RIYADH: Archaeological exploration works being carried out by a joint Saudi-Chinese team at Al-Serrian site in Al-Qunfudah province were inspected recently by the Chinese Ambassador to the Kingdom Li Huaxin, accompanied by Dr. Abdullah Al-Zahrani, director general of the Center for Research and Archaeological Studies at the SCTH.
The project includes archaeological specialists in sunken monuments from both sides. A number of archaeological works will be carried out, including a wide range of advanced techniques and field surveys over the next five years, as well as the sounding of submerged ruins in the water adjacent to the archaeological site.
The project at Al-Serrian is considered one of the new scientific projects being carried out in cooperation with the Chinese Center for Underwater Heritage, whereas 31 international and local missions are working in various regions.
Excavations at the site started last year through a Saudi team from the SCTH which found pottery fragments of Chinese porcelain in addition to mineral ruins dating back to successive Islamic periods from the first centuries of Hijra.
Saudi-Chinese exploration team at Al-Serrian
Saudi-Chinese exploration team at Al-Serrian
- The project at Al-Serrian is considered one of the new scientific projects
- A Saudi team from the SCTH which found pottery fragments of Chinese porcelain in addition to mineral ruins dating back to the first centuries of Hijra
Crown prince sponsors launch of world-class Arabic calligraphy center in Madinah
- The Prince Mohammed bin Salman Global Center for Arabic Calligraphy was inaugurated by Prince Salman bin Sultan bin Abdulaziz
RIYADH: A new center for Arabic calligraphy under the patronage of Crown Prince Mohammed bin Salman officially opened in Madinah on Monday.
The Prince Mohammed bin Salman Global Center for Arabic Calligraphy was inaugurated by Prince Salman bin Sultan bin Abdulaziz, governor of Madinah region.
He was joined by Culture Minister Prince Badr bin Abdullah bin Farhan, touring the new facility’s exhibition spaces and receiving briefings on cultural programming and the center’s achievements.
They also viewed collections highlighting Arabic calligraphy’s artistic and historical importance.
Speaking at the opening, Prince Badr said: “From this land of enlightenment and scholarship, we proudly launch a global platform dedicated to Arabic calligraphy as an invaluable cultural asset.”
He went on to credit the crown prince’s “generous and boundless support” for the cultural sector.
The minister said that the center demonstrated to the world the legacy of Arabic calligraphy while underscoring Saudi Arabia’s commitment to safeguarding its cultural identity and heritage.
According to Prince Badr, the facility represents an ambitious vision to elevate Arabic calligraphy as both a universal communication tool and an integral element of Arab heritage, art, architecture and design.
The center further aims to enhance the Kingdom’s cultural identity and strengthen its international presence, targeting calligraphers, emerging talents, visual artists, Islamic arts researchers, educational and cultural institutions, as well as art and heritage enthusiasts worldwide.
It will deliver specialized programs including research and archival services, calligraphy instruction, academic grants, a permanent museum, touring exhibitions, an international calligraphy association and a business incubator supporting calligraphy enterprises.
Additional offerings feature artist residency programs, expert-led workshops, and standardized curriculum development, complemented by international educational partnerships aimed at heritage conservation and expanding global appreciation for this time-honored art form.
The center’s establishment in Madinah carries particular significance, given the city’s historical role as the cradle of Arabic calligraphy and its association with transcribing the Qur’an and preserving Islamic knowledge.
