Young violinist hits a winning note in Riyadh

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Chloe Chua performs, accompanied by world renowned pianist Gordon Back, at the King Fahad Cultural Center in Riyadh on July 21, 2018. (General Cultural Authority photo)
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Chloe Chua performs to a spellbound audience at the King Fahad Cultural Center in Riyadh on July 21, 2018. (General Cultural Authority photo)
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Eman Gusti, a 20-year-old Saudi pianist, performs during the concert of Chloe Chua at the King Fahad Cultural Center in Riyadh on July 21, 2018. (General Cultural Authority photo)
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Saudi children get a photo op with Chloe Chua. (General Cultural Authority photo)
Updated 23 July 2018
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Young violinist hits a winning note in Riyadh

  • Chloe Chua of Singapore is considered the world's foremost youngest pianist
  • Since the opening of its doors to global talent, people in Saudi Arabia have been enjoying electrifying performances of various world-class musicians and singers.

RIYADH: The cultural landscape of Saudi Arabia is changing at a rapid pace and it is fast becoming a hub of cultural activities. 
Since the opening of its doors to global talent, people in Saudi Arabia have been enjoying electrifying performances of various world-class musicians and singers.
The Saudi authorities are leaving no stone unturned to promote local talent and to make the Kingdom part of the global cultural revolution. 
On Saturday, the General Cultural Authority organized yet another unforgettable concert at the King Fahad Cultural Center, which saw the world’s youngest violinist, Chloe Chua from Singapore perform to a spellbound audience. The 11-year-old talented violinist has been a student at the Nanyang Academy of Fine Arts School of Young Talents (SYT) strings section since the age of four. 
She is studying with Yin Ke, string program leader of SYT and recently won the first prize in the Menuhin Competition Geneva 2018. She has been awarded prizes in numerous other competitions, coming first in the 24th Andrea Postacchini International Violin Competition (May 2017) and third in violin group A of the 2nd Zhuhai International Mozart Competition for Young Musicians. 
Chua was accompanied by the internationally distinguished pianist, Gordon Back. Back is an official accompanist at major international violin competitions such as the Queen Elizabeth competition, the Carl Flesch Competition (London), the International Tchaikovsky Competition (Moscow), the International Violin Competition of Indianapolis (US), and the Menuhin Competition (UK).

VIEW OUR PHOTO ALBUM: Chloe Chua's Concert in Riyadh

The pieces of music, which included Beethoven, Mozart and Johan Svendsen, were inspired by different stories and different musical rhythms and drew rapturous applause.
The program began with a 15-minute performance by Eman Gusti, a 20-year-old Saudi pianist who started playing at the age of nine. 
“No one on earth can imagine how I felt when I heard the audience applauded. It is such a great honor,” Gusti told Arab News.
She said she finally felt she had a place to express her passion and an umbrella (the General Culture Authority) to belong to. “Saudi women have a great space to express their enthusiasm in interactive situations and places. I am very happy to be part of this golden era.” 
After her segment, the main performance started with Chua and Back. “I am very happy to perform in Saudi Arabia,” Chua said afterward. “I chose these seven pieces because they are very good in terms of the music, rhythm and themes. I wanted to show that classical music can be a joy to everyone. I chose music because it makes everybody happy, and I can travel around the world to make the world happy.” 
Now Chua and Back are set to perform in Jeddah today. “I am very excited about seeing Jeddah and playing music in front of an audience there,” she said. 
It was the first time Back had played in Saudi Arabia. “It is a very wonderful experience,” he told Arab News.
When asked whether music can bring people from different countries and diverse cultures together, he said: “I think it can, because with music you do not need any language. It transcends languages. It can also unify people. 
“Hopefully I will come back to perform again here in Saudi Arabia,” he said.


Ramadan routines around the Kingdom 

Updated 7 sec ago
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Ramadan routines around the Kingdom 

RIYADH: Saudi Arabia is home to a diverse array of Ramadan customs, with each region boasting time-honored traditions. Here  is how the holy month is celebrated in various parts of Saudi Arabia.

NAJD 

One of the most significant Ramadan traditions in parts of Najd is Isha Al-Walidayn (the ‘parents’ dinner’), in which families prepare meals that are shared with relatives, neighbors and those in need. Often organized by neighborhood groups, the gatherings take place during iftar or after taraweeh. Families either invite relatives, neighbors and passersby to share the meal at home or send dishes to surrounding households and those in need. 

While rooted in charity, the tradition is equally about memory and community, offering a way to honor loved ones while strengthening social ties.  

