Six World Cup mascots throughout history 

From animals, to fruits, each FIFA World Cup since 1966 has had its own much-loved mascot.
Updated 12 June 2018
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Six World Cup mascots throughout history 

From animals, to fruits and a spectacle-wearing wolf, each FIFA World Cup since 1966 has had its own much-loved mascot.

England in 1966: World Cup Willie 

Willie, a lion dressed in a Union Jack jersey and boots, was the tournament’s first-ever mascot. The lion, also visible on the British passport, is synonymous with the country.

Mexico in 1970: Juanito

The mascot of a little boy dressed in a green kit and a traditional sombrero was designed to represent common football fans in Mexico. 

Spain in 1982: Naranjito

Spain picked an orange as the face of the 1982 World Cup, starting a new trend of non-human mascots. Its name comes from naranja, Spanish for orange, as the round fruit is synonymous with Spain.  

South Korea and Japan in 2002: Ato, Kaz and Nik 

Nik, Kaz and Ato were the three World Cup mascots in 2002. Known as The Spheriks, this was the first time mascots were computer generated. Orange-yellow Ato is the coach, while purple Kaz and blue Nik are the team players in the fictional sport of “Atmoball.”

The colors, interestingly, bear no connection to the flags of Japan or South Korea. 

South Africa in 2010: Zakumi

Zakumi the leopard was the mascot for the first World Cup ever held in Africa. Its green and gold colors mirrored the South African national team’s colors. His name comes from “ZA,” the international code for South Africa, and “kumi,” a word that means “ten” in various African languages.

Russia in 2018: Zabivaka

Zabivaka, which translates as “the one who scores” in Russian, is the mascot for the World Cup this summer. The wolf wearing orange spectacles landed the gig in October 2016, winning one million votes in an Internet poll.

 


Music ‘haven of freedom’ Tangiers hosts global jazz festival

Updated 28 April 2024
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Music ‘haven of freedom’ Tangiers hosts global jazz festival

  • This year’s Jazz Day will be held over four days starting on Saturday, during which talks and open-air performances will be held in Tangiers

TANGIERS, Morocco: The Moroccan city of Tangiers, which has a long history as a haven of inspiration for American jazz musicians, will host UNESCO’s International Jazz Day for the first time on Tuesday.
Over the last century, jazz greats such as Randy Weston, Idrees Sulieman and Max Roach all crossed the Atlantic to play and record music in the North African port city, perched on the edge of the Strait of Gibraltar.
“The city has had a fascinating power of attraction on a wave of intellectuals and musicians,” Philippe Lorin, the founder of an annual Tangiers jazz festival, told AFP.
“It’s not for nothing that a writer once said there was always a cruise liner in New York preparing to sail for Tangiers.”
This year’s Jazz Day will be held over four days starting on Saturday, during which talks and open-air performances will be held in Tangiers.
The festivities will culminate in an “All-Star Global Concert” on Tuesday led by jazz icon Herbie Hancock, also featuring bassists Marcus Miller and Richard Bona, as well as guitarist Romero Lubambo.
The city’s cosmopolitan artistic reputation stems from its location between Africa and Europe as well as its history, having been administered by several colonial powers from 1923 to 1956, the year Morocco gained independence.
This melting pot of influences prompted visits from international writers and poets, notably from the Beat Generation movement, as well as African American musicians seeking to find “their African roots,” Moroccan historian Farid Bahri told AFP.
Lorin said that Tangiers “was a haven of freedom — just like jazz music.”

A pivotal moment in the city’s musical history came in 1959, when Tangiers jazz promoter Jacques Muyal — then just a teenager — recorded a session with trumpeter Idrees Sulieman, pianist Oscar Dennard, bassist Jamil Nasser and drummer Buster Smith at the Radio Tanger International studio.
The recording gained renown in jazz circles decades before its distribution as “The 4 American Jazzmen In Tangier” album in 2017.
Bahri, the author of “Tangiers, a world history of Morocco,” said “the presence of American musicians in Tangiers was also linked to a very active American diplomacy.”
Famous US pianist Randy Weston settled in Tangiers for five years after visiting 14 African countries in 1967 during a tour organized by the US State Department.
The Brooklynite virtuoso would play a key role in building the musical reputation of the city, to which he dedicated his 1973 album “Tanjah.”
“Randy was an exceptional, kind and respectful man,” said Abdellah El Gourd, a 77-year-old Moroccan legend of gnawa music, a centuries-old style played with a three-stringed lute and steel castanets, rooted in West African rituals and Sufi traditions.
“He gave a lot to the city and its musicians,” added the friend and collaborator of Weston, who died in 2018.

