NEW YORK: For a brief, breathless moment Tuesday night, MSNBC’s Rachel Maddow was at the center of the political media universe.
With a single tweet, she set in motion a social media storm, compelled the White House to undercut her by releasing some of President Donald Trump’s tax return information, was accused of breaking the law, was attacked by Fox News Channel and likely drew one of her biggest audiences.
Less than 90 minutes before her show on Tuesday, Maddow tweeted that “we’ve got Trump’s tax returns ... (Seriously),” advertising her program. That teaser spread like wildfire, and within the hour, MSNBC was running a countdown clock on its screen counting down the minutes to a “Trump Taxes Exclusive.”
It was actually another reporter’s exclusive, and more limited than the tweet made it sound. David Cay Johnston, founder of the web site DCReports.org and a longtime investigative reporter and author of the critical book, “The Making of Donald Trump,” had received a copy of two pages from Trump’s 2005 federal tax return in the mail from an unknown source.
Before Maddow even went on the air, the White House confirmed the documents were real and stole the headline by saying that Trump’s income exceeded $150 million in 2005 and that he paid $38 million in income taxes that year.
“It’s been a hullaballoo around here,” Maddow said as she opened her show. “I’m sorry if I’m a little flustered.”
She spent nearly 20 minutes explaining why many people believe it important that Trump release his tax returns, as presidents have done since Richard Nixon in the 1970s. She pieced together theories on what his returns could show — sources of his income and whether he was beholden to any foreign sources, whether he personally stood to gain from any changes in tax policies that the Trump administration sought to enact.
It felt vaguely like a bait-and-switch and there were some complaints on social media that Maddow was taking too long to get to the point. For long-time watchers of her show, the structure was familiar: Maddow frequently opens with long, detailed stories that follow many paths. This has been a winning formula lately, since Maddow’s ratings in February were the highest in the nine years her show has been on the air.
The exclusive she eventually revealed in the tax returns was little more than the White House had announced before she had gone on the air. She said she hoped it could be a first step toward more information about Trump’s taxes being released.
Trump failed to release his taxes during the campaign, claiming that he was under audit by the Internal Revenue Service and he had been advised against it.
“It ought to give you pause that his explanations have never made any factual sense,” Maddow said.
The White House pronounced Maddow desperate for ratings and said she had violated a law against the unauthorized release or publishing of federal tax returns. Maddow said that First Amendment protections of the press gave her the right to broadcast the information.
She brought Johnston on her show to discuss the return. He speculated that Trump — or someone authorized by the president — could have been a possible source of the leaked document which he said “came in the mail over the transom.”
Maddow wasn’t even off the air — MSNBC kept her on for more than her hour to continue discussing the story — when she came under attack by one of Trump’s most vocal defenders on television: Fox’s Sean Hannity.
Hannity, on his show, called Maddow’s story “a flat-out, pathetic conspiratorial attempt to smear the president.” He said NBC News was part of the “deep state” looking to undermine Trump’s presidency.
“Night after night this false narrative keeps getting reported,” he said. “There’s something really twisted and sick that they call themselves a news organization.”
Tax story puts spotlight on MSNBC’s Rachel Maddow
Tax story puts spotlight on MSNBC’s Rachel Maddow
Media watchdog says journalists should be allowed to cover college protests safely
- Journalists said they have been barred from reporting on events
LONDON: Media watchdog Committee to Protect Journalists has called on authorities to allow journalists covering US college protests to do so “freely and safely.”
“Journalists — including student journalists who have been thrust into a national spotlight to cover stories in their communities — must be allowed to cover campus protests without fearing for their safety,” said Katherine Jacobsen, the CPJ’s US, Canada and Caribbean program coordinator.
“Any efforts by authorities to stop them doing their jobs have far-reaching repercussions on the public’s ability to be informed about current events.”
Tensions have escalated between pro-Palestinian demonstrators and law enforcement during recent protests at universities across the US.
On Tuesday night, New York police equipped with anti-riot gear forcibly entered Columbia University’s Hamilton Hall, a focal point of the protests, resulting in the arrest of approximately 300 pro-Palestinian students.
Meanwhile, student journalists at the University of California in Los Angeles reported being assaulted and exposed to gas during violent clashes. In Northern California, local journalists covering college demonstrations were detained and arrested by police.
The CPJ said at least 13 journalists had been arrested or detained since the start of the Israel-Hamas war on Oct. 7 and 11 have been assaulted while covering related protests in the US.