In places including Qassim, the practice may be repeated several times throughout the month. The custom has been passed down through generations and remains part of Najd’s social fabric, reflecting the family-centered rhythm of Ramadan in the area.  

Hajar Alqusayer 

HIJAZ 

For more than a century, the chant of “Sidi Shaheen” has echoed through the narrow alleys of Madinah, marking the approach of Ramadan and signaling one of Hijaz’s most cherished folk traditions. Observed in the second half of Sha’ban — the month preceding Ramadan — the custom sees groups of boys walking through neighborhoods, singing traditional verses in celebration of the holy month’s imminent arrival. The practice remains particularly strong in Madinah, though it is also known across the wider Hijaz region. 

As part of the tradition, children carry a small container known as a quff, used to collect sweets, nuts and coins offered by households they visit. Moving from door to door, they chant in unison, their songs met with open doors and generous smiles. 

In preparation, families stock up on treats — particularly nuts and traditional sweets such as mushabak (pictured) — ensuring they are ready to share in the joy. 

Nada Hameed 

EASTERN PROVINCE 

Gargee’an, a traditional festival which is primarily celebrated mid-Ramadan in Gulf countries; specifically Kuwait, Bahrain, Iraq, the UAE, and in Saudi Arabia’s Eastern Province. It is not commonly observed in other parts of the Kingdom.  

Traditionally, boys in crisp white thobes and girls adorned in intricate jalabiyas go door-to-door in their neighborhoods and collect sweets and goodies in their handwoven baskets. It is a chance for them to reconnect with the community and spread colorful cheer. 

In recent years, however, the King Abdulaziz Center for World Culture (Ithra) in Dhahran has staged its own Gargee’an, providing candies for the kids as well as numerous indoor and outdoor activities for youngsters of all ages — including the young at heart — alongside performances of traditional folk songs and other live shows. 

The main plaza at Ithra, the Library and Energy Exhibit will each have Instagram-worthy moments. Entry to the center is free, though certain events — such as those at The Children’s Museum — require you to purchase tickets on the premises. 

Jasmine Bager 

JAZAN 

In Jazan, Ramadan is scented with wood smoke and freshly baked bread. Across villages and coastal towns, families still use the traditional mifa — a clay oven — to prepare corn and millet breads to eat at iftar. A staple of the season is mafalt (pictured), a creamy mixture of flour and milk often eaten at suhoor, valued for its simplicity and ability to sustain you through long fasting hours.  

Another distinctive feature of Ramadan in Jazan is the communal spirit of preparation. Neighbors exchange dishes before sunset, ensuring no table is without the region’s signature flavors. Evenings often extend into open-air gatherings where stories are shared and elders recount how Ramadan was observed generations ago. In Jazan, the holy month is less about extravagance and more about preserving culinary heritage and close-knit community bonds.  

Rahaf Jambi 

HAIL 

Since Ramadan this year is taking place while the weather in Hail is still relatively cool, it has been common to see dozens of people gathering along the banks and beds of nearby valleys — particularly in Mashar, Tuwaren, and Naqbin in the late afternoon, setting up seating and making arrangements for iftar. 

Coffee and tea are typically brewed over a fire, and participants often bring homemade dishes including lamb or chicken soups, vegetable or meat pastries, and Hail-style keubaiba —square-folded vine leaves filled with rice and a blend of spices, including cumin, black pepper, and dried lime. Sometimes, participants pool resources to buy a young lamb to eat. The liver is seasoned and cooked with onions, while the rest of the meat is prepared with rice for consumption at suhoor. 

Between iftar and suhoor, people socialize or play volleyball — a favorite activity for many Saudis during Ramadan. 

Hebshi Alshammari 

QATIF 

On the fifteenth night of Sha’ban, and again in the middle of Ramadan, children run through the streets of Qatif in traditional dress, going from house to house in celebration of Nasfa, a holiday celebrated in cities across the Arab world, but, in Saudi Arabia, only in Qatif (although it is practically identical to Gargee’an).  

“This celebration is not a fleeting ritual; it is a collective memory, a bridge connecting past to present,” Ismail Hejles, a Saudi researcher of traditional architecture from Qatif, told Arab News. “It teaches that religion was never meant to be stern, and that joy can be part of worship when it is pure.” 

Historians suggest the custom of children going door to door to receive gifts developed in tightly knit urban neighborhoods, where strong community bonds allowed the practice to flourish. And Nasfa is not just a distribution of sweets; it is a distribution of joy.  

“On that night, homes are equal,” Hejles said. “The rich give, and the poor give. The child is not asked who they are or which family they belong to.” 

Tamara Aboalsaud