Hollywood glitters as ‘Star Wars’ stages ‘Solo’ premiere

Chewbacca attends the premiere of Disney Pictures and Lucasfilm’s “Solo: A Star Wars Story” at the El Capitan Theatre In Hollywood. (AFP)
Updated 11 May 2018
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Hollywood glitters as ‘Star Wars’ stages ‘Solo’ premiere

  • “Solo: A Star Wars Story” tells the coming-of-age tale of smuggler Han Solo before he was the galaxy’s most adored scoundrel
  • Oscar- filmmaker Ron Howard was brought in last year to replace directing duo Phil Lord and Chris Miller.

LOS ANGELES: Lucasfilm brought the biggest party in the galaxy to Hollywood on Thursday as rapt devotees gathered under the Millennium Falcon for the world premiere of the latest “Star Wars” spin-off.
“Solo: A Star Wars Story,” which gets its US release on May 25, tells the coming-of-age tale of smuggler Han Solo before he was the galaxy’s most adored scoundrel.
The glittering array of stars in Hollywood Boulevard included cast members Alden Ehrenreich, Woody Harrelson, Emilia Clarke, Donald Glover, Thandie Newton and Paul Bettany.
“One of my favorite movies growing up was ‘Butch Cassidy and the Sundance Kid.’ I think this movie has a little bit of the fun of that film,” said Ehrenreich, who plays Solo, on the red carpet.
Hollywood’s A-list — “Star Wars” alumni or otherwise — turned out for the second in the “anthology” series of spin-off films that started in 2016 with “Rogue One.”
Among them were Mark Hamill, Ewan McGregor, Sofia Vergara, Alexandra Daddario, Benjamin Bratt and Johnny Knoxville.
The Disney-owned Lucasfilm delighted fans in April with a sneak peak of one of the most hotly-anticipated scenes from the movie, the first meeting between the young Solo and Glover’s Lando Calrissian.
“A very slow week, but hopefully it will speed up as soon this movie comes out,” joked Glover, whose rap alter ego Childish Gambino has racked up a record-breaking 70 million YouTube views in just four days with his latest single “This is America.”
Glover said the best thing about playing Lando was the fans, who began recognizing him as the galaxy’s sexiest gambler the very day he was announced for the part, when he went for a pizza.
The trailers have also offered a glimpse of the pivotal moment in “Star Wars” lore when Han beats Lando in a card game to win the Millennium Falcon starship, a full-size version of which was constructed for the premiere.
“Everything about this movie is getting you ready for what you already know,” said Emilia Clarke — Daenerys Targaryen on HBO’s “Game of Thrones” — who plays Qi’ra, Solo’s friend since childhood.
“And I think that the way that we get there is satisfying.”
The movie, which comes just five months after “Star Wars: The Last Jedi,” has endured a journey to screen that has been bumpier than the Falcon completing the Kessel Run.
Oscar-winning filmmaker Ron Howard was brought in last year to replace sacked directing duo Phil Lord and Chris Miller.
The pair behind the acclaimed “The LEGO Movie” and “21 Jump Street,” were dropped after clashing with Lucasfilm chief Kathleen Kennedy and writer Lawrence Kasdan, according to reports.
“This is showmanship at its best and it’s what ‘Star Wars’ fans deserve, this kind of excitement. But I’m also really glad that we worked very hard to make this release date,” said Howard.
“It was a big challenge. The movie was not compromised one bit and I’m so glad because it really feels like a summer movie to me.”
Solo’s Wookiee companion Chewbacca is played by six-foot 10 inch (2.08-meter) Finnish basketballer Joonas Suotamo who took over from Peter Mayhew, starting with “The Force Awakens” (2015).
“I just approached it as another adventure happening at a different time in Chewbacca’s life,” Suotamo said.
“It was interesting to approach this time when Chewbacca doesn’t know Han, he doesn’t know all these people, he’s in a really bad spot and he’s looking for a way out.”
Experts are predicting an opening weekend domestic box office of around $137 million, some way short of the $155 million recouped by “Rogue One” and a figure dwarfed by Marvel twice already this year.


Perfect plays: The best video games of 2025

Updated 1 min 25 sec ago
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Perfect plays: The best video games of 2025

Clair Obscur: Expedition 33 

This modern take on a classic RPG is like nothing that’s come before. Its painterly world, time-haunted premise and inventive turn-based combat feel both nostalgic and daringly new, marryingFrench surrealism with emotional storytelling, and using mortality as its beating heart. Few games this year balanced mechanical depth and philosophical weight so gracefully, nor left such a lasting impression. Come for the story, stay for the beautifully realized characters. 

Ghost of Yotei 


A sumptuous, beautifully directed open-world samurai epic. Each scene looks like a classical painting and feels weighty. Protagonist Atsu is unapologetically vengeful and so much fun to play, brought to life by a compelling performance from Erika Ishii. The story is simple, but the combat is brutal and rewarding, remaining challenging deep into the game. “Yotei” is confident, elegant and gives you plenty of bang for your buck. 

Mario Kart World 


There was no way Nintendo would launch the Switch 2 without a new Mario game, and “Mario Kart World” — which allows up to 24 players to compete at once — proved the perfect choice. Building on everything fans love about the long-running franchise, the latest entry raises the stakes with expansive open-world tracks, off-roading mechanics and an elimination mode that keeps every race unpredictable. More than 30 years after its debut, “Mario Kart” remains the undisputed gold standard for fun. 

Dispatch 

The latest episodic game from AdHoc Studio delivers is a confident, character-driven superhero story with a twist: it’s a workplace comedy. Ex-superhero Robert Robertson III (voiced by an excellent Aaron Paul) is navigating his new life working at the Superhero Dispatch Network. Strategic decision-making, clever mini-games and sharp writing anchor the experience. While it takes time to fully find its footing, strong performances and witty dialogue make it a satisfying narrative adventure. 

Split Fiction 


Developer Hazelight Studios took everything they learned from the excellent two-player co-op “It Takes Two” and poured it into the even-more perfect “Split Fiction.” Two writers — one rooted in sci-fi, the other in fantasy — are trapped inside a simulation built from their imagined worlds. The idea is so cleverly executed, giving rise to wildly inventive sequences. Each game mechanic reinforces its themes of authorship, compromise and creative conflict.  

Hades II 


“Hades II” is that rare sequel that actually improves on the original, going deeper and darker for a compulsively playable experience. The game is still built around pushing as far as you can through a dungeon’s branching paths before death sends you back to the start, but with a new protagonist and two opposing routes: Mount Olympus or Tartarus. With stunning art and a gorgeous soundtrack, this is a game you’ll keep coming back to.