Saudi traffic department: Using a cell phone while vehicle is static at lights not a violation

A policeman directs traffic in Asir, Saudi Arabia. (SPA)
Updated 19 November 2017
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Saudi traffic department: Using a cell phone while vehicle is static at lights not a violation

JEDDAH: The Saudi General Department of Traffic (GDT) has clarified that using a cell phone with earpieces or external speakers while driving is not considered a traffic violation.

The GDT added that using the mobile while the vehicle is completely static at traffic lights is not a traffic violation either, according to Al-Masdar news website.

The GDT had announced last week that it would soon implement a new mechanism for monitoring the violations of using the mobiles and not fastening the seatbelts through the use of special cameras.


Riyadh exhibition brings Saudi and Chinese contemporary art into dialogue

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Riyadh exhibition brings Saudi and Chinese contemporary art into dialogue

RIYADH: Saudi Arabia’s Ministry of Culture has announced that the Common Ground Festival, produced by Benchmark, will take place from Dec. 24, 2025 to Jan. 6, 2026 at Misk City, Riyadh.

The exhibition celebrates the Saudi-Chinese Cultural Year 2025 and 35 years of diplomatic relations between the two countries.

The Sigg Art Foundation presents “When the Wind Turns East,” a landmark exhibition as part of the festival, featuring works by more than 60 contemporary artists from Saudi Arabia and China.

Among the works on display are significant pieces from the Uli Sigg Collection composed of Chinese contemporary art and the Pierre Sigg Collection of Saudi contemporary art, alongside works from other important collections and directly from artists’ studios.

The Uli Sigg Collection, one of the most comprehensive assemblages of Chinese contemporary art in the world, chronicles the evolution of Chinese artistic practice from the late 20th century to the present.

Uli Sigg, former Swiss ambassador to China, began collecting in the 1980s, with much of his collection donated to Hong Kong’s M+ museum.

The Pierre Sigg Collection encompasses a large body of works, from Modern Art and Post War work to very young artists.

It also documents the dynamic evolution of Saudi artistic practice, capturing a generation of Saudi artists engaging with heritage, innovation, and contemporary identity.

Founded by Pierre Sigg, the collection represents a commitment to preserving and promoting Saudi contemporary art.

“For these two collections to contribute to this exhibition in Riyadh, at a moment celebrating Saudi-Chinese cultural exchange, feels like a natural evolution of what we have always believed: that art transcends borders and speaks a universal language,” Pierre Sigg said.

Among the 60-plus artists presented in “When the Wind Turns East,” these works from the Uli Sigg and Pierre Sigg collections exemplify the exhibition’s dialogue between Saudi and Chinese contemporary art:

From the Pierre Sigg Collection (Saudi artists): Nabila Abuljadayel — The Kiswa, Threads of Faith Crafted in Silk; Manal Al-Dowayan — The Emerging VIII, acrylic on natural linen; Lulwah Al-Homoud — The Language of Existence Series – Al Qudous, mixed media archival paper; and Rashed Al-Shashai — Brand 5, lightbox and mixed media.

From the Uli Sigg Collection (Chinese artists): Gao Weigang — Mountainside, oil on canvas; and Xue Feng — Domains, oil on canvas.

These works, alongside pieces by more than 55 other artists, span painting, textile, photography, sculpture, mixed media, and light-based installation, reflecting the extraordinary diversity of contemporary practice in both artistic communities.

“When the Wind Turns East” is the art centerpiece of the Common Ground Festival, a multidisciplinary cultural celebration exploring Saudi-Chinese exchange through visual arts, performing arts, culinary traditions, and craft demonstrations.