play Sigmund Freud in “The Tobacconist” and included a role in “The House That Jack Built” by Lars von Trier which revolves around a serial killer.

Ganz’s family, mostly blue collar workers in Zurich, were baffled by his decision to quit school and pursue acting, the German news outlet Deutsche Welle (DW) reported on the actor’s 75th birthday.
He got by as a bookseller and a paramedic before moving to Germany in the early 1960s hoping to make it as a performer, according to DW.
He worked in some of Germany’s most prestigious theaters before breakthroughs in film that culminated with his depiction of the country’s most reviled leader.
He told The Arts Desk that to distance himself from the part after a day of shooting he had to “construct a wall or iron curtain” in his mind. “I don’t want to spend my evenings at the hotel with Mr. Hitler at my side.”
He later told the Berliner Morgenpost paper that the role haunted him for years.
But it may well have carved out his permanent place in film history.
The New Yorker magazine’s film critic David Denby called the performance “a staggering revelation of craft.”
“Ganz’s work (as Hitler) is not just astounding, it is actually rather moving,” Denby wrote in 2005.


As an uncertain 2026 begins, virtual journeys back to 2016 become a trend

Updated 30 January 2026
Follow

As an uncertain 2026 begins, virtual journeys back to 2016 become a trend

  • Over the past few weeks, millions have been sharing throwback photos to that time on social media, kicking off one of the first viral trends of the year

LONDON: The year is 2016. Somehow it feels carefree, driven by Internet culture. Everyone is wearing over-the-top makeup.
At least, that’s how Maren Nævdal, 27, remembers it — and has seen it on her social feeds in recent days.
For Njeri Allen, also 27, the year was defined by the artists topping the charts that year, from Beyonce to Drake to Rihanna’s last music releases. She also remembers the Snapchat stories and an unforgettable summer with her loved ones. “Everything felt new, different, interesting and fun,” Allen says.
Many people, particularly those in their 20s and 30s, are thinking about 2016 these days. Over the past few weeks, millions have been sharing throwback photos to that time on social media, kicking off one of the first viral trends of the year — the year 2026, that is.
With it have come the memes about how various factors — the sepia hues over Instagram photos, the dog filters on Snapchat and the music — made even 2016’s worst day feel like the best of times.
Part of the look-back trend’s popularity has come from the realization that 2016 was already a decade ago – a time when Nævdal says she felt like people were doing “fun, unserious things” before having to grow up.
But experts point to 2016 as a year when the world was on the edge of the social, political and technological developments that make up our lives today. Those same advances — such as developments under US President Donald Trump and the rise of AI — have increased a yearning for even the recent past, and made it easier to get there.
2016 marked a year of transition
Nostalgia is often driven by a generation coming of age — and its members realizing they miss what childhood and adolescence felt like. That’s certainly true here. But some of those indulging in the online journeys through time say something more is at play as well.
It has to do with the state of the world — then and now.
By the end of 2016, people would be looking ahead to moments like Trump’s first presidential term and repercussions of the United Kingdom leaving the EU after the Brexit referendum. A few years after that, the COVID-19 pandemic would send most of the world into lockdown and upend life for nearly two years.
Janelle Wilson, a professor of sociology at the University of Minnesota-Duluth, says the world was “on the cusp of things, but not fully thrown into the dark days that were to come.”
“The nostalgia being expressed now, for 2016, is due in large part to what has transpired since then,” she says, also referencing the rise of populism and increased polarization. “For there to be nostalgia for 2016 in the present,” she added, “I still think those kinds of transitions are significant.”
For Nævdal, 2016 “was before a lot of the things we’re dealing with now.” She loved seeing “how embarrassing everyone was, not just me,” in the photos people have shared.
“It felt more authentic in some ways,” she says. Today, Nævdal says, “the world is going downhill.”
Nina van Volkinburg, a professor of strategic fashion marketing at University of the Arts, London, says 2016 marked the beginning of “a new world order” and of “fractured trust in institutions and the establishment.” She says it also represented a time of possibility — and, on social media, “the maximalism of it all.”
This was represented in the bohemian fashion popularized in Coachella that year, the “cut crease” makeup Nævdal loved and the dance music Allen remembers.
“People were new to platforms and online trends, so were having fun with their identity,” van Volkinburg says. “There was authenticity around that.”
And 2016 was also the year of the “boss babe” and the popularity of millennial pink, van Volkinburg says, indications of young people coming into adulthood in a year that felt hopeful.
Allen remembers that as the summer she and her friends came of age as high school graduates. She says they all knew then that they would remember 2016 forever.
Ten years on, having moved again to Taiwan, she said “unprecedented things are happening” in the world. “Both of my homes are not safe,” she said of the US and Taiwan, “it’s easier to go back to a time that’s more comfortable and that you felt safe in.”
Feelings of nostalgia are speeding up
In the last few days, Nævdal decided to hide the social media apps on her phone. AI was a big part of that decision. “It freaks me out that you can’t tell what’s real anymore,” she said.
“When I’ve come off of social media, I feel that at least now I know the things I’m seeing are real,” she added, “which is quite terrifying.”
The revival of vinyl record collections, letter writing and a fresh focus on the aesthetics of yesterday point to nostalgia continuing to dominate trends and culture. Wilson says the feeling has increased as technology makes nostalgia more accessible.
“We can so readily access the past or, at least, versions of it,” she said. “We’re to the point where we can say, ‘Remember last week when we were doing XYZ? That was such a good time!’”
Both Nævdal and Allen described themselves as nostalgic people. Nævdal said she enjoys looking back to old photos – especially when they show up as “On This Day” updates on her phone, She sends them to friends and family when their photos come up.
Allen wished that she documented more of her 2016 and younger years overall, to reflect on how much she has evolved and experienced since.
“I didn’t know what life could be,” she said of that time. “I would love to be able to capture my thought process and my feelings, just to know how much I have grown.”