The Six: Films you didn’t know were shot in Morocco

Some scenes of 'Lawrence of Arabia’ were shot in the country. (Photo courtesy: Columbia Pictures)
Updated 28 October 2018
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The Six: Films you didn’t know were shot in Morocco

DUBAI: The narrow alleyways and vast deserts of Morocco have long played host to Hollywood film crews, but did you know that these blockbusters were shot in the country?
‘John Wick 3: Parabellum’
The film, to be released in 2019, follows hit man John Wick as he fights off other assassins. Halle Berry stars in the upcoming film and has been treating fans to behind-the-scenes clips from Morocco on social media.

‘Othello’
The 1951 film adaptation of William Shakespeare’s play opens with a scene shot in Essaouira, a port city protected by 18th century seafront ramparts.
‘Lawrence of Arabia’
Some scenes of the grand classic based on the life of T. E. Lawrence, released in 1962, were shot in the UNESCO World Heritage Site of Ait Benhaddou.
‘The Mummy’
Actors Brendan Fraser and Rachel Weisz escape the wrath of malevolent ancient Egyptian beings in the 1999 re-make of this film, shot near the town of Erfoud.
‘Inception’
Christopher Nolan’s 2010 blockbuster was partly filmed in Tangier and starred Leonardo DiCaprio and Marion Cotillard among other famous faces.
‘Mission: Impossible – Rogue Nation’
The 2015 film starring action aficionado Tom Cruise was shot in various locations across Morocco, including Rabat and Casablanca.

 


Art Cairo part of a ‘long-term cultural project,’ founder says

Updated 59 min 50 sec ago
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Art Cairo part of a ‘long-term cultural project,’ founder says

CAIRO: As Art Cairo 2026 draws to a close, its founder Mohammed Younis is keen to set the fair apart from its regional counterparts — and also asserts that the annual event is part of a “long-term cultural project.”

The fair, which took place at the Grand Egyptian Museum and wrapped up on Jan. 26, boasted a distinctly Arab flavor, in terms of galleries, artists and the themes of the artworks on show.

Younis says that is all part of a conscious curatorial effort.

“Art Cairo stands apart from other art fairs in the region as the only platform dedicated exclusively and intentionally to Arab art … While many regional fairs present a broad, globalized perspective, Art Cairo emerges from a different vision — one rooted in presenting Arab art from within,” Younis told Arab News.

Across the fair, depictions of golden age icons such as 1950s superstar Mohamed Mohamed Fawzy by painter Adel El-Siwi jostled for attention alongside ancient iconography and pop culture references from the Arab world.

Abu Dhabi’s Salwa Zeidan Gallery, for example, exhibited work by up-and-coming Egyptian artist Passant Kirdy.

“My work focuses on Egyptian heritage in general, including pharaonic and Islamic art. These influences are always present in what I create. This symbol you’re looking at is a pharaonic scarab …  I’m very attached to this symbol,” she told Arab News.

The Arab focus of the curation is part of an effort to bill Art Cairo as a “long-term cultural project,” Younis noted.

“Ultimately, Art Cairo is not simply an art fair; it is a long-term cultural project. It exists to support Arab artists, contribute to building a sustainable art market, and articulate an authentic Arab narrative within the regional and international art landscape.”