Those arrested include FOX 7 reporter Carlos Sanchez, who was shoved to the ground last month while covering a protest at the University of Texas in Austin. He is currently facing two misdemeanor charges.
Universal Music Group artists to return to TikTok after new licensing pact
- New deal to restore label’s song to platform, increase artists’ protection from AI
- Universal Music says TikTok accounts for 1 percent of its annual revenue in 2023
LONDON: Universal Music Group and TikTok said on Thursday they had reached a new licensing agreement that will restore the label’s songs and artists to the social media platform as well as give musicians more protections from artificial intelligence.
TikTok began removing Universal’s content from its app after their licensing deal expired in January and the two sides failed to reach agreement on royalties, AI and online safety for TikTok’s users.
Describing their new pact as a multi-dimensional deal, the companies said they were working “expeditiously” to return music by the label’s artists to TikTok, and also said they would team up to realize new monetization opportunities from TikTok’s growing e-commerce capabilities.
They will “work together on campaigns supporting UMG’s artists across genres and territories globally,” the two firms said in a joint statement.
The short video app is a valuable marketing and promotional tool for the music industry. TikTok is where 16- to 19-year-olds in the United States most commonly discover music, ahead of YouTube and music streaming services such as Spotify , according to Midia Research.
“Roughly a quarter of US consumers say they listen to songs they have heard on TikTok,” said Tatiana Cirisano, Midia’s senior music industry analyst.
However, Universal Music claimed its artists and songwriters are paid just a fraction of what it receives from other major social media platforms.
The music label says TikTok accounts for 1 percent of its annual revenue or about $110 million in 2023. YouTube, by contrast, paid the music industry $1.8 billion from user-generated content in the 12 months ending in June 2022, according to Midia.
In a move that may well have eroded its bargaining power, Taylor Swift, one of Universal Music’s biggest acts, allowed a selection of her songs to return to TikTok as she promoted her latest album, “The Tortured Poets Department.”
Swift owns the copyrights to her recordings through her 2018 deal with Universal and can control where her songs are available, according to the Financial Times.
As licensing negotiations resumed in recent weeks, AI remained a major point of contention. Universal has claimed TikTok is “flooded” with AI-generated recordings, including songs that users create with the help of TikTok’s AI songwriting tools.
In Thursday’s deal, TikTok and Universal said that they would work together to ensure AI development across the music industry will protect human artistry and the economics that flow to those artists and songwriters.
“TikTok is also committed to working with UMG to remove unauthorized AI-generated music from the platform, as well as (developing) tools to improve artist and songwriter attribution,” the statement said.
Concerns about AI have grown in the creative community. In April, a non-profit group called the Artist Rights Alliance published an open letter urging the responsible use of the technology. The group of more than 200 musicians and songwriters called on technology companies and digital music services to pledge not to deploy AI in a way that would “undermine or replace the human artistry of songwriters and artists or deny us fair compensation for our work.”
The deal comes amid questions over TikTok’s long-term future in the United States. President Joe Biden signed legislation last week that gives TikTok’s Chinese owner, ByteDance, 270 days to sell its US assets. TikTok has vowed to file suit to challenge the legislation, which it calls a ban.
More than 170 million Americans use its video service, according to TikTok. Globally, it has more than 1.5 billion monthly active users, according to research firm Statista.
Arab News awards total reach 125 with three new wins at Newspaper Design competition
- Accolades include prestigious Annual SDP, WAN-IFRA Digital Media Awards, European Newspaper Awards
LONDON: Arab News, Saudi Arabia’s first English language daily, won three Awards of Excellence at the sixth Newspaper Design competition, bringing the total number of awards to 125 since its relaunch in 2018.
“The Kingdom’s Bride and Joy”, a special print edition marking the Jordanian royal wedding, won the Best of Page One award, while “Riyadh: A city steeped in history” took home the prize for Best of Double Page Spreads, and “Accession to the British Throne” scooped the Best of Infographics recognition for the special coverage of King Charles III’s coronation last year.
Established in 2009, the distinguished Newspaper Design is Asia’s inaugural newspaper design website, acknowledging outstanding contributions to news design in both print and online media.
Chaired by Mario Garcia, a globally renowned Cuban-American media designer, this year’s jury praised Arab News’ entries for their innovation and visual storytelling prowess.
