Napoleon’s abandoned palace in Venice shines again

Updated 13 December 2012
Follow

Napoleon’s abandoned palace in Venice shines again

After a century of neglect, a magnificent palace built by Napoleon in Venice has re-opened its doors to the public on the island city’s famous St. Mark’s Square thanks to a French restoration effort.
The reasons for the long abandonment are easily explained — Venice is not Napoleon’s biggest fan.
Nor do canal residents have fond memories of the Royal Palace’s most famous resident — 19th-century Austrian empress Elisabeth or “Sisi” — a symbol of the city’s imperial domination.
“In popular consciousness, Napoleon is primarily the man who ended the glorious republic of Venice (697-1797),” said Andrea Bellieni, director of the Correr Museum which oversees the Royal Palace.
A group called French Committee for Safeguarding Venice has financed the restoration of this sumptuous palace, which was in a pitiful state. With a budget of 2.5 million euros ($ 3.2 million) from private donors, the committee has restored the main halls and the empress’s apartment to its old-time splendour when a 19-year-old “Sisi” and her husband, Emperor Franz Joseph I, stayed there.
The furniture decorating the restored chambers is in the same neo-Baroque style popular at the imperial court in Vienna at the time.
The empress’s boudoir is a highlight with its images of feminine allegories and flowery garlands.
Napoleon proclaimed himself King of Italy in 1805 and ordered the palace built in 1807 in front of the iconic St. Mark’s Basilica after visiting Venice, but never actually lived in it.
Built in six years and decorated by French-inspired painter Giuseppe Borsato, the structure is now the only neo-Classical royal palace in Italy.
“We came across it by accident but we were pleasantly surprised,” said Marc and Marie, a couple of 30-somethings visiting from Nimes in France.
“We thought it would just be a museum with paintings but the ballroom is very, very beautiful,” they said.
Bellieni said he hoped it could rehabilitate Napoleon’s image.
“It’s true that Napoleon took a number of artifacts that were part of the history of Venice and sent them to the Louvre, starting with the horse statues on St. Mark’s Square,” he said.
“But it’s also thanks to him that many artworks were saved.”
“Sisi” is also a candidate for rehabilitation.
“She was an extraordinary woman, not just beautiful but also very sensitive and it was here that she managed to convince her husband to liberate political prisoners,” said Jerome Zieseniss, director of the French restoration committee.
The empress visited the palace one last time in 1895 for tea with Italian King Umberto I and Queen Margherita during a sailing stop on her way to Corfu.
The palace’s most notorious guests were dictators Adolf Hitler and Benito Mussolini, who held their first meeting in Venice in June 1934.
The last king of Italy, Umberto II, also visited in 1946 before leaving for exile in Portugal after the country voted to become a republic.
After restoring nine rooms of the palace and opening them to the public this summer, Zieseniss now wants to tackle the emperor’s apartment: four rooms which will cost 800,000 euros to rehabilitate.
A Russian oligarch and a luxury company have agreed to donate the money and Zieseniss said he hopes to complete at least two rooms by spring 2013.


Lolo Zouai takes to Berlin’s Colors platform

Updated 03 March 2026
Follow

Lolo Zouai takes to Berlin’s Colors platform

DUBAI: French Algerian singer Lolo Zouai took to the Berlin-based music platform Colors this week, delivering a live performance of her latest single “Desert Rose PT.II.”

The appearance comes as the track climbed to No. 1 on Algeria’s R&B chart within 24 hours of its release. A sequel to “Desert Rose” from her 2019 debut album “High Highs to Low Lows,” the new single features lyrics in Arabic, French and English, reflecting the cross-cultural influences that shape her sound.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Lolo Zouaï (@lolozouai)

Zouai marked the achievement on Instagram, sharing a series of posts including a photo of herself wearing an Algeria football jersey, alongside the single’s cover art and a screenshot showing its chart ranking. 

“Grateful for the love on this one. Can’t wait for you to hear the studio version and the rest of ‘Reverie’,” she wrote.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by COLORS (@colorsxstudios)

She also reposted a collage of fan reactions, including a TikTok video that read: “It’s 2026 and we still haven’t had another song like ‘Desert Rose’ out.” Others said: “Can’t wait for Desert Rose pt. 2” and “wdym desert rose pt. 2?!?!?!”

The single forms part of her upcoming third studio album, “Reveries,” due for release on April 24. She announced the date last month alongside the music video for “Holding On,” another track from the project.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by COLORS (@colorsxstudios)

Blending R&B with dance-pop elements, “Holding On” delves into themes of grief and memory. The video is dedicated to Zouai’s close friend, Hanna Rosa Hotchkiss, who died in 2021.

In a statement on Instagram, Zouai described the album as the product of a transformative period in her life: “This record was made through three years of grief, growth, and reflection. I had to lose myself to find myself again. I couldn’t have done it without my angel, Hanna. Thank you to my collaborators, my friends, and my Lo-riders who held me down through it all. I hope it heals you the way it healed me.”

Known for her blend of R&B, club-pop and hip-hop, Zouai has gained an international fan base for her dynamic stage presence and genre-blending music.

Zouai’s last release was in November, when she dropped a new single titled “3AM in San Francisco.”