Bella Hadid walks the runway for Versace in Milan

US model Bella Hadid presents a creation for fashion house Versace during the Men’s Fall/Winter 2019/20 fashion shows in Milan, on January 12, 2019. (AFP)
Updated 13 January 2019
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Bella Hadid walks the runway for Versace in Milan

MILAN: By now, the two Milan Fashion Weeks dedicated to menswear have transformed themselves into platforms for co-ed shows and up-and-coming brands beyond the menswear stalwarts.
The little more than three days of previews for next fall and winter that launched Friday evening include 52 collections in 27 runway shows and 25 presentations. Eleven brands are showing mixed men’s and women’s collections during the less hectic week dedicated to male apparel.
While menswear tends to create less of a spectacle than the womenswear shows, the lines still carry bottom-line weight. Italian menswear registered a turnover of 9.5 billion euros last year, a 1.5 percent increase over 2017.
The Gianni Versace fashion house has changed ownership, but not style. Donatella Versace explored bondage in the fashion house’s latest collection, the first since being bought by the US fashion group Capri Holding Limited.
The opening look had a bondage image printed cheekily on the front of a shirt, worn over dark trousers and with a leather overcoat. Repeated as a motif, bondage became as banal as a bandana print on a blouson. Then, there was winter bondage for her, underneath puffer jackets, and office bondage for him and her, with the back of suit jackets held together with O-rings, showing off colorful satiny prints.




(AFP)


The looks also veered toward cozy, with warm scarves and fuzzy sweaters bearing a new Versace logo, a V encircled by a G. But the Versace man also is not afraid of feminine touches, like colorful boas peeking out of suit jackets, bejeweled broches, crystal encrusted jeans and least of all, colorful embroidered silken boxers with a prominent Versace label peeking out of trousers, or on their own with a sober black suit jacket and button-up dress shirt.
Versace said in her notes that the image of masculinity has evolved since the 1990s “when there was a specific idea of ‘A’ man.”
“What I wanted to show in this collection are the different faces of a man, who... has gained the courage that he didn’t have before. If I had to find a word that defines today’s men, it would be daring,” she said.
Versace also previewed a collaboration with US carmaker Ford, including the oval-shaped blue Ford logo on leather jackets, trousers, sneakers, hoodies and button-down shirts. The latter was layered kinkily with a silky lace top and a leopard-print fur coat. For good measure, the model’s hair was colored in leopard print.
Underlining some of the feminine touches, Versace sent out women’s looks worn by top models Bella Hadid, Kaia Gerber, Vittoria Ceretti and Emily Ratajkowski. Actor Luke Evans and Italian rapper Sfera Ebbasta were in the front row, along with fellow rapper Fedez and his wife, fashion blogger and influencer, Chiara Ferragni.


Mona Tougaard wears bridal look at Dior’s Paris show

Updated 27 January 2026
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Mona Tougaard wears bridal look at Dior’s Paris show

  • Rihanna and Brigitte Macron among attendees at show
  • Design part of new director Jonathan Anderson’s vision

DUBAI/ PARIS: Model Mona Tougaard reportedly turned heads in a bridal-inspired look on the Christian Dior runway during the recent Paris Haute Couture Week.

The runway star, who has Danish, Turkish, Somali and Ethiopian ancestry, wore a sculptural white gown with a one-shoulder silhouette and layered petal-like appliques cascading from the bodice to the full skirt.

The asymmetrical bodice featured draped detailing across the torso, while the skirt flared into a voluminous, floor-length shape.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Dior Official (@dior)

The look was finished with oversized floral statement earrings that echoed the dress’s petal motif.

The floral elements echoed the wider vision of Dior’s new creative director Jonathan Anderson, who drew inspiration from nature and his love of ceramics for his first Haute Couture collection since being appointed to the role.

The 41-year-old faces the rare challenge of overseeing all three fashion lines at the house — women’s and men’s ready-to-wear and Haute Couture — becoming the first designer to do so since Christian Dior himself.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

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Just days after presenting his latest men’s collection during Paris Men’s Fashion Week, the Northern Irish designer returned with his first couture offering.

The collection featured floral motifs on fabrics or as accessories, while sculptural bulbous dresses were inspired by the work of Kenya-born ceramicist Magdelene Odundo.

“When you copy nature, you always learn something,” Anderson declared in his show notes, which compared Haute Couture to a living ecosystem that is “evolving, adapting, enduring.”

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Dior Official (@dior)

Other noteworthy pieces included dresses with spherical birdcage-inspired silhouettes, while other models wore vest tops with their dresses gathered around their waists.

The front row at the Rodin Museum reflected the scale of anticipation surrounding Anderson’s couture debut. France’s first lady Brigitte Macron arrived early, while Lauren Sanchez Bezos swept in shortly after.

Actor Parker Posey twirled briefly in a trench-style dress, playing to the room before settling in.

Then the space fell into a collective pause as celebrities and editors alike waited for Rihanna. When the pop star finally took her seat, the lights dropped and the show began.

Before the show, Anderson admitted in an interview with the Business of Fashion website that he previously thought couture was “irrelevant,” adding that he never really “understood the glamour behind it.”

“Now, I feel like I’m doing a Ph.D. in couture,” he explained.