What We Are Reading Today: Barbarian Days: A Surfing Life, by William Finnegan

Updated 31 May 2018
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What We Are Reading Today: Barbarian Days: A Surfing Life, by William Finnegan

This week, a rare breed of thrill-seekers gathered on a tiny remote Fijian island in the South Pacific.

Among them were some of the most prominent names in big-wave surfing.

The congregation had tracked a purple blob on the swell forecasting models as it pulsed out from a fierce storm in the Southern Ocean, destined to strike a slab of coral reef known as Cloudbreak.

First the images, and then the videos, started to filter out on to social media.

Tiny figures crouched low on their surfboards, dwarfed by and encased in towering caverns of deep blue water.

For one day, the surfers caught some of the biggest waves ever surfed at Cloudbreak.

The scenes were a far cry from when William Finnegan arrived at the island in 1978, following a tip-off from a yacht that had passed by and reported a perfect surf break.

Finnegan was among the first to surf there and spent weeks camped on the nearest island, cut off from civilization and indulging in his obsession.

That obsession is the focus of his brilliant Pulitzer Prize-winning memoir “Barbarian Days: A Surfing Life.”

The book fills the reader with youthful wanderlust, explains the strange intricacies of the cult of surfing and reminds of a time when the world still held some unexplored corners.


What We Are Reading Today: Making Waste by Sophie Gee

Updated 02 March 2026
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What We Are Reading Today: Making Waste by Sophie Gee

Why was 18th-century English culture so fascinated with the things its society discarded? Why did Restoration and Augustan writers such as Milton, Dryden, Swift, and Pope describe, catalog, and memorialize the waste matter that their social and political worlds wanted to get rid of—from the theological dregs in “Paradise Lost” to the excrements in “The Lady’s Dressing Room” and the corpses of “A Journal of the Plague Year?” In “Making Waste,” the first book about refuse and its place in Enlightenment literature and culture, Sophie Gee examines the meaning of waste at the moment when the early modern world was turning modern.

Gee explains how English writers used contemporary theological and philosophical texts about unwanted and leftover matter to explore secular, literary relationships between waste and value. She finds that, in the 18th century, waste was as culturally valuable as it was practically worthless—and that waste paradoxically revealed the things that the culture cherished most.