When extremism began: 40 years since the Grand Mosque in Makkah was seized

Smoke rises during fighting on Nov. 20, 1979, after a group seized the Holy Mosque. Right: The mastermind of the attack, Juhayman Al-Otaibi. (AFP)
Updated 14 September 2018
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When extremism began: 40 years since the Grand Mosque in Makkah was seized

  • The rise of extremism in Saudi Arabia began on Nov. 20, 1979 when a deviant group stormed the Holy Mosque of Makkah.
  • Crown Prince Mohammed bin Salman has said that extremism started after 1979. He has pledged a return to a moderate past.

It has been 40 years since Saudi Arabia first experienced a terror attack, which shocked all Muslims worldwide. It took place at their most sacred place where the Kaaba has been located for centuries. The rise of extremism in the Kingdom  began on Muharram 1, 1400 — corresponding to Nov. 20, 1979 — when a deviant group stormed the Holy Mosque of Makkah. The incident, which lasted two weeks, claimed the lives of more than 100 people.

It was the 1st of Muharram, the first month of the Islamic calendar. Hundreds of worshippers were circling the Holy Kaaba, in spirituality and peace, performing the dawn prayer. It was nearly 5:25 a.m. All of a sudden, the attendants started to hear sounds of bullets that turned the most peaceful place into a stage for killers, who targeted ordinary, innocent people and rescuers.

Crown Prince Mohammed bin Salman has said that extremism started after 1979. He has pledged a return to a moderate past.

“We are returning to what we were before — a country of moderate Islam that is open to all religions and to the world,” he told the Future Investment Initiative conference in Riyadh last year.

“We will not spend the next 30 years of our lives dealing with destructive ideas. We will destroy them today,” he added.

The Saudi authorities had to either immediately crush the aggressors or call on them to lay down their arms. The government sent the attackers a warning through a megaphone stressing that what the deviant group inside the Holy Mosque was doing was  in complete  contradiction to the teachings of Islam. The warning, in the name of government of the late King Khaled, also included the following Qur’anic verse to remind the attackers of their heinous acts: “Whoever intends a deviant deed at the Holy Mosque, in religion, or wrongdoing, We will make him taste a painful punishment,” and “Do they not then see that We have made a sanctuary secure, and that men are being snatched away from all around them? Then, do they believe in that which is vain, and reject the Grace of Allah?”




117 members of the deviant group led by Juhayman Al-Otaibi were killed in the encounter, 69 others were executed less than a month later, and 19 received jail sentences. 

However, all calls on the attackers to surrender were fruitless. From the high minarets of the sacred mosque, snipers  started gunning down innocent people outside the Grand Mosque.

King Khaled gathered the country’s senior ulema (scholars) to discuss the matter with them. They all agreed that the aggressors were, from an Islamic point of view, considered apostates, as a Muslim never kills innocent people. Doing that inside the holy mosque was even more atrocious. The ulema issued a fatwa (religious edict) to kill them in accordance with the instructions of the Islamic Shariah. The king ordered an assault. However, he said the lives of the innocent people seized by the attackers should be preserved. He also demanded that the Holy Kaaba and the soldiers be unharmed. And he directed the forces to arrest the offenders alive if possible.

Filled with enthusiasm to liberate their sacred mosque, the Saudi soldiers received the orders to free it from the criminals’ control. The attack to free the mosque began with the Saudi soldiers showing skills in hunting the offenders according to a well-studied plan until they succeeded in taking control of the whole mosque.

When captured, the members of the group were treated mercifully and gently. In this regard, the former head of the Special Security Forces, Maj. Gen. Mohammed Al-Nufaie, told a satellite TV channel that when the mastermind of the attack, Juhayman Al-Otaibi, was caught, a security member grabbed him by his beard. “When a royal saw that, he angrily ordered the soldier to remove his hand from the man’s beard,” Al-Nufaie remembered.

Al-Nufaie said Prince Saud Al-Faisal approached Juhayman and asked him why he had committed these acts. “Juhayman replied: ‘It was Satan.’ The prince also humanely asked him if he was complaining about anything or if he wanted anything. Juhayman pointed to a little wound on his leg and asked for water,” the retired major-general, who was present, said.

Al-Nufaie added that they were all very happy with the liberation of the Grand Mosque: “It was a true rejoicing after a two-week period of professional work. We were thrilled to bring the atmosphere of the mosque back to its normal serenity and tranquility.”

