HIGHLIGHTS from Amal Kenawy’s ‘Frozen Memory,’ at Sharjah Art Foundation

"The Purple Artificial Forest" by Amal Kenawy. (Supplied)
Updated 18 December 2018
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HIGHLIGHTS from Amal Kenawy’s ‘Frozen Memory,’ at Sharjah Art Foundation

DUBAI: “Frozen Memory” by Amal Kenawy will be displayed at the Sharjah Art Foundation until Jan.19.

“The Room” (2004)
“Frozen Memory” is the first retrospective of the hugely influential Egyptian visual artist Amal Kenawy since her death in 2012. Kenawy’s work covered a range of media, including sculpture, video, writing, drawing, animation and performance. This piece, a blend of video and performance in which Kenawy sewed beads onto a beating heart, featured in her first solo exhibition.

“The Purple Artificial Forest” (2005)
A series of animated drawings in which Kenawy explored her anxiety dreams. She included initial sketches and notes for the creatures that appear in the final video, showcasing the development of the work, which, typically for the award-winning artist, drew on themes of insecurity and powerlessness.

“Stop — You Will Be Killed” (2006)
Beginning with photographs of the bare walls of a military hospital she visited, Kenawy’s animated film goes on to explore her thoughts and feelings following the visit. Again, her vision is nightmarish, as a rat begins to gnaw at a lifeless female body (the artist used herself as the model), making the violence of war explicit.

 


REVIEW: ‘Is This Thing On?’ — stars elevate Bradley Cooper’s low-key rom-com

Updated 05 March 2026
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REVIEW: ‘Is This Thing On?’ — stars elevate Bradley Cooper’s low-key rom-com

DUBAI: Bradley Cooper’s latest directorial effort is based — loosely — on the life of popular UK comedian John Bishop, so you might expect stand-up to be its focus. It isn’t. This is a bittersweet low-key depiction of a love that has eroded between a couple who’ve been together for decades.

Alex (Will Arnett, of “Arrested Development” and “BoJack Horseman” fame) — a regular guy with a regular job — and Tess (Oscar winner Laura Dern) — a former Olympic volleyball player, now a housewife and mom — are separated, heading for a mutually agreed divorce, and keeping it amicable partly for the sake of their two kids, partly because they still get on well — just not well enough to stay together.

Newly single Alex decides to get a late-night drink at New York’s famed Comedy Cellar. To avoid paying the $15 dollar entry fee, he signs up for a slot at the open-mic night (a part inspired by Bishop’s own origin story). With no material planned, he’s not great, but his self-deprecating, anecdotes about his impending divorce get a few laughs. Most importantly, the experience sparks a new passion in Alex and he continues to perform, befriending other comics who offer him companionship and advice and a new perspective that leads him to re-evaluate his own contributions to his marriage. His newfound spark also makes Tess see him in a new light, one that might just convince her to give him another shot.

What elevates this sometimes-saccharine, not-entirely-believable (exhibit A: the scene where Tess discovers that Alex is using their relationship as comedy material) film above similar fare is the engrossing chemistry on show between Arnett and Dern as people struggling to (re)discover themselves in middle age. Arnett is typically charming and witty as Alex, but brings out unexpected depths of emotion in what may be his best performance to date. Dern imbues Tess Tess with the toughness and independence you’d expect from a successful former pro athlete, but gives equal weight to her vulnerabilities as someone who’s invested so much of her identity into something she can no longer do to the same high standards. Their relationship is so sweetly genuine you’ll find yourself rooting for them both.