Meet the Palestinian sisters keeping the art of embroidery alive

Nermeen and Nisreen Abudail. (Photo supplied)
Updated 15 July 2018
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Meet the Palestinian sisters keeping the art of embroidery alive

LONDON: Among the eight striking works currently on display at the London-based Victoria and Albert Museum’s Jameel Prize 5 exhibition, a piece entitled “Shawl,” by Palestinian sisters Nisreen and Nermeen Abudail of the Naqsh Collective, makes a powerful impression.
“For this artwork, my sister and I thought about the significance of precious embroidered pieces made by Palestinian women and put them in the context of what is happening today in Palestine,” explained Nisreen.
“For a Palestinian woman, a shawl has a lot of meaning. It’s a piece she carries with her always. She might use it to collect olives, to protect her from the wind or cover her baby. It witnesses her life story — her joy, laughter and sadness.
“These women should be doing embroidery and celebrating life. But instead, most of them are struggling to live, raise their children, find water, food and shelter. Embroidery is… a luxury. Not like before, when it was done in the spirit of joy and community. Nowadays, in these harsh times, the priority is just to survive,” she said.

A detailed shot of a “Shawl” showing the Palestinian embroidery pattern Eyes of Cows “عيون البقر" from Hebron. الخليل (خليل الرحمن) : يمتد تاريخ الخليل إلى 5500 عام وقد سماها الملك الكنعاني أربع بإسم (قرية أربع) . وكانت موطن إبراهيم الخليل ولذلك سُميت بإسمه. وبها الحرم الإبراهيمي الذي يُجلّه المسلمون واليهود. وللخليل تاريخ طويل في مقاومة الأعداء والغزاة. احتلتها إسرائيل عام 1967 وأسكنت فيها مستوطنين يهود. ورغم أن عددهم لا يتجاوز 1% من مجموع السكان، إلا أنهم يسيطرون على المدينة القديمة تحت حماية جيش الاحتلال الإسرائيلي. أطلس فلسطين - سلمان أبو ستة ( صفحة 79 ). #naqshcollective #nisreenabudail #nermeenabudail #palestinian #embroidery #pattern #art #design #stitich #unit #palestine #jordan

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The sisters, based in Jordan and Dubai, fuse their backgrounds in architecture and graphic design to create their highly original, sculptural work.
“We think these creative women would be happy to see that their art is ‘living’ and not simply being looked at as a museum exhibit. This craft is in our DNA: It reminds us of our grandmothers, our history and culture,” she said.
Created in their studio in Amman, “Shawl” transmits both delicacy and strength. It is made of solid walnut wood and brass to emphasize the durability of the craft. A variety of machines and manual tools were used to achieve the final result.
“We are determined that this craft is going to remain with us and live on through the generations,” Nisreen said.
The Jameel Prize, founded in partnership with Art Jameel, is for contemporary artists and designers inspired by Islamic tradition.
This year, the $33,000 prize was jointly awarded to artist Mehdi Moutashar and architect Marina Tabassum.
The exhibition is set to run until Nov. 25.


REVIEW: ‘Is This Thing On?’ — stars elevate Bradley Cooper’s low-key rom-com

Updated 05 March 2026
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REVIEW: ‘Is This Thing On?’ — stars elevate Bradley Cooper’s low-key rom-com

DUBAI: Bradley Cooper’s latest directorial effort is based — loosely — on the life of popular UK comedian John Bishop, so you might expect stand-up to be its focus. It isn’t. This is a bittersweet low-key depiction of a love that has eroded between a couple who’ve been together for decades.

Alex (Will Arnett, of “Arrested Development” and “BoJack Horseman” fame) — a regular guy with a regular job — and Tess (Oscar winner Laura Dern) — a former Olympic volleyball player, now a housewife and mom — are separated, heading for a mutually agreed divorce, and keeping it amicable partly for the sake of their two kids, partly because they still get on well — just not well enough to stay together.

Newly single Alex decides to get a late-night drink at New York’s famed Comedy Cellar. To avoid paying the $15 dollar entry fee, he signs up for a slot at the open-mic night (a part inspired by Bishop’s own origin story). With no material planned, he’s not great, but his self-deprecating, anecdotes about his impending divorce get a few laughs. Most importantly, the experience sparks a new passion in Alex and he continues to perform, befriending other comics who offer him companionship and advice and a new perspective that leads him to re-evaluate his own contributions to his marriage. His newfound spark also makes Tess see him in a new light, one that might just convince her to give him another shot.

What elevates this sometimes-saccharine, not-entirely-believable (exhibit A: the scene where Tess discovers that Alex is using their relationship as comedy material) film above similar fare is the engrossing chemistry on show between Arnett and Dern as people struggling to (re)discover themselves in middle age. Arnett is typically charming and witty as Alex, but brings out unexpected depths of emotion in what may be his best performance to date. Dern imbues Tess Tess with the toughness and independence you’d expect from a successful former pro athlete, but gives equal weight to her vulnerabilities as someone who’s invested so much of her identity into something she can no longer do to the same high standards. Their relationship is so sweetly genuine you’ll find yourself rooting for them both.