A witness, Hizam Al-Mastouri, 75, told Arab News that he was a soldier who participated in the operation against the attackers.

“We entered the Grand Mosque in a military vehicle to transport our colleagues inside the Masa’a area, near the Mount Al-Marwa. The shooting was extensive, coming from everywhere toward us,” he said.

He added that the companions of Juhayman were hiding in the many corners of the Masa’a. “They could see us, while we were not able to see them. With time, the security leadership made changes in their plans in a way that suited the situation,” Al-Mastouri said.     

The former Editor in Chief of Arab News, Khaled Almaeena, pointed out that it was a cool morning and he had gone to Makkah to visit a cousin when he was told there was a disturbance around the Grand Mosque. “I did not pay any attention at that time because what I came to know later was unimaginable,” he said. 

Crowds of people had gathered and there was a lot of commotion. “Rumors were flying of the Holy Kaaba being seized by ‘foreigners’. Some were telling different stories. I came back to Jeddah and watched the Saudi Television channel, the only one we could see in those days,” he said.

“I was working in Saudia (Saudi Arabian Airlines) but in the evening would go to work part-time at the English station of Radio Jeddah. Even there, reports were sketchy. We had to use the transistor radio to get news from outside stations like the BBC, VOA and Monte Carlo.”

He added that he decided to see for himself and “on the fourth, fifth and sixth morning I would go in my car and off to Makkah. I parked my car at a distance and observed the Holy Mosque,” he said.

“It was a sad sight to see the holiest place in Islam empty. There were no visitors streaming toward the gates. In fact, there was firing from the minarets and I could see the puff of smoke from the different minarets. There was a smell of gunpowder and smoke.” 

Almaeena said that an occasional helicopter would hover high in the sky, keeping far away from the perimeter of the Grand Mosque. “The attack and seizure of the mosque took everyone by surprise. And it took time for all of us, including the security forces, to take stock of what was truly an alarming situation,” he said.

Days passed and no calls for prayers were heard, he continued. “However, after days this band of zealots was overpowered and their leader Juhayman Al-Otaibi was captured. Around the world, there was more satisfaction in the Muslim world,” he said. 

The veteran journalist said he had to report on the incident for the radio, which he did by recording on an old tape recorder and then broadcasting it from Jeddah.

“The capture of the zealots and their leaders was filmed and we had to broadcast it ‘live.’ The available technology did not help. Three people were entrusted with the task. The late Badr Kurayem, one of Saudi Arabia’s leading radio and television broadcasters; Dr. Hashem Abdo Hashem, who later became editor in chief of Okaz; and myself,” he said.

“So here was Dr. Abdo writing the script in his long, flowing handwriting, Badr Kurayem reading the Arabic script and me doing an impromptu live translation, struggling with some of the adjectives that Dr. Abdo was using.” He noted that it was not an easy task but they were able to do it. “Those were dark days but luckily the siege ended,” he added. 

Almaeena said that although there was no social media or instant reporting and journalism was a slow process in those days, the coverage by the Saudi press was professional.

Another prominent journalist, Mohammed Al-Nawsani, said that he was the first media personality to circle the Kaaba after the offenders were arrested.

“You can’t imagine how difficult those days were, as the Kaaba is Qibla of all Muslims. Much though I was shocked to know that the Grand Mosque was captured, I was even much more overjoyed and proud of our security men and their professionalism in dealing with the incident,” he said.  

Like father is not like son

Hathal bin Juhayman Al-Otaibi, the son of the extremist who seized the Holy Mosque in 1979, has overshadowed his father’s radical legacy and was recently promoted to the position of colonel in Saudi Arabia’s National Guards. Hathal was only one year old when his father attacked the Grand Mosque.

Many Saudis on social media described the news of the promotion as an example of “fairness” by Saudi Arabia. They lauded the fact that the son of someone who initiated extremism in the country has now become an integral part of the security apparatus.


US Embassy marks 248th Independence Day with shared US-Saudi vision for space exploration 

Updated 11 sec ago
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US Embassy marks 248th Independence Day with shared US-Saudi vision for space exploration 

  • Ambassador Michael Ratney welcomes hundreds of Saudi guests to space-themed Riyadh reception

RIYADH: The US Embassy in Riyadh celebrated the 248th anniversary of Independence Day on Thursday with a reception hosted by US Ambassador Michael Ratney. 

