Russian singer barred from Eurovision in Ukraine amid political upheaval

A handout photo taken on March 11, 2017 in Moscow and provided by Russia's Channel One press service shows Russian singer Yuliya Samoilova. (AFP)
Updated 24 March 2017
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Russian singer barred from Eurovision in Ukraine amid political upheaval

MOSCOW: Russia's state-run broadcaster on Thursday quickly spurned Eurovision's offer for its contestant to participate in this year's song contest via satellite after Ukraine barred the singer from entering the country.
"We find the offer of remote participation odd and refuse it, for it is going absolutely against the very essence of the event," Russia's Channel One said in an emailed statement.
Ukraine's security service on Wednesday imposed a three-year entry ban on Russia's participant Yuliya Samoilova, 27, for illegally entering Moscow-annexed Crimea to perform in a 2015 gala concert.
The Geneva-based European Broadcasting Union (EBU), which organises the hugely popular Eurovision Song Contest, had criticised Kiev's decision to exclude Samoilova and voiced hope it would be overturned.
In the meantime, EBU sought to find a solution in a bid to ease a political spat clouding the competition.
In an interview with AFP, Eurovision chief Jon Ola Sand said the decision to ban an entrant was unprecedented in the contest's six-decade history and the satellite compromise was offered to ensure "that all artists can participate".
"This would be the first time that we do this solution, and hopefully the only time we need to do this," he said.
But the Russian state channel, which selected Samoilova for the Eurovision contest, said the EBU "shouldn't invent new rules for the Russian entrant in 2017."
It added that "one of the (contest) rules... reads that the song should be performed live on the stage."
It also claimed that the Eurovision rules oblige Ukraine to provide all participants with entry visas, and that Kiev's entry ban had violated those rules.

Earlier on Thursday the EBU said it had told Russia's state-controlled Channel One, that Samoilova could perform in the semi-final live via satellite.
"Should the Russian entry qualify for the Grand Final the same solution would apply," the EBU said.
Sand said he understood the "challenging situation between Ukraine and Russia" but underscored that Eurovision "needed to keep the broadcast free of politics."
"I think that we have managed very well over the 60 years of Eurovision Song Contest, in different periods in Europe," he told AFP.
"We see the Eurovision Song Contest as the only cultural event in Europe that really can bridge nations on a friendly battlefield."
The Ukrainian military has been fighting pro-Russian separatists in the country's east since April 2014 in a conflict that has killed more than 10,000 people.

Before the Eurovision satellite compromise was proposed, Moscow said it hoped Kiev would reconsider its decision.
"The decision from our point of view is absolutely unfair, it's unfortunate. And we hope all the same that it will be reconsidered," Kremlin spokesman Dmitry Peskov told journalists.
Russian foreign minister Sergei Lavrov, quoted by Interfax news agency, said the decision is "on the conscience of the organisers" in Ukraine.
Samoilova said late Wednesday she remained hopeful for a change of heart from Kiev.
"Overall I'm not upset," Samoilova told Channel One, adding: "I will keep going. I somehow think that everything will change."
Samoilova added that she could not understand why Ukrainian authorities saw "some kind of threat in a little girl like me."
The singer has been in a wheelchair since a bad reaction to a vaccine in childhood, according to the biography on her website.
The popular tabloid Komsomolskaya Pravda on Thursday headlined its front page "Eurohate", saying the ban was "spitting in the face of defenceless 27-year-old Yuliya Samoilova in a wheelchair."
The contest in Kiev comprises two semi-finals on May 9 and 11, followed by the final on May 13.


Hamza Hawsawi on headlining The Fridge in Riyadh

Updated 14 February 2026
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Hamza Hawsawi on headlining The Fridge in Riyadh

DUBAI: Saudi R&B artist Hamza Hawsawi headlined The Fridge’s “Concert Series KSA Season 1” over the weekend, performing a show in Riyadh’s JAX District as part of a two-day program spotlighting emerging talent.

Hawsawi’s performance followed “The Fridge Open Mic,” which took place at the same venue the night before. The open mic offered rising artists a professional stage to perform original material in front of a live audience, creating space for experimentation and discovery within the local music scene.

Speaking during the event, Hawsawi highlighted the importance of platforms such as open mics for artists. “I think it is important because an open mic is an opportunity to get to know new artists,” he said. “For industry professionals, like Fridge, it is an eye-opener to the scene, and it lets you understand how the scene is going, what kind of artists you’re gonna be dealing with in the future.”

From an artist’s standpoint, he added, the format remains essential for growth. “We do need open mics. We do need to be out there and to try different things, and to sing to different people, and to test our art and find out if people are gonna gravitate towards it or not.”

Hawsawi has spent more than 15 years developing a sound rooted in R&B, soul and pop, building an audience that now spans the region and beyond. He has accumulated more than 33 million global views and collaborated with a range of regional and international artists. 

His track “Million Miles” was selected as the official Rally Dakar anthem, while his live performances have included stages such as MDLBeast and the Abu Dhabi Grand Prix.

Asked whether he feels a responsibility to help shape the Saudi R&B scene, Hawsawi described a fluid relationship with that role. “Sometimes I feel that sense of responsibility,” he said. “Other times I feel like I’m just a human being trying to express my feelings … But we’re just artists at the end of the day.”

He added that while he sometimes embraces being a beacon for the genre, “other times I feel like I want to be low-key, and I don’t even want to be seen or heard.”

Hawsawi also reflected on one of his personal challenges as an artist in the Kingdom: writing and performing primarily in English. 

“That has been the biggest challenge to face,” he said. 

While Arabic remains the most widely spoken language in Saudi Arabia, Hawsawi explained that English allows him to express what he feels more clearly, particularly when it comes to emotion and meaning.

“The nuances of what I feel and all the metaphors for me trying to say something but not saying it, you know, not a lot of people get that,” he said, noting that his work often reaches a niche audience. “But I’m happy with that.”