Review: Turkish Netflix drama ‘The Protector’ a let-down

Cagatay Ulusoy (L) and Hazar Erguclu star in the show. (Photo courtesy: Netflix)
Updated 22 December 2018
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Review: Turkish Netflix drama ‘The Protector’ a let-down

CHENNAI: “The Protector,” the first ever original Turkish series by Netflix, is a bit of a let-down despite its impressive production values.
Edited with imagination and splendidly photographed, it is nonetheless weak on performances.
The dubbing in English is awful with lip-syncing going haywire, and the subtitling is quite off the mark as well.

Directed by several people, “The Protector” is a fantasy of sorts, but there is a political undertone to it given Turkey’s conflicting status that pulls it between Europe and Asia.
The protagonist of the series, Hakan Demir (played feebly by Cagatay Ulusoy), is an ordinary shopkeeper in Istanbul, where the drama unfolds.
When he realizes that he has special powers and is The Protector to save the city and its 15 million inhabitants, his life turns into a fascinating fable.
With his magical shirt and a sword, he is assigned to vanquish the lone surviving Immortal, who is out to destroy Istanbul.
Woven into this adventure are subplots. There is Zeyneb (played by an attractive Hazar Erguclu, whose performance stands out), who is bent on protecting The Protector but whose relationship with him is never defined clearly.
Is she in love with Demir, as his love interest Leyla Sancak (played by Ayca Aysin Turan) seems to suspect? The tension between the two women provides an entertaining additional storyline.
There is also Faysal Erdem (played by Okan Yalabik, who is unusually stiff), with his business empire.
His trusted lieutenant, Mazhar Dragusha (played by Mehmet Kurtulus), becomes a sworn enemy of Demir.
The series needs to work harder in its second season. But one standout feature is the wonderful, realistic portrayal of Istanbul and its many architectural wonders and quirks, from its many street cats to the endless cups of Turkish tea consumed by the show’s characters.


Highlights from Saher Nassar’s ‘Chronicles from the Storm’ exhibition in Dubai

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Highlights from Saher Nassar’s ‘Chronicles from the Storm’ exhibition in Dubai

DUBAI: Here are three highlights from Saher Nassar’s ‘Chronicles from the Storm,’ which runs until March 18 at Zawyeh Gallery in Dubai.

‘Chronicles No. 1’

In his latest solo exhibition, the Palestinian artist “reimagines events that push past emotional capacity toward moral exhaustion, questioning the ethical certainty of the human spirit when faced with immense suffering,” according to the show catalogue, with works that “contemplate the devaluation of hope as a fundamental factor of human survival, sometimes revealed as currency for escape, sometimes seen in people resorting to their primal instincts to endure.”

‘Chronicles No. 8’

“Drawing from both personal and collective experiences, the exhibition unfolds as a layered reflection on how repeated trauma reshapes perception, belief, and the instinct to survive,” a press release for the show states. “Nasser translates lived realities into visual studies that move beyond immediate reaction. Rather than seeking resolution or catharsis, the works dwell in a state of moral exhaustion.”

‘Chronicles No. 3’

In “Chronicles from the Storm,” the UAE-based multidisciplinary artist is not attempting to offer answers, the press release suggests; rather, he is “bearing witness” and “inviting viewers to sit with unresolved questions and the uneasy persistence of the human spirit in the aftermath of the storm.” The works on show “carry a restrained intensity, resisting spectacle in favor of contemplation,” the release continues.