The ambassador welcomed guest of honor Prince Faisal bin Abdulaziz bin Ayyaf, Riyadh Region mayor, along with Saudi officials, and hundreds of Saudi guests, as well as visitors from Washington, including members of the US Congress.  

The space-themed Independence Day reception served as a symbolic celebration of the future of the US-Saudi cooperation in space, highlighting the profound benefits and possibilities of space exploration, research, and commercial development.

Ratney said the theme reflects the “shared ambition of the United States and Saudi Arabia to embrace opportunities in space, positioning both countries as pioneers in this frontier of innovation.” 

The event evoked nostalgia for past achievements, such as the 1969 moon landing, while emphasizing ongoing advancements in space sciences, particularly commercial space exploration. 

Ratney highlighted Saudi pioneers in space travel, such as Prince Sultan bin Salman, and astronauts Rayyanah Barnawi and Ali Al-Qarni. 

An art installation, “Museum of the Moon,” by artist Luke Jerram, featured NASA’s high-definition imagery of the lunar surface. 

According to the US Embassy’s statement, the collaboration between the US and Saudi Arabia continues to advance shared interests in diplomacy, commerce, culture, and more.

The US remains dedicated to enhancing shared US-Saudi shared interests in security and in fostering prosperity in the region, while also exploring new avenues for partnerships in areas such as the arts, education, entertainment, and tourism, it said.

Both countries are poised to explore further cooperation, including potential joint ventures in space, reflecting a vision for an even stronger US-Saudi relationship in the future, the statement added. 


Saudi, Cypriot foreign ministers discuss relations

Updated 18 min 54 sec ago
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Saudi, Cypriot foreign ministers discuss relations

Saudi Minister of Foreign Affairs, Prince Faisal bin Farhan received his Cypriot counterpart, Dr. Konstantinos Kompos, at the ministry’s headquarters in Riyadh on Thursday.

During the meeting, the ministers reviewed the advanced bilateral relations between the Kingdom and the Republic of Cyprus, and ways to promote them in a variety of fields. 

They also discussed ways to increase bilateral coordination on issues of common interest and reviewed international developments.


New initiative to train young innovators in nanotechnology

Updated 40 min 6 sec ago
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New initiative to train young innovators in nanotechnology

  • Program structured in 3 phases for Saudi graduates and entrepreneurs 

RIYADH: The Nanotechnology Association, supported by the Misk Foundation, is set to launch the Nanohub Program, aimed at inspiring and equipping the next generation for careers in the sector to help support a brighter future and a thriving economy.

Nanohub, a nonprofit initiative, is structured in three phases to train Saudi graduates and entrepreneurs aged between 20 and 26. It provides workshops and sessions to develop personal skills, gain hands-on experience with nanotechnology, and receive guidance from industry experts.

The program partners with leading local and international organizations to ensure participants are prepared for the workforce.

Nanotechnology is expected to transform business and innovation in various sectors. Understanding its economic impact and the potential benefits of partnerships are of crucial importance for young entrepreneurs.

The program aims to equip participants with the skills and knowledge needed to excel in nanotechnology and inspire them to drive innovation in their industries.

The first phase of the program will focus on soft skills and leadership development. It is scheduled for three days, starting on April 28.

The second phase, which starts on May 5, explores applications of nanotechnology. It runs for five days, covering topics like the fundamentals of nanotechnology, its use in medicine, energy, and renewable energy, as well as sustainability.

The third phase, beginning on May 12 and ending on May 16, provides hands-on laboratory experience through a series of sessions called “Shadowing and Lab Tours.” This phase has two key tracks: the Shadowing Track and the Lab Tours Track.

The Lab Tours Track will give participants an in-depth look at cutting-edge nanotechnology research. They will visit world-class laboratories where nanotechnology innovations are being developed.

Participants will observe advanced equipment and complex techniques central to nanotechnology research. They will see live experiments and dynamic processes that reveal the workings of nanotechnology. This track is more than just a tour as it enhances understanding by connecting academic concepts to real-world applications, giving participants a closer look at the research and development process.

The Nanohub Program is “a transformative initiative designed to elevate the skills and competencies of graduates and new hires with STEM (science, technology, engineering and mathematics) backgrounds,” said Dr. Turki Almugaiteeb, chairman of the board of the Nanotechnology Association.

“This unique initiative aims to enrich participants’ soft skills and technical expertise through curated activities.”

Almugaiteeb added that participants would “have the opportunity to delve into the intriguing realms of medicine and energy, witnessing firsthand how nanotechnology is revolutionizing these industries.”

