Shorter, hotter, earlier: Shrinking spring slashes Pakistani harvests

In this file photo, fruit farmer Adil Khan shows apricots that have ripened nearly a month ahead of schedule in the town of Mardan, in Pakistan’s northwest province of Khyber-Pakhtunkhwa, April 26, 2018. (REUTERS)
Updated 21 May 2018
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Shorter, hotter, earlier: Shrinking spring slashes Pakistani harvests

MARDAN, Pakistan: Adil Khan’s hopes for a good harvest are fading again this year as he inspects his orchard of apricot and loquat trees in the mountains of Pakistan’s northwest Khyber-Pakhtunkhwa province.
Usually, fruit in the five-acre family orchard is ready to pick only by the last week of May. But this year, and in other recent years since 2013, much of the harvest has ripened by mid-April – nearly a month ahead of schedule.
With less time to grow, the fruit is half its normal size – and his income is shrinking too, the 34-year-old farmer told the Thomson Reuters Foundation.
“We are really at loss,” he said, pulling down a branch of tiny apricots. “The fruits have ripened in the middle of their growth.”
Pakistan’s farmers are struggling to bring in a harvest as the country’s weather patterns change as a result of climate change. Warm spring weather, now coming as early as March, has led to fruit trees flowering before bees arrive to pollinate them, for instance, or fruit and vegetables ripening at unusual times.
Farmer Muntazir Khan – who is not related to Adil — has seen his harvest of beets and tomatoes fall by 40 percent this year on his 3-acre family farm in Taxila, about 35 km (22 miles) from Islamabad, despite planting seeds on time and applying the right fertilizer.
That huge drop, due the crops ripening in late March instead of late April, “means nearly no profits”, he said.
“I am scarcely able to recover the expenditures with such low yields,” Khan said, clutching a handful of freshly harvested beets.
The problem, the farmers agree, is that spring is getting shorter, hotter and earlier.
“We are clearly noticing that springs are not cool anymore and are increasingly becoming warmer, which is not good for our seasonal vegetable crops,” Adil Khan said.
His fruit requires cool weather from January to March to grow well, he said, but warmer days in February and March are now disrupting old patterns.




In this file photo, vegetable farmer Muntazir Khan harvests beets in his field in Taxila, Pakistan, about 35 kms from Islamabad, April 26, 2018. (REUTERS)

RECORD HEAT
Pakistan’s weather officials say they’ve also noticed the shift.
“We have clearly observed through our weather monitoring stations all through Pakistan that springtime has not only warmed by more than 3 degrees Celsius in recent years but also shrunk from 45 days to less than 10 days over last two decades,” said Ghulam Rasul, director general of the Pakistan Meteorological Department.
“This is in no way a good omen for springtime vegetable and fruit farmers,” he told the Thomson Reuters Foundation.
He said at least 34 meteorological stations broke temperature records for March this year in most parts of the country, with temperatures sometimes more than 10 degrees Celsius above the monthly long-term average between 1981 and 2010.
Nausherwan Nawab, a senior science officer at a vegetable research center of the state-run National Agricultural Research Council, said lower spring temperatures of 20 to 25 degrees Celsius a decade ago resulted in slow and steady ripening of spring fruits and vegetables.
“But such is not the case anymore,” said Khuda Bakhsh, an agro-economy professor at the COMSATS Institute of Information Technology in Pakistan’s Punjab province.
Once spring temperatures hit 35 degrees Celsius, “vegetable production declines heavily”, he said.




