Abused South Korea actress slams ‘hypocritical’ Berlin filmfest

This file picture taken on December 14, 2017 shows staff members holding a white screen in Seoul while an anonymous South Korean actress speaks from behind the folding screen during a press conference accusing director Kim Ki-Duk of abusing her. (AFP)
Updated 11 February 2018
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Abused South Korea actress slams ‘hypocritical’ Berlin filmfest

SEOUL: A South Korean actress has accused the Berlin film festival organizers of hypocrisy for inviting a director who assaulted her to this year’s event while promoting it as a forum to tackle abuse in the industry.
The actress, who has refused to be publicly identified, last year accused renowned Seoul director Kim Ki-duk of physical and sexual abuse, saying he beat her and forced her into unscripted, unwanted sex and nude scenes while shooting his 2013 film “Moebius.”
Kim, 57, is one of South Korea’s top directors whose awards include Berlin’s Silver Bear for “Samaritan Girl” in 2004 and the Golden Lion at the Venice Film Festival for “Pieta” in 2012.
His latest work “Human, Space, Time and Human” will have its world premiere in the Panorama Special section of this year’s Berlinale, which begins Thursday.
“I find the decision to invite Kim deeply sad and extremely hypocritical,” the actress told AFP, adding she had been left “devastated” by the experience.
“Kim admitted and was found guilty of physically assaulting me on the film set. Yet the Berlinale rolled out a red carpet to him while boasting about their support for the #Metoo movement,” she said.
Berlinale chief Dieter Kosslick said last week that this year’s festival would shine a light on sexual misconduct and serve as a “forum” to bring “concrete changes” to the treatment of women in the film industry.
Some of the most high-profile cases revealed by the global #MeToo phenomenon have involved top entertainment figures, such as movie mogul Harvey Weinstein and actor-director Kevin Spacey.
Kosslick said Tuesday he had disqualified some productions from the festival because a director, screenwriter or star was facing credible sexual misconduct allegations.

The actress spoke out in December about the abuse she suffered at Kim’s hands on the set of the 2013 film, where she was eventually replaced by another actress.
Her allegation is a rarity in the South’s lucrative, male-dominated film industry.
But she still spoke behind a white screen during her press conference for fear of online bullying and shaming in a nation that remains patriarchal despite its economic and technological advances.
“One day, Kim said ‘I’ll set your emotion’ and suddenly slapped my face really hard three times in a row in front of everybody, before turning the camera toward me and filming,” she said then.
“I was so shocked... but had to start acting right away,” she went on, adding that none of the crew said “a single word to stop him.”
Seoul prosecutors dropped sexual abuse charges citing a lack of evidence but fined Kim 5 million won ($4,600) under a procedure where minor cases can be handled without going to court.
Kim admitted slapping the actress for the purposes of an “acting lesson” but denied the other allegations of wrongdoing.
Women in the South’s tight-knit movie business, both on screen and behind the camera, fear making public accusations against prominent figures, said Hong Tae-Hwa, secretariat director of the Federation of Korea Movie Workers’ Union.
“They are so afraid of having their career practically terminated in this industry, from which you can be banned for life for speaking out about the slightest abuse by directors or producers,” he said.
Kosslick told AFP that the Berlinale was aware of the accusations against Kim, and that he had been convicted and fined, but that the sexual harassment allegations had been dismissed for lack of evidence.
It was seeking more information about an appeal in the case, he added.
“Obviously the Berlinale condemns and opposes any form of violence or sexual misconduct,” he said.
Kim has kept a low profile and refused to talk to the media in South Korea since the scandal sparked nationwide fury last year.
But his return to the Berlinale — one of Europe’s top three film festivals — has been widely reported in the country as something of a status restoration, with headlines such as the Ilgan Sports tabloid’s reading: “Troubled at home, loved overseas.”
It took four years for the actress to come forward after being told by industry figures that she had “no chance” of winning a legal case against Kim, whose career would “hardly suffer a dent” even if she spoke out.
“And the Berlin film festival proved that those people were right,” she told AFP, urging the festival organizers to pay more attention to “obscure, powerless” members of the industry.
“Unlike the famous Hollywood actresses who spoke out for #Metoo campaign, I’m just an obscure actress in a small Asian country,” she said.
“But that does not mean that my suffering is something that can be ignored and forgotten.”


Lolo Zouai releases new music video, sets album date

Updated 10 February 2026
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Lolo Zouai releases new music video, sets album date

  • French Algerian star will release new album April 24
  • Record dedicated to a close friend who died in 2021

DUBAI: French Algerian singer and songwriter Lolo Zouai this week dropped a new music video for her single “Holding On” and announced that her upcoming album, “Reverie,” will be released on April 24.

The track, which blends R&B and dance-pop elements, explores themes of grief and memory. Its accompanying music video is dedicated to Zouai’s close friend Hanna Rosa Hotchkiss who died in 2021.

In a statement shared on Instagram, Zouai said the album reflects a period of personal change.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Lolo Zouaï (@lolozouai)

“This record was made through three years of grief, growth, and reflection. I had to lose myself to find myself again. I couldn’t have done it without my angel, Hanna.”

“Thank you to my collaborators, my friends, and my Lo-riders who held me down through it all,” she added. “I hope it heals you the way it healed me.”

Zouai teased the album earlier this year writing: “2026. ALBUM SUBMITTED. LET’S… GOOO,” on Instagram, sharing a carousel of images of herself.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Lolo Zouaï (@lolozouai)

Fans quickly took to the comments section to congratulate the music sensation.

“OH MY GOD FINALLY!!! I’m so so so excited and proud of you omg, you did that,” one fan wrote. Another said: “Some good news i needed this fr.”

Another fan said: “I’m so excited I just shed a tear … 2026 is so gonna be your year boo!!!! SEE U SOON!!”

Zouai’s last release was in November, when she dropped a new single titled “3AM in San Francisco.”

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Lolo Zouaï (@lolozouai)

In 2024, Zouai dropped several tracks, including her “Please Hold” EP featuring “jetlag” and “UNHHH,” along with “mute” and “Potential.”

In June 2024, she also announced that she had written a song for K-pop group NewJeans for their Japanese debut.

Known for her blend of R&B, club-pop and hip-hop, she has gained an international fan base for her dynamic stage presence and genre-blending music.

Her career highlights include the release of a debut album “High Highs to Low Lows” in 2019, which features 12 tracks, and a follow-up “PLAYGIRL” in 2022, which has 13 tracks.

After the album’s release in October 2022, Zouai was featured on a billboard in New York’s Times Square.