CAIRO: US actress and soon-to-be British royal Meghan Markle has reportedly been paying secret visits to a mosque in West London to meet the victims of the Grenfell Tower tragedy.
Prince Harry’s fiancee has reportedly made up to four secret visits to the Al-Manaar Mosque in West London to meet with survivors and relatives of victims of the inferno.
The tragedy took place last June and left 71 people dead.
Following in the footsteps of the late Princess Diana, Markle has been echoing the charitable efforts of her late mother-in-law-to-be in recent weeks.
Markle, who is set to wed Britain’s Prince Harry in May, made those visits alone, but was escorted by a royal protection officer and one of the prince’s aides, the Mirror reported.
A leading Grenfell community member quoted by the Mirror said: “Meghan’s visits mean so much to us. She has a special place in our hearts.”
A royal source also told the newspaper: “Ms. Markle has regularly been making private visits to organizations as she gets to know the charity sector.”
Harry and Prince William publicly visited the Al-Manaar Mosque in September to support victims of the June 14 blaze.
Chief executive Abdulrahman Sayed said Markle had made “three or four” royal visits since Harry’s trip.
Meghan Markle made ‘secret’ visits to London mosque to meet Grenfell tragedy victims
Meghan Markle made ‘secret’ visits to London mosque to meet Grenfell tragedy victims
Sale of Saudi artist Safeya Binzagr’s work sets record at Sotheby’s auction in Riyadh
RIYADH: A painting by Saudi artist Safeya Binzagr sold for $2.1 million at Sotheby’s “Origins II” auction in Riyadh on Saturday, emerging as the top lot of the evening and setting a new auction record for a Saudi artist.
The work, “Coffee Shop in Madina Road” (1968), sold for $1.65 million before the buyer’s premium, the additional fee paid by the purchaser to the auction house on top of the hammer price.
The result nearly doubled the previous auction record for a Saudi artist and became the most valuable artwork ever sold at auction in the Kingdom. It also ranks as the third-highest price achieved for an Arab artist at auction.
It was presented as part of “Origins II,” Sotheby’s second auction staged in Saudi Arabia, comprising 62 modern and contemporary lots and bringing together Saudi artists alongside regional and international names.
Collectors from more than 40 countries participated in the auction, with around one-third of the lots sold to buyers within Saudi Arabia.
The sale totaled $19.6 million, exceeding its pre-sale estimate and bringing the combined value of works offered across “Origins” and “Origins II” to over $32 million.
Saudi artists were central to the evening’s results. All nine Saudi works offered found buyers, achieving a combined total of $4.3 million, well above pre‑sale expectations.
Ashkan Baghestani, Sotheby’s head of contemporary art for the Middle East, told Arab News at the auction that “Safeya made more than any other artist tonight, which is incredible.”
He said the results demonstrated Sotheby’s broader objective in the Kingdom.
“The results tonight show exactly what we’re trying to do here. Bring international collectors to Saudi Arabia and give them exposure to Saudi artists, especially the pioneers.”
All nine works by Saudi artists offered in the sale found buyers, generating a combined $4.3 million. Additional auction records were set for Egyptian artist Ahmed Morsi and Sudanese artist Abdel Badie Abdel Hay.
An untitled work from 1989 by Mohammed Al-Saleem sold for a triple estimate of $756,000, while a second work by the artist, “Flow” from 1987, achieved $630,000.
The sale opened with the auction debut of Mohamed Siam, whose “Untitled (Camel Race)” sold for $94,500. Also making his first auction appearance, Dia Aziz Dia’s prize-winning “La Palma (The Palma)” achieved $226,800.
The sale coincided with the opening week of the Contemporary Art Biennale in Riyadh, reinforcing the city’s growing role as a focal point for both cultural institutions and the art market.
Baghestani added that Saudi modern artists are now receiving long‑overdue recognition in the market.
“There’s so much interest and so much demand, and the price is where it should be,” he said.
International highlights included works by Pablo Picasso, Roy Lichtenstein, Andy Warhol and Anish Kapoor, underscoring Saudi Arabia’s growing role as a destination for major global art events and collectors.
Picasso’s “Paysage,” painted during the final decade of the artist’s life, sold for $1,600,000, becoming the second most valuable artwork sold at auction in Saudi Arabia.
Seven works by Lichtenstein from the personal collection of the artist and his wife, including collages, prints, works on paper and sculptures, all found buyers. Warhol was represented in the sale with two works: “Disquieting Muses (After de Chirico),” which sold for $1,033,200, and a complete set of four screenprints of “Muhammad Ali,” which achieved $352,000.
Baghestani said the strength of the results was closely tied to the material’s freshness. “These were not works from the trade. Some of them had not been seen since the 1970s,” he said.
