LOS ANGELES: Fans of “Game of Thrones” could be treated to a prequel series set thousands of years before the hit fantasy saga, network HBO announced.
According to a statement released to US media Friday, HBO has ordered a pilot episode of the spinoff — one of five such projects in the works — created by the author of the original book series George R.R. Martin along with British screenwriter Jane Goldman.
The statement added that the prequel, if picked up, will give viewers the chance to see “the world’s descent from the golden Age of Heroes into its darkest hour.”
No “Game of Thrones” spinoffs, however, will be broadcast until after the much-anticipated eighth and final season of the phenomenally popular show, expected in 2019.
Martin has said that fans should not expect to see any of the current cast involved in those projects, according to entertainment website Variety.
HBO’s most-watched original program, “Game of Thrones” has already scooped up a record 38 Emmy Awards.
HBO orders ‘Game of Thrones’ spinoff pilot
HBO orders ‘Game of Thrones’ spinoff pilot
- HBO has ordered a pilot episode of the “Game of Thrones” spinoff
- The prequel series is set thousands of years before the hit fantasy saga
Alia Bhatt, Sigourney Weaver talk love for authenticity, strong women
JEDDAH: On the seventh day of the ongoing Red Sea International Film Festival, two actresses — set apart by geography and time — spoke of their love for telling authentic stories and depicting strong women.
Bollywood superstar Alia Bhatt and Hollywood great Sigourney Weaver, on their respective In Conversation panels, reflected on their varied careers and the choices that led them to enduring success.
From a teenager stepping onto her first film set to a respected actress in her early thirties, Bhatt’s journey is a testament to the power of curiosity and instinct.
“When I started out, I was ... maybe 17, 18,” she said. “I was way more enthusiastic and full of beans, trying really hard because I was just starting out.”
Her approach has evolved, but the core remains unchanged. “I’m still enthusiastic, still full of beans, but the approach is more silent. It comes with a little more sense of intent,” she said.
“I approach my work truly through pure instinct. The way I choose a part is like, ‘Oh, I've done this. Now I want to do this.’”
This approach, she said, led her to take creative risks — from “Highway” to “Udta Punjab” to Gangubai Kathiawadi” — always seeking variety.
Turning producer with Eternal Sunshine Productions was a natural progression of that curiosity. “I have a real strong passion for stories, so I like to get into it.
“And I like to think, ‘Okay, this has this potential, or this has that potential,’ and either I’m in it or I’m not, but I like to assess the initial stages of a story which is just a synopsis or first draft on paper.”
Weaver said she never set out to become an action hero. Initially shy and unsure, she was drawn not to specific roles but compelling stories.
When “Alien” came along, she approached the script with an open mind, unaware she was about to redefine female characters in science fiction.
“We were just trying to make a good, small movie,” she recalled. “The writers had cleverly crafted a script with a mixed-gender crew of “dirty space truckers,” deliberately subverting expectations by making the young woman the survivor and hero.
Weaver did not see it as a feminist statement at the time, but as a natural storytelling choice. Her character, Ellen Ripley, represented the idea that women could be self-reliant.
“She reminds us all that we can rely on ourselves and we don’t need a man to fly in and save us,” said Weaver.