In this file photo, fruit farmer Adil Khan holds ripened loquat harvested from his orchard in the mountain town of Mardan, in Pakistan’s northwest province of Khyber-Pakhtunkhwa, April 26, 2018. (REUTERS)

GROWING IMPORTS
One consequence of the decline in production is soaring vegetable and fruit imports from China, India, Afghanistan, Thailand and New Zealand, said Yusuf Zafar, chairman of the National Agriculture Research Council, an arm of Pakistan’s Ministry of National Food Security and Research.
“Over last five to seven years, production of citrus and other fruits and vegetables has shown a notable declining trend”, with fruit harvests down an estimated 25-28 percent and vegetables down 22 percent, he said.
Aslam Pakhali, chair of the All Pakistan Fruit and Vegetable Exporter and Importers Association, said nearly 30 percent of the vegetables and fruits consumed in Pakistan are now imported.
Pakistan used to export surplus vegetables and fruit prior to 2010, he said.
Imports have increased over the last five years “as low production of these farm items is insufficient to meet domestic needs”, he said in a telephone interview.
To adapt to the changing conditions, farmers need access to hardy new fruit and vegetable varieties that can grow over a shorter season, Bakhsh said.
“The role of agricultural scientists and extension department officials in this regard is of unprecedented significance,” he said, with farmers needing help to learn how to adopt and grow new heat-resistant and short-season crops.
Meanwhile, some farmers – like Muntazir Khan – are adjusting to changing spring weather by cutting out some of their vegetable production altogether and turning to things like raising chickens.
Lack of resources makes such shifts difficult for many, however. Khan would like to set up a commercial half-acre poultry farm, but that will happen only “whenever I have enough financial resources”, he said.


London’s Arab Film Club launches podcast focusing on Palestine 

Updated 33 sec ago
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London’s Arab Film Club launches podcast focusing on Palestine 

DUBAI: The Arab Film Club, a monthly gathering in London celebrating Arab cinema, launched a podcast on May 1.  

Spearheaded by the club’s founder, Sarah Agha, an Irish Palestinian actress and writer, the inaugural five-episode season of the interview-based podcast will focus on Palestinian filmmakers and cinema’s role in cultural resistance. 

The debut episode features Darin J. Sallam, director of “Farha,” Jordan’s Oscars entry in 2022. In other episodes, Agha interviews Lina Soualem, (“Bye Bye Tiberias”), Ameen Nayfeh (“200 Metres”) Annemarie Jacir (“Wajib”) and Farah Nabulsi (“The Teacher”). 

Sarah Agha is an Irish Palestinian actress and writer. (Supplied)

Agha told Arab News, “It is so urgent right now to do anything and everything we can to keep talking about Palestine. So I thought, ‘Why not do some interviews with some of my favorite Palestinian directors and put them online so everyone can listen to them?” 

Reflecting on Sallam’s episode, Agha highlighted the transformative potential of cinema. “She is linking educational talks with her film, and I do believe her film is like a tool of change,” the presenter said. 

Agha said she found Soualem’s documentary particularly intriguing, due to its departure from the scripted films typically showcased at the Arab Film Club.  

“The Teacher” by Farah Nabulsi. (Supplied)

“I wanted to make an exception for Soualem’s film because it’s another portrayal of the Nakba, but in very different terrains — like, totally different,” she explained. “My father is from Tiberias, so I was also attracted to it for that reason.” 

Agha believes her podcast is launching at a time when Palestinians are being censored in the arts. 

“200 Metres” by Ameen Nayfeh. (Supplied)

“There’s been a lot of cancellations of events to do with Palestine and Palestinian narratives,” she said. “So I think the best thing that we can do is not succumb to hopelessness. The fact that they’re trying to silence voices means those voices are significant. You don’t silence something that’s irrelevant. For example, the fact that the Israeli government tried to pressure Netflix into removing Darin’s film shows that it’s important.”  

Agha hopes the podcast will appeal to a diverse audience, including non-Arabs.  

“That, for me, is a really big thing. If we just talk to ourselves all the time, we won’t really get any further with reaching a wider audience,” she said.  


Saudi Arabia announces Red Sea Fashion Week

Updated 02 May 2024
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Saudi Arabia announces Red Sea Fashion Week

DUBAI: The Kingdom is all set to host the inaugural Red Sea Fashion Week. Set against the waters of Ummahat Island, the glitzy event is scheduled to take place from May 16-18 at The St. Regis Red Sea Resort.

Red Sea Fashion Week, which is organized by the Saudi Fashion Commission, will showcase local and international designers. It aims to celebrate the fusion of traditional Saudi aesthetics with cutting-edge contemporary design.

