US viewers still not tired of ‘Idol’

This image released by ABC shows, from left, Lionel Richie, Katy Perry, Ryan Seacrest and Luke Bryan on the set of “American Idol” in New York. The season premiere had a strong debut on ABC, reaching more than 10 million viewers. (Eric Liebowitz/ABC via AP)
Updated 13 March 2018
Follow

US viewers still not tired of ‘Idol’

DUBAI: “American Idol” returned to US TV on Sunday night and some 10.3 million American viewers tuned in to the two-hour premiere of the show’s 16th season, according to ratings data released on Monday. “Idol” returns from its two-year break on a new network with the same host — renowned face-and-teeth carrier Ryan Seacrest — but a new judging panel: Eighties pop legend Lionel Richie, country singer-songwriter Luke Bryan, and bona-fide superstar Katy Perry.


Paris exhibition marks 200 years of Le Figaro and the enduring power of the press

Updated 17 January 2026
Follow

Paris exhibition marks 200 years of Le Figaro and the enduring power of the press

  • The exhibition celebrated the bicentennial of Le Figaro, offering visitors a rare opportunity to step inside the newspaper’s vast historical archive

PARIS: One of France’s most influential newspapers marked a major milestone this month with a landmark exhibition beneath the soaring glass nave of the Grand Palais, tracing two centuries of journalism, literature and political debate.
Titled 1826–2026: 200 years of freedom, the exhibition celebrated the bicentennial of Le Figaro, offering visitors a rare opportunity to step inside the newspaper’s vast historical archive. Held over three days in mid-January, the free exhibition drew large crowds eager to explore how the title has both chronicled and shaped modern French history.
More than 300 original items were displayed, including historic front pages, photographs, illustrations and handwritten manuscripts. Together, they charted Le Figaro’s evolution from a 19th-century satirical publication into a leading national daily, reflecting eras of revolution, war, cultural change and technological disruption.
The exhibition unfolded across a series of thematic spaces, guiding visitors through defining moments in the paper’s past — from its literary golden age to its role in political debate and its transition into the digital era. Particular attention was paid to the newspaper’s long association with prominent writers and intellectuals, underscoring the close relationship between journalism and cultural life in France.
Beyond the displays, the program extended into live journalism. Public editorial meetings, panel discussions and film screenings invited audiences to engage directly with editors, writers and media figures, turning the exhibition into a forum for debate about the future of the press and freedom of expression.
Hosted at the Grand Palais, the setting itself reinforced the exhibition’s ambition: to place journalism firmly within the country’s cultural heritage. While the exhibition has now concluded, the bicentennial celebrations continue through special publications and broadcasts, reaffirming Le Figaro’s place in France’s public life — and the enduring relevance of a free and questioning press in an age of rapid change.