Book review: Robert Irwin brings 14th century historian Ibn Khaldun back to life in ‘An Intellectual Biography’

Ibn Khaldun’s bibliography is huge, and books about him are constantly published. (Shutterstock)
Updated 13 June 2018
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Book review: Robert Irwin brings 14th century historian Ibn Khaldun back to life in ‘An Intellectual Biography’

  • Irwin avoids the tendency to Westernize his thoughts, and ignores a plausible influence over Machiavelli, Hobbes, Montesquieu, Marx and Durkheim
  • Ibn Khaldun’s ideas are a product of his time, and Irwin places him firmly back in his context, in the Arab world during the 14th century

BEIRUT: More than 600 years after his death, Ibn Khaldun is alive and well. One of the world’s greatest minds, Ibn Khaldun is best known for his masterpiece, “The Muqaddimah” (1377), a book about the principles of history and the rise and fall of dynasties. This all-time classic continues to generate unabated interest.

In 2015 Facebook chief executive Mark Zuckerberg’s new-year resolution was to read an important book every two weeks. For his 11th pick, he chose “The Muqaddimah.” “While much of what was believed then is now disproven after 700 years’ progress, it’s still interesting to see what was understood at the time and the overall world view when it’s all considered together.”

Ibn Khaldun’s bibliography is huge, and books about him are constantly published. The latest on the market is “Ibn Khaldun: An Intellectual Biography.” Its author, Robert Irwin, joins a long list of Ibn Khaldun’s admirers. “It feels as though I have been living with Ibn Khaldun since I first read ‘The Muqaddimah’ as a student in the 1960s. So it was high time that I took a close look at the assumptions and vocabulary that underpinned his thinking. To spend so much time with a polymathic genius has been both demanding and exhilarating,” Irwin said.

This biography is a tour de force. Irwin avoids the tendency to Westernize his thoughts, and ignores a plausible influence over Machiavelli, Hobbes, Montesquieu, Marx and Durkheim. Ibn Khaldun’s ideas are a product of his time, and Irwin places him firmly back in his context, in the Arab world during the 14th century.

To comprehend the nature of his authority and genius, one needs to study Ibn Khaldun in his own time. “It is precisely Ibn Khaldun’s irrelevance to the modern world that makes him so interesting and important. When I read ‘The Muqaddimah,’ I have the sense that I am encountering a visitor from another planet, and that is exciting,” Irwin said.

Irwin, a specialist in medieval Arabic culture, plunges his readers into the adventurous life of one of the greatest Arab thinkers with a remarkable ease and brio. Understanding Ibn Khaldun’s work helps us to cast a fresh and more critical eye on our modern world.


Bella Hadid leaves Paris for Los Angeles launch event

Updated 11 March 2026
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Bella Hadid leaves Paris for Los Angeles launch event

DUBAI: Supermodel Bella Hadid jetted from Paris to Los Angeles this week to launch her latest campaign with US fashion retailer Revolve.

The Palestinian US Dutch model was on hand in France earlier in the week, where she hit the runway at the Saint Laurent show during Paris Fashion Week.

She then flew across to Los Angeles to launch a campaign with Los Angeles-founded retailer Revolve, which was set up in 2003 by Michael Mente and Mike Karanikolas.

Hadid fronts a campaign launching the e-commerce department store’s first-ever in-house brand, Revolve Los Angeles.

“Born from a deep understanding of the modern woman and inspired by the city where it all began, our eponymous fashion house is a new expression of effortless glamor,” the new fashion label posted on Instagram alongside black-and-white images of Hadid in a selection of looks.

Prior to her trip to Los Angeles, the model showed off French label Saint Laurent’s latest collection in Paris.

Creative Director Anthony Vaccarello, marking his own 10th anniversary at the helm, sent out a parade of razor-sharp Smokings — the house term for its iconic women’s tuxedo — with plunging necklines and elongated silhouettes that crackled with the same transgressive energy founder Yves Saint Laurent unleashed in the 1960s, the Associated Press reported.

But Vaccarello didn’t stop at evening wear.

He extended the same sensual, body-skimming tailoring into daytime suits in fluid pinstripe fabrics with almost no interlining, effectively arguing that the tuxedo silhouette belongs in a woman’s life around the clock.

Plenty of brands in Milan showed strong black pantsuits this season, but the Saint Laurent version still occupies its own territory — sleeker, sharper, more loaded with meaning.

The other half of Vaccarello’s equation was lace, stiffened with latex and tailored into structured cardigan-like jackets and straight skirts.

It was lace with backbone — tough, not delicate.

Paired with smoky eyes, chunky gold jewelry and slingback heels, the collection made a case that Saint Laurent’s codes are as potent as ever.