Ivanka Trump publishes women’s self-help book

A woman walks past a shelf displaying Ivanka Trump’s book “Women Who Work: Rewriting the Rules for Success” at a Barnes and Nobel bookstore in New York on May 2, 2017. (AFP)
Updated 03 May 2017
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Ivanka Trump publishes women’s self-help book

NEW YORK: US First Daughter Ivanka Trump revived ethics concerns Tuesday by publishing a self-help book for working women, which was immediately criticized for offering little help to millions of Americans living outside the moneyed elite.
“Women Who Work: Rewriting the Rules for Success” was released simultaneously in hardback, ebook, 497-minute audio download and CD, Donald Trump’s favorite child sitting on the cover in a dark frock.
The millionaire mother of three, assistant to the president and wife of White House adviser Jared Kushner, says she wrote the tome, published by Penguin business imprint Portfolio, before her father’s shock election.
She took leave from the family real estate business and her eponymous clothing line in January. She is now an unpaid federal employee, with an office in the West Wing, who fulfills duties traditionally carried out by a first lady.
The purpose of the book, she writes, is to empower others with skills she has learned in matters as diverse as starting companies, negotiating, maximizing your influence at work and “helping change the system to make it better for women.”
The text is peppered with quotations from the likes of Mahatma Gandhi, business leaders Jeff Bezos and Sheryl Sandberg, even former secretary of state Colin Powell.
Yet the book spotlights the gulf between the gilded world of a 35-year-old woman thought — with her husband — to still hold investments worth up to $740 million and the struggles facing middle- or working-class working women.
She makes only fleeting reference to a nanny as she details an exhausting schedule for managing her companies, her household and date nights with her husband.
At extremely busy times, such as her father’s presidential campaign, she admits: “I wasn’t treating myself to a massage or making much time for self-care.”
She references her joy at spending weekends “at our country home in New Jersey,” her love of transcendental meditation and shares tips on treating your children to a “spa bath:” run the shower for steam, play rain forest music and lower the lights.

Fatima Goss Graves, incoming president of the National Women’s Law Center that promotes equality for women and families, wrote in US News that the book was “completely out of touch with the obstacles working women face.”
“Millions of women are in no position to follow any of this advice.”
The New York Times, a newspaper repeatedly criticized by the Republican president, called it “not really offensive so much as witlessly derivative.” The “why of her book becomes easy to discern. She’s extending the Trump brand.”
Online booksellers Amazon listed the book with an average of three out of five stars, an instant bestseller in the category of “job hunting and careers.”
Alongside glowing reviews extolling her as a role model with practical advice, irrate comments criticized her as a woman of privilege who never had to work.
Likely galling to many a hard-up student will be the revelation that Anna Wintour, the legendary editor of Vogue, called her in person to offer her a job while she was yet to graduate — a position which she “graciously declined.”
Trump, who uses social media to showcase a carefully curated image, reveals that she shared the first picture of her daughter only after being ambushed by paparazzi.
She justified sharing a photograph of herself digging in the garden with “messy” hair and “dirt on my cheek” thinking it might help “debunk the superwoman myth.”
Trump was pre-paid an advance for the book, but has tried to fend off concerns that she is profiting from public office by promising to donate further profits to charity and announcing that she would not go on a promotional tour.
“In light of government ethics rules, I want to be clear that this book is a personal project. I wrote it at a different time in my life,” she wrote on Facebook.
The book closes with her often-stated desire for the United States to enshrine paid leave and affordable high-quality childcare, but offers no concrete blueprint on how that might be achieved.


Sotheby’s to hold second Saudi Arabia auction titled ‘Origins’

Updated 23 December 2025
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Sotheby’s to hold second Saudi Arabia auction titled ‘Origins’

  • 70 works by local, Mideast, international artists on Jan. 31
  • Work of late Saudi artist Safeya Binzagr will also be on sale

DUBAI: Sotheby’s will have its second auction in Saudi Arabia on Jan. 31 featuring more than 70 works by leading local, Middle East and international artists.

Titled “Origins,” the sale will be staged again in Diriyah, the birthplace of the Kingdom and a UNESCO World Heritage Site. The full selection will be available for free public viewing at Bujairi Terrace from Jan. 24.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

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The event coincides with the opening of the Diriyah Contemporary Art Biennale and comes just ahead of the debut of Art Basel Doha in February, marking Art Basel’s first fair in the Middle East.

The sale spans a wide range of collecting categories, including Ancient Sculpture, 20th-Century Design and Prints, Middle Eastern, Modern and Contemporary, Latin American, and Modern and Contemporary South Asian.

Ashkan Baghestani, Sotheby’s head of sale and contemporary art specialist, said in a recent press release that the second auction reflects the company’s continued commitment to Saudi Arabia’s growing ecosystem.

Among the headline lots is “Coffee Shop in Madina Road” (1968) by Safeya Binzagr (1940–2024), estimated at $150,000 to $200,000. She is considered one of Saudi Arabia’s pioneering artists and the “spiritual mother” of contemporary local art.

The piece comes from the collection of Alberto Mestas Garcia, Spain’s ambassador to Saudi Arabia from 1966 to 1976, and his wife, Mercedes Suarez de Tangil Guzman.

A 1989 untitled painting by Mohammed Al-Saleem (1939–1997), estimated at $150,000 to $200,000, is from a private collection in Bahrain. The work exemplifies his Horizonism style, inspired by desert landscapes, and follows his record $1.1 million sale at Sotheby’s London in 2023.

Also included is “Demonstration” (1968) by Iraqi modernist Mahmoud Sabri (1927–2012), estimated at $400,000 to $500,000. The work reflects Sabri’s socially engaged practice and combines social realism with Christian imagery in a charged depiction of mourning and protest.

Samia Halaby’s “Copper” (1976), estimated at $120,000 to $180,000, highlights the artist’s move toward abstraction in the 1970s. Halaby, born in Jerusalem and now based in the US, has works in major international collections and participated in the 60th Venice Biennale in 2024.

A rare early work by Egyptian artist Ahmed Morsi, “Deux Pecheurs” (“Two Fishermen”) (1954), is estimated at $120,000 to $180,000. Morsi’s works have appeared only five times at auction previously and are held in major museum collections worldwide.

International highlights include Pablo Picasso’s “Paysage” (1965), estimated at $2 million to $3 million. Painted in Mougins during the final decade of his life, the work reflects Picasso’s late engagement with landscape and his dialogue with art history.

Anish Kapoor’s large-scale concave mirror sculpture “Untitled” (2005), estimated at $600,000 to $800,000, is also offered. Executed during a period of major institutional recognition for the artist, the work comes from Kapoor’s iconic mirror series.

Andy Warhol’s “Disquieting Muses (After de Chirico) (1982), estimated at $800,000 to $1.2 million, reinterprets Giorgio de Chirico’s 1917 painting through Pop Art repetition. The sale includes Warhol’s set of four Muhammad Ali screenprints from 1978, estimated at $300,000 to $500,000.

Jean Dubuffet’s “Le soleil les decolore” (1947), estimated at $800,000 to $1.2 million, appears at auction for the first time. Painted after the artist’s travels in the Sahara, the work reflects his response to desert landscapes and nomadic life.

The auction will also feature seven works by Roy Lichtenstein from the personal collection of Dorothy and Roy Lichtenstein.

Leading the group are “Interior with Ajax (Study)” (1997), estimated at $600,000 to $800,000, and “The Great Pyramid Banner (Study)” (1980), estimated at $150,000 to $200,000.