Among the highlights will be the participation of Saudi 100 Brands, an initiative spearheaded by the Fashion Commission to support and promote emerging local talent.

Saudi Arabia played host to its first fashion week in 2023, in Riyadh. The event took place in the King Abdullah Financial District from Oct. 20-23 and set the stage for a new fashion capital in the Middle East.
 


Bella Hadid launches Orebella fragrances

Updated 02 May 2024
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Bella Hadid launches Orebella fragrances

DUBAI: American fashion model Bella Hadid has launched a range of fragrances under her beauty brand, Orebella.

The entrepreneur, of Dutch and Palestinian descent, posted pictures of herself alongside the products — Salted Muse, Blooming Fire and Window2Soul — on Instagram.

The fragrances are available in 10, 50 and 100 mL bottles.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Orebella (@orebella)

Hadid described them as “hydrating, alcohol-free and enriched with essential oils.”

According to reports, the Salted Muse fragrance has top notes of sea salt, pink pepper and carbon dioxide extract, heart notes of olive tree accord, fig and lavender, and base notes of cedarwood, sandalwood and amber.

Blooming Fire has bergamot, cedarwood, clove leaf and cardamom, followed by Tahitian monoi and jasmine and finishes with patchouli.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Orebella (@orebella)

Window2Soul has a blend of lemon, geranium and mint in its top notes, transitions to jasmine and damask rose and ends with a base of tonka bean.

“For me, fragrance has always been at the center of my life, helping me feel in charge of who I am and my surroundings,” Hadid said on her website.

“From my home to nostalgic memories, to my own energy and connection with others, scent has been an outlet for me. It made me feel safe in my own world.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Bella (@bellahadid)

“Through my healing journey, I found that I was extremely sensitive to the alcohol in traditional perfumes, both physically and mentally, it became something that was more overwhelming than calming to me.

“That is the main reason I wanted to find an alternative, so essential oils became an artistic and experimental process for me.”

Hadid said she started growing lavender on her farm and learned about her family’s tradition of making scents.

“I realized I might have a calling in this. I found healing, joy and love within nature’s scents.

“This is why I am so proud of Orebella. It was truly a dream and a passion that through the universe and authentic dedication was able to become this brand.”


Riyadh-based soap-maker Mayassem Tamim’s compelling chemistry of Saudi fragrances and flavors

Updated 02 May 2024
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Riyadh-based soap-maker Mayassem Tamim’s compelling chemistry of Saudi fragrances and flavors

  • Businesswoman uses locally-sourced ingredients, no chemicals
  • Olive oil, camel milk, honey, dates, Zamzam water key materials

RIYADH: Mayassem Tamim has had a passion for handmade soaps from a young age, and as an adult would search the globe for such products.

She discovered various products in several cities including Tripoli’s eco-friendly creations at Khan Al-Saboun and Provence’s boutique lavender offerings.

In 2018, Tamim decided to set up her own company, the Riyadh-based Mayassem, that produces luxury handmade soaps from Saudi Arabia-sourced natural ingredients.  (AN Photo/Abdulrhman bin Shulhuob)

In 2018, she decided to set up her own company, the Riyadh-based Mayassem, that produces luxury handmade soaps from Saudi Arabia-sourced natural ingredients.

She told Arab News: “My hope is these soaps, at least a few of the ones that become traditional, are going to help establish something in Saudi Arabia that is considered pure to the region. It doesn’t have to be just my brand of soap, but it can be an industry that is localized.

“We’re doing everything new in Saudi Arabia. Why not this?”

Mayassem products have no harmful chemicals and are handcrafted at her home atelier using sustainable, organic ingredients to ensure that they are gentle on the skin. (AN Photo/Abdulrhman bin Shulhuob)

Her products have no harmful chemicals and are handcrafted at her home atelier using sustainable, organic ingredients to ensure that they are gentle on the skin. The materials are locally sourced including extra-virgin olive oil from Al-Jouf, camel milk from Janadriyah, honey from Baha, and dates from Qassim.