Together, El Gourd and Weston blurred the lines of their respective genres, creating the beginnings of jazz-gnawa fusion, which remains a key part of Tangiers’ musical legacy.
“The language barrier was never a problem because our communication was through (musical) scales,” El Gourd recalled in a rehearsal room lined with old photos and memorabilia from the years he toured with Weston and jazz saxophonist Archie Shepp.
“Our language was music.”
The two men’s collaborative work would years later yield the acclaimed 1992 album “The Splendid Master Gnawa Musicians of Morocco.”
Two years after settling in the city, Weston opened the African Rhythms jazz club, above the iconic Cinema Mauritania in downtown Tangiers.
“We used to rehearse there,” El Gourd recalled. “Randy would invite his musician friends. It was a beautiful time.”
With El Gourd’s help, Weston launched Tangiers’ first-ever jazz festival in 1972, featuring big names such as drummer Max Roach, flautist Hubert Laws, double-bassist Ahmed Abdul-Malik, and saxophonist Dexter Gordon.
“It was quite a unique experience, because it was the first time we played in front of such a large audience,” said El Gourd, who was then used to small crowds for gnawa performances.
Weston and El Gourd’s festival was only held once.
But three decades later it inspired Lorin to create the Tanjazz festival, which is held in the port city every September.


Guerlain’s Ann-Caroline Prazan on mixing cultures, Mideast inspiration 

Updated 27 April 2024
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Guerlain’s Ann-Caroline Prazan on mixing cultures, Mideast inspiration 

DUBAI: Ann-Caroline Prazan, the director of art, culture, and heritage at French luxury beauty brand Guerlain, shared her affection for the Middle East and shed light on why she is so keen to mesh together cultures when creating new products.

“The Guerlain family is totally in love with the region. I am in love with this region because it is like a paradise,” she told Arab News. “People here love fragrances and they are such experts. When Guerlain creates a fragrance for the Middle East, it is always with a French touch.”

Prazan and Diala Makki at the Dubai event. (Supplied)

For Prazan, who joined the Guerlain team in 2000, understanding the brand’s story has been pivotal, motivating her to craft fragrances over her 24-year tenure, prioritizing longevity over trends.

“It is important to understand the past to create a future,” Prazan said. “You know, a house is like a big tree. You need to know the roots to create the leaves and to create new flowers. Without roots, you cannot do anything if you do not understand the brand.”

“Innovation is our obsession,” she added. “Guerlain created the first lipsticks, the first lip liners, the first modern perfume, the first moisturizing Nivea cream was by Guerlain.”

Guerlain has collaborated with regional creatives before. (Supplied)

Her regional knowledge shapes Guerlain’s tailored fragrances for its customers.

“You have the best perfumers here, local perfumers. What was interesting is to mix the roots with the leaves to mix different cultures. And for me, when you mix different cultures, when you mix traditions and modernity, you can create beautiful products,” she explained.

Guerlain has collaborated with regional creatives before. In 2023, the brand worked with Lebanese artist Nadine Kanso to design a fragrance bottle for the label, making her the first Arab designer to collaborate with the LVMH-owned perfume and beauty house.

The Parfumerie D’Art collection features the Bee Bottle by Baqué Molinié. (Supplied)

She designed 30 limited edition bee-inspired bottles, decorated with 1,720 crystals, with Arabic calligraphy that read “Love.”

At an event in Dubai last week, the label chose to work with contemporary Tunisian artist Nja Mahdaoui, who showcased his abstract Arabic calligraphy with engraved Cherry Oud bottles serving as place cards for the invitees.

Balqees performed at the DUbai event. (Supplied)

The brand also created a number of bottles, showcased at the event in Dubai, that celebrate Arab design elements.

The Parfumerie D’Art collection features the Bee Bottle by Baqué Molinié. Unveiled to mark Eid Al-Fitr this year, the bottle features hand-placed mother-of-pearl beads and moonstones, designed by the Parisian atelier as a tribute to the “wonders of Arab architectural art,” according to a released statement.


‘Bridgerton’ actress says she was warned not to campaign for Palestinians

Updated 27 April 2024
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‘Bridgerton’ actress says she was warned not to campaign for Palestinians

  • Nicola Coughlan: Hollywood insiders told her advocacy could harm her career
  • Irish star feels ‘moral responsibility’ to campaign for ceasefire, continue to fundraise 

LONDON: Irish actress Nicola Coughlan has revealed that she was told her Palestinian advocacy could harm her career.

The “Bridgerton” and “Derry Girls” star told Teen Vogue she had been warned by people in Hollywood not to be openly supportive of Palestinian rights, but has continued to campaign for a ceasefire in Gaza and still publicly wears an Artists4Ceasefire pin.

“You do get told, ‘you won’t get work, you won’t do this,’ but I also think, deep down, if you know that you’re coming from a place of ‘I don’t want any innocent people to suffer,’ then I’m not worried about people’s reactions,” she said.

“My family lived in Jerusalem back in the late ‘70s, early ’80s, before I was born, so I heard first hand stories about them living there.”

