What We Are Reading Today: The Critical Case of K

Updated 09 August 2018
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What We Are Reading Today: The Critical Case of K

This engaging novel in Arabic by Aziz Mohammed, a Saudi author and blogger from Alkhobar, tells the story of a lonely, melancholic person who defends his individuality against a social and economic system that threatens to overwhelm him.

The protagonist, who is frustrated by his limited abilities and is determined to protect his privacy, receives news that turns his life upside down.

He falls ill with leukemia and struggles with his family and work environment.

Although the author does not specify the society or country where the novel is set, the story could be based on the life of an ordinary young employee at an oil company in the eastern region of Saudi Arabia.

The novel is written in a diary format — after reading Kafka, "K" decides to write a diary, too — with the protagonist recording his daily battles with life in a  sarcastic voice.

The narrative flows smoothly, and the writing style follows a simple sentence structure and vocabulary choice.

Relationships have neither real value nor influence in the story. "K" is a lonely man who makes little effort to end his isolation — and that makes his story interesting and touching.

The novel, published by Lebanon's Dar Al-Tanweer, is 31-year-old Mohammed's first published novel. It was on the shortlist for the 2018 International Prize for Arabic Fiction (Booker).


REVIEW: ‘Shrinking’ season three flounders but Harrison Ford still shines

Updated 19 February 2026
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REVIEW: ‘Shrinking’ season three flounders but Harrison Ford still shines

DUBAI: In its first two seasons, “Shrinking” offered a smartly written, emotionally intelligent look at loss, therapy and the general messiness of human connection through the story of grieving therapist Jimmy (Jason Segel) — whose wife died in a tragic accident — and the village of flawed but recognizably human characters helping to heal him. Season three struggles to move forward with the same grace and thoughtfulness. It’s as though, encouraged by early praise, it has started believing its own hype.

For those familiar with co-creator Bill Lawrence’s other juggernaut, “Ted Lasso,” it’s a painfully familiar trajectory. That comedy also floundered in its third season. Emotional moments were resolved too quickly in favor of bits and once-complex characters were diluted into caricatures of themselves. “Shrinking” looks like it’s headed in the same direction.

The season’s central theme is “moving forward” — onward from grief, onward from guilt, and onward from the stifling comfort of the familiar. On paper, this is fertile ground for a show that deftly deals with human emotions. Jimmy is struggling with his daughter’s impending move to college and the loneliness of an empty nest, while also negotiating a delicate relationship with his own father (Jeff Daniels). Those around him are also in flux. 

But none of it lands meaningfully. The gags come a mile a minute and the actors overextend themselves trying to sound convincing. They’ve all been hollowed out to somehow sound bizarrely like each other.

Thankfully, there is still Harrison Ford as Paul, the gruff senior therapist grappling with Parkinson’s disease who is also Jimmy’s boss. His performance is devastatingly moving — one of his best — and the reason why the show can still be considered a required watch. Michael J. Fox also appears as a fellow Parkinson’s patient, and the pair are an absolute delight to watch together.

A fourth season has already been greenlit. Hopefully, despite its quest to keep moving forward, the show pauses long enough to find its center again. At its best, “Shrinking” is a deeply moving story about the pleasures and joys of community, and we could all use more of that.