She considers the soaps mini canvases, each splashed with a unique blend of non-toxic coloring inspired by their ingredients. The “Bliss” bar for example, made with Zamzam water and lavender fragrance, is crafted to resemble the Kaaba. The “Tamr” bar reflects the palette of the Saudi Arabia landscape as it features oud, saffron and turmeric fragrance, date paste, and camel milk.

“I know it’s a soap and not a painting but sometimes it is a feeling in me. I was very sad at the loss of a cousin, Rana, which in Arabic means song. So for one of my soaps, I decided to go with blue colors and called it ‘Celestial Melody.’ Sometimes it’s just things that simple,” the artisan said. 

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Mayassem (@mayassem_suds)

The soaps come in floral, fruity, woody, citrus, or unscented options. While their main categories are classic, seasonal and signature, she also crafts limited-edition soaps, including an 18-box drop featuring bars encrusted with crystals such as lapis lazuli and black onyx. The brand also offers hand-poured candles made with natural soy, coconut and beeswax, as well as hand cream.

“People can buy soap 10 times cheaper at the supermarket. If I’m not offering them something that adds to the moisturization, that is organic, that does not harm them, and remains beautiful as long as they’re using it, I might as well not start at all,” she said.

Mayassem soaps come in floral, fruity, woody, citrus, or unscented options. (AN Photo/Abdulrhman bin Shulhuob)

With her background in biology, the chemistry of soap-making came naturally to her. She began experimenting, with aesthetics and organic products in mind, over a couple of years until she began testing her final product on family and friends.

After retiring from the UN Development Program, Mayassem began investing her time in her business. Her products have been featured in shops at Jeddah’s Islamic Arts Biennale and Diriyah’s Contemporary Arts Biennale, various homegrown market locations, and pop-up stores.

“I think I’m living the best years of my life because I’m thoroughly working on something that I’m enjoying tremendously. Not to say that I did not enjoy my career. I was very happy with the work I did, but it was time to start a new chapter in my life,” she said.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Mayassem (@mayassem_suds)

While artisans have been embedded in local culture for ages, the brand aims to call attention to their value by keeping the business hand-crafted and artisanal in line with its ethos. “I don’t want it to become a job. I want it to stay a passion,” she said. “Artisans, whether they’re making soap, embroidery, or painting, bring out the value in a country. And we have different regions, so it also brings out the identity of a country.”


Robert De Niro’s publicist denies video shows actor shouting at Pro-Palestine supporters

Updated 02 May 2024
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Robert De Niro’s publicist denies video shows actor shouting at Pro-Palestine supporters

  • Footage shared online was scene from upcoming Netflix series, Stan Rosenfield says
  • ‘Someone copied the post and fabricated an entirely different and bogus meaning,’ he says

DUBAI: Robert De Niro’s publicist has shut down a rumor that a video clip widely shared online shows the 80-year-old actor confronting pro-Palestinian protesters in New York.

The 34-second clip has been shared on social media with the caption: “Robert De Niro stands with Israel!”

But publicist Stan Rosenfield told CNN that the Hollywood veteran was actually rehearsing a scene for his upcoming series in which he plays a former president.

“What you saw was a direct scene from the Netflix series ‘Zero Day,’ with Robert De Niro reading lines as written in the script,” he said.

The video was shot on the streets of New York on Saturday and in the clip, De Niro’s character was confronting a crowd of people, he said.

“Someone copied the post and fabricated an entirely different and bogus meaning,” he said.

Netflix supported the story, according to a report by Just Jared.

In the clip, De Niro yells at the crowd: “This is not a movie! This is not a movie! Move behind the barricade. You like talkin’ nonsense? Then you gotta go home!

“That’s dangerous and they say they’re gonna do it again! Again! You don’t want that. You don’t want that. None of us want that. C’mon. Let’s all get serious.”

The footage was shared by various pro-Israel accounts on social media with some claiming the words “They say they’re gonna do it again” were a reference to the Hamas attack on Israel on Oct. 7.