Film Review: ‘The Old Man & the Gun:’ Robert Redford oozes boyish charm at 82

A still from the film 'The Old Man & the Gun'. (Supplied)
Updated 24 October 2018
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Film Review: ‘The Old Man & the Gun:’ Robert Redford oozes boyish charm at 82

CHENNAI: If the 1969 movie “Butch Cassidy and the Sundance Kid” made a star out of Robert Redford, his latest adventure, “The Old Man & the Gun,” in which he plays a bank robber, is as compelling, which is made even more commendable by the fact he turns 83 next August.

Redford, who recently declared that this film would be his last, plays a delightful gentleman bank robber with a gun tucked inside his stylishly tailored jacket. And he is as charming as Forrest Tucker as he was walking “Barefoot in the Park” in once-upon-a-time New York.

Directed by David Lowery, “The Old Man & the Gun” is a crime caper but with a cheesy difference: Tucker is a loveable rascal who uses his boyish grin (his screen age is 76) and devil-may-care charm to sweet-talk bank managers into parting with money. Tucker hardly ever fires his gun, he just shows it. Redford pulls off heist after heist in his genteel manner.

When the cops arrive after the robber has walked away with a bow and a smile, all that the bank managers can say is: “Oh, he was a gentleman.” Caught several times, Tucker invariably manages to escape from prison and returns to looting banks with his two equally old accomplices, played by Danny Glover and Tom Waits.

Redford reminds one of what film stars once were, with their affable characters and natural ease on screen. Lowery’s little outing also tells us what cinema can be, a real pleasure where there is little space for blood-baying violence or other forms of crudity, and he could not have chosen a more suitable lead actor.

Long-haired police officer John Hunt, impressively played by Casey Affleck, is soft-spoken to the point of surprising us. But he has steel all right, and, humiliated by Tucker’s innumerable escapes, the cop promises himself that he will catch the gang, which adds some grit and light suspense to the film.


Lolo Zouai takes to Berlin’s Colors platform

Updated 03 March 2026
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Lolo Zouai takes to Berlin’s Colors platform

DUBAI: French Algerian singer Lolo Zouai took to the Berlin-based music platform Colors this week, delivering a live performance of her latest single “Desert Rose PT.II.”

The appearance comes as the track climbed to No. 1 on Algeria’s R&B chart within 24 hours of its release. A sequel to “Desert Rose” from her 2019 debut album “High Highs to Low Lows,” the new single features lyrics in Arabic, French and English, reflecting the cross-cultural influences that shape her sound.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Lolo Zouaï (@lolozouai)

Zouai marked the achievement on Instagram, sharing a series of posts including a photo of herself wearing an Algeria football jersey, alongside the single’s cover art and a screenshot showing its chart ranking. 

“Grateful for the love on this one. Can’t wait for you to hear the studio version and the rest of ‘Reverie’,” she wrote.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by COLORS (@colorsxstudios)

She also reposted a collage of fan reactions, including a TikTok video that read: “It’s 2026 and we still haven’t had another song like ‘Desert Rose’ out.” Others said: “Can’t wait for Desert Rose pt. 2” and “wdym desert rose pt. 2?!?!?!”

The single forms part of her upcoming third studio album, “Reveries,” due for release on April 24. She announced the date last month alongside the music video for “Holding On,” another track from the project.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by COLORS (@colorsxstudios)

Blending R&B with dance-pop elements, “Holding On” delves into themes of grief and memory. The video is dedicated to Zouai’s close friend, Hanna Rosa Hotchkiss, who died in 2021.

In a statement on Instagram, Zouai described the album as the product of a transformative period in her life: “This record was made through three years of grief, growth, and reflection. I had to lose myself to find myself again. I couldn’t have done it without my angel, Hanna. Thank you to my collaborators, my friends, and my Lo-riders who held me down through it all. I hope it heals you the way it healed me.”

Known for her blend of R&B, club-pop and hip-hop, Zouai has gained an international fan base for her dynamic stage presence and genre-blending music.

Zouai’s last release was in November, when she dropped a new single titled “3AM in San Francisco.”