He added: “By immersing themselves in this dynamic program, individuals will not only broaden their knowledge but also cultivate the multidisciplinary skills needed to thrive in today’s competitive and rapidly evolving STEM landscape.”


An enduring bond: A Jordanian photographer has turned his focus on two of the Arab world’s most beloved creatures

Updated 48 min 31 sec ago
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An enduring bond: A Jordanian photographer has turned his focus on two of the Arab world’s most beloved creatures

  • Tariq Dajani’s first photographic exhibition of the horse and falcon series is on display at Ahlam Gallery in Al-Olaya, Riyadh
  • Arabian horses have been the subject of songs and poetry praising their individual and physical qualities down through the ages

RIYADH: The Arabian horse and hunting falcon are important historical and cultural symbols for the Arab world, both ancient and modern.

Now a Riyadh gallery is highlighting this enduring bond with a series of portrait studies of both creatures by Tariq Dajani, a Jordanian photographer and printmaker.

Arabian horses have been the subject of songs and poetry praising their individual and physical qualities down through the ages.

However, Dajani, an owner of Arabians, chose to reflect his love of these creatures through photography and artworks.

Arabian horses have been the subject of songs and poetry praising their individual and physical qualities down through the ages. (Supplied)

Over the years he spent many sessions photographing horses in his native Jordan, as well as the UAE and Saudi Arabia. Later, toward the end of the project, he added the hunting falcon, another symbol of cultural heritage and pride among Arabs.

Dajani’s first photographic exhibition of the horse and falcon series is on display at Ahlam Gallery in Al-Olaya, Riyadh. 

Entitled “Drinkers of the Wind,” the exhibition is the result of 16 years’ work creating portraits of these magnificent creatures.

Tariq Dajani's exhibition at Ahlam Gallery, entitled “Drinkers of the Wind,” is the result of 16 years’ work. (Supplied)

Dajani told Arab News that he is delighted to be able to display his work in Saudi Arabia, “a country that is deeply connected to the horse and the falcon.”

Ahlam Gallery is the perfect place to showcase these artworks, he added.

Dajani’s treatment of his subjects is not in the usual natural or romantic manner. Instead, and this is partly what sets his art apart, he uses a studio portrait approach, where he takes his studio to the stables or falcon sheds, and spends time carefully working on portrait studies of the creatures.

“My aim is to find a connection of sorts with the horse or the birds,” he said. “I am not interested in documenting the creature; I try to go deeper, to express something emotionally if I can.

“I was living in Sweden when I decided to photograph the Arabian horse. So I had to return to the Middle East, and I started with Jordan, my home country.

“The way I approach the work is to present the horse on a backdrop where all my focus — and thus the viewers of the final picture — will be on the animal itself and not on the environment that it is in.”

Tariq Dajani's exhibition at Ahlam Gallery, entitled “Drinkers of the Wind,” is the result of 16 years’ work. (Supplied)

While photographing in Jordan, Dajani met Princess Alia Al-Hussein, eldest daughter of the late King Hussein of Jordan. He presented some of his work to her, and received her enthusiastic approval. 

Princess Alia gave him permission to photograph the horses of the Royal Jordanian Stud, and has continued to support his work over the years, opening his first two exhibitions in Jordan.

“I had access to some of the most beautiful horses in Jordan when I first started my project. My first exhibition solely of Jordanian Arabians was a great success,” Dajani said.

“Encouraged by the reception, and by now totally absorbed in this project, I went to Dubai, then Abu Dhabi, then Saudi Arabia, where I was presented with some of the most magnificent Arabian horses to photograph. Along the way, I introduced portrait studies of the hunting falcon. They, too, are strikingly beautiful and have a special place in Arab culture and heritage.

“I will always remain very grateful to Princess Alia for her initial support, and to many others for encouraging the work and opening doors for me along the way.”

Arabian horses have been the subject of songs and poetry praising their individual and physical qualities down through the ages. (Supplied)

One of his most striking photographs shows two mares bringing their heads together in a gentle greeting.

“This incredible and totally unanticipated greeting happened while I was photographing at the King Abdulaziz Arabian Horse Center in Dirab, south of Riyadh. The two mares were led out onto my backdrop studio space from opposite sides, and when they approached each other, they gently and courteously touched their heads as if to say hello,” he said.

“It was so special. No one had ever witnessed this before. We all held our breath as we watched in amazement. I frequently think that it would be nice if these sensitive, clever creatures could teach us humans a little bit of gentleness and respect.”

