Vision 2030 based on three axes, Saudi women important element of Kingdom’s strength: Minister

Minister of Labor and Social Development Dr. Ali bin Nasser Al-Ghafis stressed that Saudi Arabia’s Vision 2030 is based on three main axes: a vibrant society, a prosperous economy and an ambitious homeland. (SPA)
Updated 31 May 2018
Follow

Vision 2030 based on three axes, Saudi women important element of Kingdom’s strength: Minister

  • The National Transition 2020 program contains 36 strategic objectives supporting empowerment, independence and self-reliance of Saudi women
  • The Kingdom is keen to support women’s employment and help overcome difficulties

JEDDAH: Minister of Labor and Social Development Dr. Ali bin Nasser Al-Ghafis stressed that Saudi Arabia’s Vision 2030 is based on three main axes: a vibrant society, a prosperous economy and an ambitious homeland.
“Saudi women are an important element of our strength. We will continue to develop talents and invest their energies to enable them to obtain appropriate opportunities to build their future and contribute to the development of our society and economy,” he said.
During his speech at the 107th International Labor Conference in Geneva, under the theme of “Women at Work” which addresses problems and issues that impede their role in the development of society, Dr. Al-Ghafis said that the National Transition 2020 program contained 36 strategic objectives supporting empowerment, independence and self-reliance of Saudi women.
“We aim to increase women’s participation in the labor market from 22% to 30% in 2030, which will contribute to an increase of 3% of non-oil GDP,” he added.
Dr. Al-Ghafis stressed the Kingdom’s keenness to support women’s work and help them overcome difficulties. They set goals to achieve this by increasing women’s participation in the labor market, increasing the contribution of productive families, facilitating businesses, developing the retail sector and increasing the number of small and medium enterprises.
He pointed out emphasis had been placed on enabling women to strike a balance between social life and work through the system of social welfare services, which provided women with greater opportunities without disrupting the family system.
Dr. Al-Ghafis noted among the initiatives aimed at economically empowering women in all regions of the Kingdom include; the “Qurra” program that was launched to support childcare services for working women, and the “Wusul” program to support the transfer of working women.
The ministry also launched the “Support for Self-Employment” program, which provides greater opportunities for women to receive better wages according to their skills, and the “Part-time” and “Remote Working” programs that enable women to strike a balance between work and taking care of the family,
He said the ministry has also set up programs to empower women in rural and remote areas and engage in the labor market, noting the results of these efforts increased the number of Saudi women employed in the private sector to about 565,000 by the end of 2017, which represents about 32% of the Saudi labor market.


Balad Beast brings global beats to historic streets

Updated 31 January 2026
Follow

Balad Beast brings global beats to historic streets

  • ‘MDLBEAST put us on the international map,’ say Saudi electronic duo Dish Dash

JEDDAH: The music festival Balad Beast concluded its fourth edition this weekend, having transformed Jeddah’s UNESCO World Heritage district of Al-Balad into an open-air celebration of music, culture and creativity that attracted thousands of music lovers over two nights.

The festival, organized by Saudi music platform MDLBEAST, featured more than 70 local, regional and international artists across four stages, offering audiences a diverse journey through electronic, hip-hop and global sounds.

French Haitian singer-songwriter Naïka performed on the second night of Balad Beast. (Supplied)

Speaking to Arab News, MDLBEAST chief creative officer Ahmad Al-Ammary, also known as DJ Baloo, described Balad Beast as a “cultural takeover” adding that finding the right spaces for dance floors was a challenge, “but Balad is constantly evolving and we work with that change.”

Addressing the challenges of working in a heritage area, he said: “Balad is sensitive and condensed, so logistics can be complex. In our first year, heavy rain flooded one of the planned squares and we had to relocate the Souq Stage to a much smaller space, but it worked and it has remained there ever since.

HIGHLIGHT

Reggae superstar Shaggy noted that the reality of playing live in Saudi Arabia often surprises those who arrive with preconceptions.

“Yes, the alleys are narrow and the district is old, but they’re full of ideas, patterns, colors and visuals. Everything flows here,” he continued. “As a festival, it’s hard to define Balad, because it gives so much of itself creatively. It’s incredibly generous with its ideas and details, and inspiration comes from everywhere.”

Balad Beast featured more than 70 local, regional and international artists across four stages, offering audiences a diverse journey through electronic, hip-hop and global sounds. (Supplied)

Balad Beast featured performances from international artists including US rapper Playboi Carti, making his first appearance in Saudi Arabia; US rapper Destroy Lonely; Swedish DJ and producer Alesso; and Bosnian-German DJ Solomun on the opening night. The following night saw French-Haitian singer-songwriter Naïka, reggae superstar Shaggy, Dutch DJ Franky Rizardo, British DJ Pawsa, and US rapper Tyga, and more take the stage, while Saudi and regional artists including Cosmicat, TUL8TE, Zeina, Vinyl Mode, Moayed, Dish Dash, Musab, Varoo and HiFi appeared across the festival, offering audiences a mix of global and local talent.

Saudi electronic duo Dish Dash reflected on the festival organizer’s impact for local artists.

As a festival, it’s hard to define Balad, because it gives so much of itself creatively. It’s incredibly generous with its ideas and details, and inspiration comes from everywhere.

Ahmad Al-Ammary, MDLBEAST chief creative officer

“MDLBEAST put us on the international map,” the brothers told Arab News. “It helped us get recognized by festivals, promoters and event organizers abroad. When we travel, people don’t expect this level of talent coming from Saudi Arabia, especially considering we didn’t have this scene before.”

Shaggy, who performed a hit-filled set during the festival, told Arab News: “I’ve been blessed with some incredible songs, and I see music as a gift and a tool for service. When I go on stage, I’m there to entertain people, to make them smile and feel good, but that service also supports many livelihoods from the people working at this festival to those who work with me. These songs have become part of people’s lives, and I don’t take that lightly.”

Balad Beast featured more than 70 local, regional and international artists across four stages, offering audiences a diverse journey through electronic, hip-hop and global sounds. (Supplied)

Shaggy also noted that the reality of playing live in Saudi Arabia often surprises those who arrive with preconceptions.

“I’ve performed in Saudi Arabia more than once, and while there are certain rules that are different, it’s not an issue for me. My focus is always on delivering the hits and giving the audience a great time,” he said.

“There’s a big misconception. People have more freedom than (outsiders) think. Everyone has been extremely nice.”

Asked what advice he would offer to aspiring artists, Shaggy said: “Understand that what you’re given is a gift and a form of service. Stay humble, do the work, and remember why you’re doing it.”

As Al-Ammary noted, there are many such aspiring artists now making a name for themselves in the Kingdom.

“Talent is emerging everywhere, at different levels,” he said. “The scene is still in a mysterious and surprising phase. There’s a rawness to it.”