Film Review: ‘The Old Man & the Gun:’ Robert Redford oozes boyish charm at 82

A still from the film 'The Old Man & the Gun'. (Supplied)
Updated 24 October 2018
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Film Review: ‘The Old Man & the Gun:’ Robert Redford oozes boyish charm at 82

CHENNAI: If the 1969 movie “Butch Cassidy and the Sundance Kid” made a star out of Robert Redford, his latest adventure, “The Old Man & the Gun,” in which he plays a bank robber, is as compelling, which is made even more commendable by the fact he turns 83 next August.

Redford, who recently declared that this film would be his last, plays a delightful gentleman bank robber with a gun tucked inside his stylishly tailored jacket. And he is as charming as Forrest Tucker as he was walking “Barefoot in the Park” in once-upon-a-time New York.

Directed by David Lowery, “The Old Man & the Gun” is a crime caper but with a cheesy difference: Tucker is a loveable rascal who uses his boyish grin (his screen age is 76) and devil-may-care charm to sweet-talk bank managers into parting with money. Tucker hardly ever fires his gun, he just shows it. Redford pulls off heist after heist in his genteel manner.

When the cops arrive after the robber has walked away with a bow and a smile, all that the bank managers can say is: “Oh, he was a gentleman.” Caught several times, Tucker invariably manages to escape from prison and returns to looting banks with his two equally old accomplices, played by Danny Glover and Tom Waits.

Redford reminds one of what film stars once were, with their affable characters and natural ease on screen. Lowery’s little outing also tells us what cinema can be, a real pleasure where there is little space for blood-baying violence or other forms of crudity, and he could not have chosen a more suitable lead actor.

Long-haired police officer John Hunt, impressively played by Casey Affleck, is soft-spoken to the point of surprising us. But he has steel all right, and, humiliated by Tucker’s innumerable escapes, the cop promises himself that he will catch the gang, which adds some grit and light suspense to the film.


Sotheby’s to bring coveted Rembrandt lion drawing to Diriyah

Updated 18 January 2026
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Sotheby’s to bring coveted Rembrandt lion drawing to Diriyah

DUBAI: Later this month, Sotheby’s will bring to Saudi Arabia what it describes as the most important Rembrandt drawing to appear at auction in 50 years. Estimated at $15–20 million, “Young Lion Resting” comes to market from The Leiden Collection, one of the world’s most important private collections of 17th-century Dutch and Flemish art.

The drawing will be on public view at Diriyah’s Bujairi Terrace from Jan. 24 to 25, alongside the full contents of “Origins II” — Sotheby’s forthcoming second auction in Saudi Arabia — ahead of its offering at Sotheby’s New York on Feb. 4, 2026. The entire proceeds from the sale will benefit Panthera, the world’s leading organization dedicated to the conservation of wild cats. The work is being sold by The Leiden Collection in partnership with its co-owner, philanthropist Jon Ayers, the chairman of the board of Panthera.

Established in 2006, Panthera was founded by the late wildlife biologist Dr. Alan Rabinowitz and Dr. Thomas S. Kaplan. The organization is actively engaged in the Middle East, where it is spearheading the reintroduction of the critically endangered Arabian leopard to AlUla, in partnership with the Royal Commission for AlUla.

“Young Lion Resting” is one of only six known Rembrandt drawings of lions and the only example remaining in private hands. Executed when Rembrandt was in his early to mid-thirties, the work captures the animal’s power and restless energy with striking immediacy, suggesting it was drawn from life. Long before Rembrandt sketched a lion in 17th-century Europe, lions roamed northwest Arabia, their presence still echoed in AlUla’s ancient rock carvings and the Lion Tombs of Dadan.

For Dr. Kaplan, the drawing holds personal significance as his first Rembrandt acquisition. From 2017 to 2024, he served as chairman of the International Alliance for the Protection of Heritage, of which Saudi Arabia is a founding member.

The Diriyah exhibition will also present, for the first time, the full range of works offered in “Origins II,” a 64-lot sale of modern and contemporary art, culminating in an open-air auction on Jan. 31 at 7.30 pm.