Dajani’s exhibition features high-quality photographic color prints, and a smaller collection of photogravure prints, produced by manually pulling an inked metal plate, engraved with the photographic image, through a traditional printing press — a slow and difficult process that produces prints with a special feel and texture.
 


Focus on emerging filmmakers at 11th Showreel Effat International Student Film Festival

Updated 25 April 2024
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Focus on emerging filmmakers at 11th Showreel Effat International Student Film Festival

  • The event included films by young Saudis and their peers from around the world, plus seminars and workshops presented by industry insiders

JEDDAH: Effat University’s School of Cinematic Arts in Jeddah welcomed aspiring filmmakers and cinephiles to the 11th Showreel Effat International Student Film Festival this week.

The theme for the three-day event, which concluded on Thursday, was “Behind the Seen,” reflecting the aim of organizers to shed light on the creative process and less-visible aspects of filmmaking. The program included a diverse range of cinematic offerings celebrating the work and talent of student filmmakers, not only those studying at the school but also their peers around the globe.

Mohammed Ghazala, head of the School of Cinema Arts, set the scene with an overview of the works featured during the festival, at the heart of which were films created by students and graduates of the school, which has been a pioneer in film and animation education in the Kingdom.

Alongside the home-grown talent, the festival provided a showcase for an impressive selection of international student films. These were carefully curated from a pool of 2,150 submissions from more than 115 countries, which were whittled down to a final selection of 57 exceptional works from 27 nations: Saudi Arabia, Egypt, Lebanon, Tunisia, Yemen, Morocco, Turkey, France, Belgium, Japan, Italy, Estonia, the Czech Republic, the US, China, New Zealand, Singapore, Canada, Taiwan, Russia, Greece, Spain, Poland, India, Indonesia, Mexico and Pakistan.

The chosen films competed for awards in seven categories, including Best Saudi Feature Film, Best International Animated Film, and the prestigious Audience Award.

In addition to providing a platform for emerging filmmakers to showcase their talent and creativity, organizers said the festival also aims to foster cultural exchanges and celebrate the art of cinema on a global scale.

Integral to this is a commitment to nurturing talent and encouraging dialogue within the industry, which was reflected in a series of seminars and workshops led by industry professionals. Effat University lecturer and festival coordinator Marina Ivanseva gave an overview of the sessions, which offered insights into a wide spectrum of topics key to the craft.

They included sessions on a creative cinematic post-production workshop supported by video-streaming service Netflix, cinematography workshops conducted by film camera manufacturer ARRI, and a visual effects workshop backed by specialist studio VFX Mojo.

They were presented by renowned figures and industry insiders such as Saudi artist Sarah Taibah, Oscar-winning German director Thomas Stelmach, British professor Rut Luxemburg, American visual effects artist Matt Beck, and cinematographer James Niehaus.

There were also lectures on animation and experimental film presented by the Royal College of Arts in London, while Stellmach offered insights into his professional journey that led to the Oscars. Saudi producer Nadia Malaika shared valuable career insights, Egyptian lawyer Khaled Al-Arabi discussed legal rights in filmmaking, and Mohammed Sobeih looked at the creation of animated films using Toon Boom software. The festival concluded with a session focusing on animated cinema presented by Synergy University.

“We were thrilled to welcome numerous local and international guests who shared their cinematic experiences with us … during the 11th Showreel Effat International Student Film Festival,” said Asmaa Ibrahim, the dean of Effat College of Architecture and Design.

“Students from Dar Alhekma, King Abdulaziz, and Princess Noura (universities) in Riyadh joined us in celebration. It was a delight to host guests from prestigious institutions such as the Royal College of Art, Netflix, Maflam, Film Association and VFX Mojo, who conducted exceptional workshops. The interactive discussions were engaging and we appreciate the participation of everyone.”

Karim Sahai, a visual effects professional from France, said: “I’m proud to have been a part of this incredible festival, with such a fantastic audience and remarkable guests from all over.

“The quality of their engagement and the depth of their questions during my workshop surpassed my expectations. I truly believe I’ll return to bask in this energy once more; it’s truly inspiring.”

Beyond artistic appreciation, organizers said another aim of the festival is to help forge academic and strategic partnerships, and Effat University has built alliances with institutions such as the University of Southern California and the Red Sea Film Festival Foundation with the goal of fostering collaboration and exchange of knowledge on a global scale.