She said her father, who served in the Irish military, went to a “lot of war-torn regions after the conflict and try and help rebuild,” and this had left a profound impression on her.

“I’m so lucky I’ve gotten to this point in my career, and I’m privileged as a white woman, first off.

“Then the fact that I get to do the job I love and travel the world and meet amazing people, I feel a moral responsibility to give back.”

She has made a point of continuing to campaign and raise money around the issue, adding: “To me, it always becomes about supporting all innocent people, which sounds oversimplified, but I think you’ve got to look at situations and just think, ‘Are we supporting innocent people no matter where they’re from, who they are?’ That’s my drive.”

Coughlan said social media plays a role in driving advocacy but it requires nuance. “More of us should be trying to understand how upsetting and traumatising this is for Jewish people, and how horrific it is that all these innocent people in Palestine are being murdered,” she added.

A number of Hollywood figures have faced repercussions for their open support of the Palestinians or criticism of Israel.

Mexican actress Melissa Barrera was fired from the latest “Scream” film over social media posts in support of Palestine, while director Jonathan Glazer caused controversy for using his acceptance speech at the Oscars for his film “The Zone of Interest” to criticize the Gaza war.


‘Game of Thrones’ star Liam Cunningham says world will ‘not forget’ those who stayed silent on Gaza

Updated 26 April 2024
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‘Game of Thrones’ star Liam Cunningham says world will ‘not forget’ those who stayed silent on Gaza

  • Irishman has been vocal advocate for Palestinian causes for decades

LONDON: Irish actor Liam Cunningham has said the public will “not forget” those who have not voiced support for Palestinians during the ongoing Israel-Hamas conflict in Gaza.

The “Game of Thrones” star has been a vocal advocate for Palestinian causes for decades. Speaking during a demonstration in Dublin led by Irish-Palestinian Ahmed Alagha, who has lost 44 family members in the recent Israeli assault on Gaza, Cunningham said he has been commended by his peers in the past for his activism.

“What concerns me is that the people who do care and are not doing anything are, in my opinion, worse than the people who don’t care,” he said.

Cunningham was asked if he had spoken to other actors to convince them to show support for the Palestinian cause, but responded by saying he could not speak for others, The Independent reported.

However, he added, “The internet doesn’t forget. When this comes around, when the ICJ (International Court of Justice) and ICC (International Criminal Court) hopefully do their work honorably, it is going to come out,” he said.

“And the people who didn’t talk — it is not going to be forgotten. It’s livestreamed, this genocide, and (saying) you didn’t know is not an option. You did know. And you did nothing. You stayed quiet. I need to be able to look in the mirror, and that’s why I speak,” he added.

A month after Israel launched its onslaught on Gaza in response to Hamas incursions on Oct. 7 in Israeli territory in which nearly 1,200 people were killed and around 250 hostages were taken, Cunningham said that for Irish people to ignore the treatment of Palestinians would be to “betray” their history.

“If we allow ourselves to accept this behavior, then we allow it to happen to us,” he said at the time. “We have to stand up for standards. We have to stand up for international law and it reduces us as human beings if we don’t.”

Israel’s assault on Gaza has killed more than 34,000 Palestinians, around two-thirds of them children and women, according to Hamas-run health authorities in the enclave.


Saudi Film ‘Hajjan’ wins 6 nominations at Critics Awards for Arab Films

Updated 26 April 2024
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Saudi Film ‘Hajjan’ wins 6 nominations at Critics Awards for Arab Films

DUBAI: Saudi Arabia-based film “Hajjan,” directed by Egyptian filmmaker Abu Bakr Shawky, is nominated for six categories at the eighth Critics Awards for Arab Films.

The movie is competing in the best feature film, best screenplay, best actor, best music, best cinematography and best editing categories. 

“Hajjan” tells the story of Matar, a boy who embarks on a journey across the desert with his camel, Hofira.

The movie is a co-production between the Kingdom’s King Abdulaziz Center for World Culture, or Ithra, and Egyptian producer Mohamed Hefzy’s Film Clinic. 

The movie, which is written by Omar Shama from Egypt and the Kingdom’s Mufarrij Almajfel, stars Saudi actors Abdulmohsen Al-Nemer, Ibrahim Al-Hsawi, among others. 

The awards ceremony, scheduled for May 18 on the sidelines of the Cannes Film Festival, is organized by the Arab Cinema Center in Cairo and assessed by a panel of 209 critics representing 72 countries. 

Sudanese director Mohamed Kordofani’s inaugural feature film, “Goodbye Julia,” and Tunisian filmmaker Kaouther Ben Hania’s Oscar-nominated documentary, “Four Daughters,” scored nominations in seven categories. 

Jordanian filmmaker Amjad Al-Rasheed’s “Inshallah A Boy” and Palestinian-British director Farah Nabulsi’s “The Teacher” have six nominations.