“The Kingdom’s Bride and Joy” page, commemorating the historic union between Crown Prince Hussein of Jordan and Saudi Arabia’s Rajwa Al-Saif, was lauded for its cinematic illustration capturing the significance of the occasion. The judges said: “This page marks a historic occasion and captures the sweep and significance with a polished illustration that looks more like a well-directed movie poster than just a newspaper centerpiece.”
Similarly, the design spotlighting Riyadh’s National Day and Arab News’ Expo 2030 campaign was commended for its innovative blend of landscape photography and illustration, seamlessly narrating the city’s story.
Arab News’ coverage of King Charles III’s coronation ceremony last May earned recognition for its elegant and celebratory infographics. In December, the page was also recognized within the category Supplements for Special Occasions at the European Newspaper Awards.
The accolades underscore Arab News’ editorial evolution under Editor-in-Chief Faisal J. Abbas, who spearheaded its relaunch in 2018.
Under the guidance of Design Department head Omar Nashashibi, Arab News continues to receive acclaim, recently earning multiple honors at the prestigious 59th Annual Society of Publications Designers, including for its feature opener “Onions’ tears and inflation fears” page and custom feature design for the special investigation “The Kingdom vs Captagon.”
Past recognitions encompass a range of special projects, including multiple international awards for “Saudi’s Animal Kingdom,” “Step by Step Hajj Guide 2023,” and the “FIFA Qatar World Cup 2022” special edition.
For more information about Arab News and its award-winning projects, visit https://www.arabnews.com/greatesthits.
Comedian Stephen Colbert defends pro-Palestine college campus demonstrators after Trump attack
- Comedian said protests should be allowed to continue as long as they are peaceful
- Trump claimed 2017 white nationalist rally in Charlottesville was ‘nothing’ in comparison to pro-Palestine college protests
LONDON: American comedian Stephen Colbert has defended pro-Palestinian college campus demonstrators, countering recent criticism from former President Donald Trump.
Last week, Trump likened the student rallies to the 2017 white nationalist rally in Charlottesville, Virginia, claiming the latter was “nothing” in comparison.
On his “Late Show” segment, Colbert expressed solidarity with the protestors who are urging their institutions to cut ties with companies profiting from the conflict in Gaza.
The host said that peaceful protests “should be allowed,” rebuking Trump for “downplaying one of the darkest chapters in American history.”
He added: “Now even if you don’t agree with the subject of their protests, as long as they are peaceful, students should be allowed to protest. It’s their First Amendment right.”
The former “The Colbert Report” star criticized the response of both university officials and law enforcement to recent events at Columbia University, denouncing the use of heavily armed police and threats to call in the National Guard as a “classic de-escalation tactic.”
Trump, however, praised law enforcement’s handling of the situation, commending New York City’s police force.
Colbert’s remarks coincided with the deployment of riot police at Columbia University’s Hamilton Hall, resulting in the arrest of numerous pro-Palestinian students who had occupied the building.
The raids drew condemnation from advocacy groups such as Jewish Voice for Peace and UN Special Rapporteur Francesca Albanese. New York City’s mayor reported the arrest of 282 students.
Subsequent clashes between pro-Palestinian groups, counter-protestors, and law enforcement erupted at other campuses across the US.
Meanwhile, Brown University in Rhode Island reached an agreement with protesters on Tuesday, marking what appears to be the first time a US college has agreed to vote on divestment in response to the protests.
Like Digital & Partners opens new office in Saudi Arabia
- Digital transformation agency expands with Riyadh premises
DUBAI: Like Digital & Partners, an independent digital transformation agency with offices in Dubai and London, has announced the opening of premises in Riyadh to mark its expansion into the Kingdom.
The move comes a month after the agency partnered with business expansion platform AstroLabs to extend its footprint in the region.
The new office in Riyadh will underscore its commitment to the region, it said in a statement.
Like Digital & Partners aims to create new jobs primarily in the fields of project management and user interface design. It plans to employ 10 to 15 staff members at its Riyadh office by the end of 2025.
Specializing in the hospitality industry, the agency has worked with resorts such as Atlantis and One&Only One Za’abeel. It aims to leverage this expertise and experience in the Kingdom, which is seeing an influx of new hotels and resorts, the agency said.
Karl Escritt, CEO of Like Digital & Partners, said: “As we continue our rapid expansion into the GCC (Gulf Cooperation Council) market and beyond, we are delighted to lay down roots in Riyadh, Saudi Arabia.
“Having dedicated years to nurturing our business in the Kingdom and developing our knowledge and expertise of the market, we are looking forward to further strengthening our ties and servicing new clients.”
