Young Saudi chef cooks up a success story

Updated 28 April 2012
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Young Saudi chef cooks up a success story

Twenty-five-year-old Rayan Alayesh is an upcoming chef who studied Hotel and Restaurant Management simply to follow his dream of becoming the first Saudi Michelin Star chef.

Alayesh was first attracted to this career after majoring in industrial engineering for three years, until he reached a stage where he was not doing well at school because he did not find himself in this major. “I was not motivated to study or to go on and continue in this field. One day I was reading about Hotel and Restaurant Management, and I thought to myself: This is where I belong,” he said. “It was not the easiest decision at all as I had to consult with my parents and think it over once and twice and three times, until I believed that this was the smartest move,” he added.

After throwing away years of engineering, Alayesh decided to change his title from engineer to chef. “Hotel and Restaurant Management was the closest to being a chef and it allowed me to learn about what happens behind the kitchen and how to build my own business,” he said. “This major is fresh, new and innovative, and there are not many Saudi chefs, though there are plenty of opportunities here and many restaurants looking for Saudi chefs. I love the fact that I can be myself and gain experience by doing the thing I love, which is cooking,” he added.

Ever since Alayesh took this decision he has had many doors open to him and many opportunities come his way. “I got the chance to work in the Disney World resort in Orlando for six months and I went for two summers on a study abroad program, one being in Switzerland and the Netherlands, where we visited 17 different cities and counties in a period of six weeks,” he said. “We also got the chance to explore restaurants and hotels and examine them, and we had to critique them as part of our homework. This was fun because I was able to see other people’s work and gain experience by seeing how they operate their business and learn from different sources,” he added. Alayesh went to a culinary school in Lyon, France in 2010 because it is known to be the culinary capital of the world, according to him. “I went there for four weeks attending a championship chef of the world school called Paul Bocuse Institute. It is like the unrated best chef school ever known to mankind, and there I learned so much and got to work hands on with expert chefs while learning how to prepare different kinds of recipes in the morning, and at night we actually had to cook it for people who visited the restaurant,” he said.

After Alayesh graduated back in August, he moved back to Saudi Arabia to give himself some space and get a feel for the Saudi market. “I applied at Muse restaurant in Jeddah, and now I’m a trainee there, I do everything. I prep, I make sauces and I cook marinated steaks, chicken, and fish,” he said. “One of the biggest events I worked on was ‘Edge of Arabia’ because we had a set menu and had to prepare more than 250 orders at once. It was a challenge but it was a great experience and I enjoyed it,” he added.

Alayesh’s ultimate goal is to open a culinary school in Jeddah and provide the opportunity to Saudis who cannot travel abroad and learn in international culinary schools to learn in a reliable institution that can teach them everything from A to Z. “I want to start something truly respectable and productive. I want people to come and learn there and to receive the opportunity to work in good restaurants and hotels in Saudi Arabia,” he said. “I would offer courses on how to design a menu, how to manage a restaurant, to things like how to cook pasta and how to make dessert,” he added.

Alayesh met with key businessmen in Jeddah and proposed his idea along with a strong presentation that illustrates his plan for this school, but he is still waiting for someone who believes in this project and would aid him in opening the first culinary college and school in Saudi Arabia (maybe ‘in the Kingdom’).


‘The Wild Within’ sees artists breathe new life into Mideast buildings

Updated 16 December 2025
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‘The Wild Within’ sees artists breathe new life into Mideast buildings

DUBAI: Lens-based artist Ryan Koopmans and digital artist Alice Wexell are staging a showcase at Dubai’s Leila Heller Gallery that breathes new life into regional buildings.

The series of digital artworks is part of the exhibition “The Wild Within,” featuring images of old structures in Beirut, Istanbul, and Abu Dhabi filled with wild flowers.

Two of the largest works, “Heartbeats” and “The Wish,” are displayed using Ventana, a microLED architectural display surface created by visual technology company Megapixel.

'Around Us' by Ryan Koopmans and Alice Wexell. (Supplied) 

The former artwork depicts the entrance hall of Qasr Al-Watan, the UAE’s presidential palace in Abu Dhabi, while the latter reimagines the upper floors of the Emirates Palace Mandarin Oriental in Abu Dhabi.

“Each building we work with comes to us through a combination of research, travel, and intuition,” the artists told Arab News in a joint statement.

'Constellations' by Ryan Koopmans and Alice Wexell. (Supplied) 

“We are drawn to structures that carry both emotional and historical resonance, often buildings that once embodied human ambition and now exist in a state of quiet transformation.”

Koopans and Wexell made sure to research the context of each building they choose to recreate, saying “an old villa in Jeddah or a former school in Sharjah each hold their own cultural memory, influencing everything from the lighting and atmosphere to the plants and flowers that we digitally sculpt and implement into the photographs.”

'Heart of Sharjah' by Ryan Koopmans and Alice Wexell. (Supplied) 

The hypnotic works depict the interior of buildings in the region, with digitally rendered flowers carpeting the floor in a bid to “(reimage) these spaces (and) explore the relationship between nature, place, and time, while celebrating each site as a unique work of architecture with its own spirit and story,” the artists said.

Koopmans is of dual Canadian and Dutch heritage, while Wexell is Swedish and based in Stockholm, so it is noteworthy that both artists chose to explore the Middle East for their latest project.

'Blossom of the Ancestors' by Ryan Koopmans and Alice Wexell. (Supplied) 

“In the Middle East especially, the architecture reflects a layered past that merges different styles and eras, while also expressing a sense of renewal and forward-looking energy, particularly in the region’s fantastic contemporary buildings. We are drawn to the symmetry, geometry and patterns that are found not only in nature itself, but in the architectural language of the region both past and present,” they said.

The series — featuring works such as “Adore You,” “Between Worlds,” and “Blossom of the Ancestors” — explores contrasts between the natural world and human-made forms, as well as the traditional and contemporary worlds.

“We are interested in how these elements coexist and merge into one another, creating a sense of hyperrealism that feels both familiar and imaginary. By merging photography with digital sculpture, the artworks question where the boundary lies between documentation and invention, and how technology can extend rather than replace our sense of the natural world.”

'Under the Rain of Light' by Ryan Koopmans and Alice Wexell. (Supplied) 

Although the scale of the artworks ensures they leave the viewer entranced, it did pose challenges, according to the artists.

“Presented at a large scale, every texture in these artworks becomes visible, which can be demanding but is also incredibly rewarding. The magnified detail allows the visceral and atmospheric layers of the pieces to come through with greater impact,” they said, adding that each piece took “many months” to create.

“Ultimately, we want our collectors to experience a sense of wonder and contemplation, as if they are standing inside a dream that feels both entirely real yet unreal.”

The exhibition runs until Jan. 15, 2026.