US bishop at royal wedding thought invitation was a prank

US Bishop Michael Bruce Curry poses outside St. George’s Chapel, in Windsor on May 18, 2018, on the eve of the wedding of Britain’s Prince Harry and US actress Meghan Markle. (AFP)
Updated 22 May 2018
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US bishop at royal wedding thought invitation was a prank

LONDON: The American bishop whose sermon caused a stir at the wedding of Prince Harry to Meghan Markle thought the invitation was a prank.
Rev. Michael Curry told ITV that he thought “somebody was doing an April Fools’ joke on me.”
Curry’s sermon, entitled “The Power of Love,” was one of the most discussed moments during Saturday’s wedding.
But Curry says Tuesday he “had no idea” his speech had caused such a stir and that he sat down and thought — “I hope that was OK.”
The Duke and Duchess of Sussex, as the couple are now known, will attend their first royal engagement as a married couple Tuesday at a Buckingham Palace party marking Prince Charles’ 70th birthday.


Art Cairo part of a ‘long-term cultural project,’ founder says

Updated 25 January 2026
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Art Cairo part of a ‘long-term cultural project,’ founder says

CAIRO: As Art Cairo 2026 draws to a close, its founder Mohammed Younis is keen to set the fair apart from its regional counterparts — and also asserts that the annual event is part of a “long-term cultural project.”

The fair, which took place at the Grand Egyptian Museum and wrapped up on Jan. 26, boasted a distinctly Arab flavor, in terms of galleries, artists and the themes of the artworks on show.

Younis says that is all part of a conscious curatorial effort.

“Art Cairo stands apart from other art fairs in the region as the only platform dedicated exclusively and intentionally to Arab art … While many regional fairs present a broad, globalized perspective, Art Cairo emerges from a different vision — one rooted in presenting Arab art from within,” Younis told Arab News.

Across the fair, depictions of golden age icons such as 1950s superstar Mohamed Mohamed Fawzy by painter Adel El-Siwi jostled for attention alongside ancient iconography and pop culture references from the Arab world.

Abu Dhabi’s Salwa Zeidan Gallery, for example, exhibited work by up-and-coming Egyptian artist Passant Kirdy.

“My work focuses on Egyptian heritage in general, including pharaonic and Islamic art. These influences are always present in what I create. This symbol you’re looking at is a pharaonic scarab …  I’m very attached to this symbol,” she told Arab News.

The Arab focus of the curation is part of an effort to bill Art Cairo as a “long-term cultural project,” Younis noted.

“Ultimately, Art Cairo is not simply an art fair; it is a long-term cultural project. It exists to support Arab artists, contribute to building a sustainable art market, and articulate an authentic Arab narrative within the regional and international art landscape.”