RABAT: In Morocco’s capital, the beach is a favorite place during the Muslim holy month of Ramadan.
Waves lap in a steady rhythm, marking time, as hundreds of Moroccans wait for sunset to break their day-long fast.
Stocked with food and drinks, families and friends swarm to the beach to enjoy the Atlantic breeze and, when the fasting is declared over, share in the iftar meal.
Her face drawn from hours without food or water, Rabat resident Nadia Benani said she came with family and friends because staying at home can become tiring.
“This beach takes me down memory lane to my childhood,” she said.
Some beachgoers dance and sing Moroccan music while awaiting the call for prayer that announces the end of the day’s fast. Exhaustion is barely visible on their faces until they collapse on the ground and check their watches.
Then a cannon booms and a muezzin’s voice rings out.
Hands reach for water and dates, an appetizer for the sumptuous dishes that follow. While some people dig into their meals, barely taking time to look up, others pray first.
Reda Fedoul, 20, and his friends built a table from sand to lay out their meals.
“We came here to change the atmosphere ... the day goes much better,” he said. “We’re here to create happiness.”
Moroccans break Ramadan fast on beach with song, dance, food
Moroccans break Ramadan fast on beach with song, dance, food
- Families and friends swarm to the beach to enjoy the Atlantic breeze
Mona Tougaard wears bridal look at Dior’s Paris show
- Rihanna and Brigitte Macron among attendees at show
- Design part of new director Jonathan Anderson’s vision
DUBAI/ PARIS: Model Mona Tougaard reportedly turned heads in a bridal-inspired look on the Christian Dior runway during the recent Paris Haute Couture Week.
The runway star, who has Danish, Turkish, Somali and Ethiopian ancestry, wore a sculptural white gown with a one-shoulder silhouette and layered petal-like appliques cascading from the bodice to the full skirt.
The asymmetrical bodice featured draped detailing across the torso, while the skirt flared into a voluminous, floor-length shape.
The look was finished with oversized floral statement earrings that echoed the dress’s petal motif.
The floral elements echoed the wider vision of Dior’s new creative director Jonathan Anderson, who drew inspiration from nature and his love of ceramics for his first Haute Couture collection since being appointed to the role.
The 41-year-old faces the rare challenge of overseeing all three fashion lines at the house — women’s and men’s ready-to-wear and Haute Couture — becoming the first designer to do so since Christian Dior himself.
Just days after presenting his latest men’s collection during Paris Men’s Fashion Week, the Northern Irish designer returned with his first couture offering.
The collection featured floral motifs on fabrics or as accessories, while sculptural bulbous dresses were inspired by the work of Kenya-born ceramicist Magdelene Odundo.
“When you copy nature, you always learn something,” Anderson declared in his show notes, which compared Haute Couture to a living ecosystem that is “evolving, adapting, enduring.”
Other noteworthy pieces included dresses with spherical birdcage-inspired silhouettes, while other models wore vest tops with their dresses gathered around their waists.
The front row at the Rodin Museum reflected the scale of anticipation surrounding Anderson’s couture debut. France’s first lady Brigitte Macron arrived early, while Lauren Sanchez Bezos swept in shortly after.
Actor Parker Posey twirled briefly in a trench-style dress, playing to the room before settling in.
Then the space fell into a collective pause as celebrities and editors alike waited for Rihanna. When the pop star finally took her seat, the lights dropped and the show began.
Before the show, Anderson admitted in an interview with the Business of Fashion website that he previously thought couture was “irrelevant,” adding that he never really “understood the glamour behind it.”
“Now, I feel like I’m doing a Ph.D. in couture,” he explained.
