LONDON: London’s newest museum attraction is greasy, smelly — and a glimpse at the hidden underside of urban life.
The Museum of London is displaying part of a 130 metric-ton (143 US-ton) fatberg that was blasted out of a city sewer last year.
It took sewage workers weeks to dislodge the 250-meter-long (820-foot-long) mass of oil, fat, diapers and baby wipes from beneath the city’s East End.
The museum has preserved an air-dried chunk, about the size of a shoebox, whose mottled consistency a curator likens to parmesan crossed with moon rock.
Curator Vyki Sparkes said Thursday that the fatberg is “disgusting and fascinating. And that’s what’s been great to work with. It has this impact on people.”
The fatberg is on display from Friday until July 1. Admission is free.
Ick-factor: London fatberg goes from sewer to museum
Ick-factor: London fatberg goes from sewer to museum
Riyadh exhibition to trace the origins of Saudi modern art
- Features painting, sculpture and archival documents
- Open from Jan. 27-April 11 at Saudi national museum
DUBAI: A new exhibition in Riyadh is focusing on the origins of Saudi Arabia’s modern art scene, examining how a generation of artists helped shape the Kingdom’s visual culture during a period of rapid change.
The “Bedayat: Beginnings of Saudi Art Movement” show reportedly traces the emergence of creative practices in Saudi Arabia from the 1960s to the 1980s, an era that laid the groundwork for today’s art ecosystem.
On view from Jan. 27 until April 11 at the National Museum of Saudi Arabia, it includes works and archival material that document the early years of modern and abstract art in the Kingdom, according to the organizers.
It will examine how artists responded to shifting social, cultural and economic realities, often working with limited infrastructure but a strong sense of purpose and experimentation.
The exhibition is the result of extensive research led by the Visual Arts Commission, which included dozens of site visits and interviews with artists and figures active during the period.
These firsthand accounts have helped to reconstruct a time when formal exhibition spaces were scarce, art education was still developing, and artists relied heavily on personal initiative to build communities and platforms for their work.
Curated by Qaswra Hafez, “Bedayat” will feature painting, sculpture, works on paper and archival documents, many of which will be shown publicly for the first time.
The works will reveal how Saudi artists engaged with international modernist movements while grounding their practice in local heritage, developing visual languages that spoke to both global influences and lived experience.
The exhibition will have three sections, beginning with the foundations of the modern art movement, and followed by a broader look at the artistic concerns of the time.
It will conclude with a focus on four key figures: Mohammed Al-Saleem, Safeya Binzagr, Mounirah Mosly and Abdulhalim Radwi.
A publication, documentary film and public program of talks and workshops will accompany the exhibition, offering further insight into a pivotal chapter of Saudi art history and the artists who helped define it.
