LOS ANGELES: Lucasfilm brought the biggest party in the galaxy to Hollywood on Thursday as rapt devotees gathered under the Millennium Falcon for the world premiere of the latest “Star Wars” spin-off.
“Solo: A Star Wars Story,” which gets its US release on May 25, tells the coming-of-age tale of smuggler Han Solo before he was the galaxy’s most adored scoundrel.
The glittering array of stars in Hollywood Boulevard included cast members Alden Ehrenreich, Woody Harrelson, Emilia Clarke, Donald Glover, Thandie Newton and Paul Bettany.
“One of my favorite movies growing up was ‘Butch Cassidy and the Sundance Kid.’ I think this movie has a little bit of the fun of that film,” said Ehrenreich, who plays Solo, on the red carpet.
Hollywood’s A-list — “Star Wars” alumni or otherwise — turned out for the second in the “anthology” series of spin-off films that started in 2016 with “Rogue One.”
Among them were Mark Hamill, Ewan McGregor, Sofia Vergara, Alexandra Daddario, Benjamin Bratt and Johnny Knoxville.
The Disney-owned Lucasfilm delighted fans in April with a sneak peak of one of the most hotly-anticipated scenes from the movie, the first meeting between the young Solo and Glover’s Lando Calrissian.
“A very slow week, but hopefully it will speed up as soon this movie comes out,” joked Glover, whose rap alter ego Childish Gambino has racked up a record-breaking 70 million YouTube views in just four days with his latest single “This is America.”
Glover said the best thing about playing Lando was the fans, who began recognizing him as the galaxy’s sexiest gambler the very day he was announced for the part, when he went for a pizza.
The trailers have also offered a glimpse of the pivotal moment in “Star Wars” lore when Han beats Lando in a card game to win the Millennium Falcon starship, a full-size version of which was constructed for the premiere.
“Everything about this movie is getting you ready for what you already know,” said Emilia Clarke — Daenerys Targaryen on HBO’s “Game of Thrones” — who plays Qi’ra, Solo’s friend since childhood.
“And I think that the way that we get there is satisfying.”
The movie, which comes just five months after “Star Wars: The Last Jedi,” has endured a journey to screen that has been bumpier than the Falcon completing the Kessel Run.
Oscar-winning filmmaker Ron Howard was brought in last year to replace sacked directing duo Phil Lord and Chris Miller.
The pair behind the acclaimed “The LEGO Movie” and “21 Jump Street,” were dropped after clashing with Lucasfilm chief Kathleen Kennedy and writer Lawrence Kasdan, according to reports.
“This is showmanship at its best and it’s what ‘Star Wars’ fans deserve, this kind of excitement. But I’m also really glad that we worked very hard to make this release date,” said Howard.
“It was a big challenge. The movie was not compromised one bit and I’m so glad because it really feels like a summer movie to me.”
Solo’s Wookiee companion Chewbacca is played by six-foot 10 inch (2.08-meter) Finnish basketballer Joonas Suotamo who took over from Peter Mayhew, starting with “The Force Awakens” (2015).
“I just approached it as another adventure happening at a different time in Chewbacca’s life,” Suotamo said.
“It was interesting to approach this time when Chewbacca doesn’t know Han, he doesn’t know all these people, he’s in a really bad spot and he’s looking for a way out.”
Experts are predicting an opening weekend domestic box office of around $137 million, some way short of the $155 million recouped by “Rogue One” and a figure dwarfed by Marvel twice already this year.
Hollywood glitters as ‘Star Wars’ stages ‘Solo’ premiere
Hollywood glitters as ‘Star Wars’ stages ‘Solo’ premiere
- “Solo: A Star Wars Story” tells the coming-of-age tale of smuggler Han Solo before he was the galaxy’s most adored scoundrel
- Oscar- filmmaker Ron Howard was brought in last year to replace directing duo Phil Lord and Chris Miller.
Review: ‘Relay’
RIYADH: “Relay” is a thriller that knows what its role is in an era of overly explained plots and predictable pacing, making it feel at once refreshing and strangely nostalgic.
I went into the 2025 film with genuine curiosity after listening to Academy Award-winning British actor Riz Ahmed talk about it on Podcrushed, a podcast by “You” star Penn Badgley. Within the first half hour I was already texting my friends to add it to their watchlists.
There is something confident and restrained about “Relay” that pulls you in, and much of that assurance comes from the film’s lead actors. Ahmed gives a measured, deeply controlled performance as Ash, a man who operates in the shadows with precision and discipline. He excels at disappearing, slipping between identities, and staying one step ahead, yet the story is careful not to mythologize him as untouchable.
Every pause, glance, and decision carries weight, making Ash feel intelligent and capable. It is one of those roles where presence does most of the work.
Lily James brings a vital counterbalance as Sarah, a woman caught at a moral and emotional crossroads, who is both vulnerable and resilient. The slow-burn connection between her and Ash is shaped by shared isolation and his growing desire to protect her.
The premise is deceptively simple. Ash acts as a middleman for people entangled in corporate crimes, using a relay system to communicate and extract them safely.
The film’s most inventive choice is its use of the Telecommunications Relay Service — used by people who are deaf and hard of hearing to communicate over the phone — as a central plot device, thoughtfully integrating a vital accessibility tool into the heart of the story.
As conversations between Ash and Sarah unfold through the relay system, the film builds a unique sense of intimacy and suspense, using its structure to shape tension in a way that feels cleverly crafted.
“Relay” plays like a retro crime thriller, echoing classic spy films in its mood and pacing while grounding itself in contemporary anxieties.
Beneath the mechanics and thrills of the plot, it is about loneliness, the longing to be seen, and the murky ethics of survival in systems designed to crush individuals.
If you are a life-long fan of thrillers, “Relay” might still manage to surprise you.
