Racil Chalhoub adds a feminine twist to tuxedos

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Racil Chalhoub
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Racil Chalhoub
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Updated 02 September 2016
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Racil Chalhoub adds a feminine twist to tuxedos

Women shine like a true diva in tuxedos. Don’t they? Of course they do. Plus, there is no denying that they mean real business wearing their bossy tuxedos on any given day. After all, the innovative style they bring to it has forced fashion pundits from across the globe to admire how brilliantly they can add their own spark to it and in so doing outshine their male counterparts.
Its robust popularity among celebrities or women in general is proof that it can sometimes easily replace the usual gowns that they are more often than not expected to wear to big event galas. In a way, it’s a good second-to-none option as the Beirut-born, Paris-raised and London-based tuxedo designer Racil Chalhoub continues to tell loud and clear through her blissful designs. In fact, her tryst with designing tuxedos began when she couldn’t find one that fitted her well and reflected her sense of style.
In an exclusive interview with Arab News, we caught up with her to find out how she became what she wanted to be, why tuxedo matters so much to her and much more.
Chalhoub fell in love with fashion at a very young age. Growing up in a city like Paris with a very elegant mother did influence her tremendously as to what she would become later in her life. “My mother used to take me to boutiques and fashion shows and that is when I became highly mesmerized by the fashion world and dreamt to have my own fashion brand one day,” she says.
With this aspiration on her mind, she came to London where she studied fashion and marketing. Right after that, she went on to launch her own cool tuxedo brand because she knew it’s something that is timeless and ever so chic and more importantly she had knowhow of how a business is run. “It might be stolen from a man’s wardrobe but it gives a woman so much power and elegance as well as understated glamor,” she says. “In a tuxedo you are neither exposed as overdressed nor underdressed; you can wear it from day to night and vice versa. I love how easy it is to wear yet will never fail to turn heads.”
Just within a year since the launch of her label, it struck a chord with its customers who were hunting for a tuxedo that had a lively vibe to it as Chalhoub explains, “I think the reason my brand is by and large sought-after today is because it’s so focused. More and more women want to wear a tuxedo and now they sort of know where to look for it. The Racil tuxedo has a cool flair to it, it’s sharp but not stiff — it’s versatile and playful, it fits today’s lifestyle. I wear mine in the day and evening alike.”
Since Chalhoub designs the right fit tuxedo dresses for every type of woman out there (which she knows is not easy as everybody is different), it’s very important for her to draw a woman’s figure in her head first. “I design with real women in mind. I want to create pieces that women can wear easily and so I always tend to visualize them, how different they would wear their tuxedo and where to,” she says.
Her grand tuxedos are for every woman who thinks of becoming a Racil woman. So the individual experimentation with it is endless as it can be a 20-year-old’s first ever tuxedo, a working woman who packs it on all her work trips or a stylish girl who will style it differently every day. “That woman could even be my own mother who will wear it in the most elegant style the old fashioned way,” she says.

Inspirations behind what she does
While her inspirations can crop up from anywhere like a trip abroad or someone in the street or even the colors in a bouquet of flowers, she mostly looks at men’s vintage clothing with more enthusiasm and openness. “I love the freedom found in the clothing of the 1920s and 1970s. Bianca Jagger in her studio 54 days is always at the heart of my mood boards,” Chalhoub reveals.
Her mother has always been a main attraction because she taught her the basis of fashion and is by far the most elegant woman she knows today. Apart from her, there are lots of other women she looks up to solely for never letting their own style vanish. “One of my big time idols is Iris Apfel— I love how original and individual she looks. That freedom of wearing whatever you like is something I have a lot of respect for,” Chalhoub says.
There is definitely a cozy feel to her creations as they are made using men’s tailoring wool mostly as well as satin for the lapels and refined details. When it comes to color and the pivotal role it plays in her collections, let’s just say she breathes it all the time. “I love and live in color and so it was vital for me to have great colors and color combinations in my collection. My use of color is a way of breaking the rules for tuxedos. People obviously assume a tuxedo has to be black or midnight blue or white, but why does it have to be this way only,” she asks. “I think it can be made in as many colors as you want.”
With success steadily knocking at her door, Chalhoub wants her tuxedos to be worn by high profile celebs like Beyoncé and Rihanna. “I would also love to dress Meryl Streep and Bianca Jagger of course,” she says.
While she acknowledges the potential of celebrity endorsement when it comes to strengthening one’s brand power, she favors more of bumping into someone she doesn’t know wearing one of her pieces or a friend of hers who ordered a special piece to wear on the day of her wedding! “That kind of support is much more important to me, as it’s more genuine and real, which is what we are all about at the end of the day,” she says. “I find it really rewarding.”
Chalhoub’s latest collection sheds light on the richness of the fabrics. It all resulted from a trip of hers to Venice which she says was a major inspiration as she immersed herself in the fabric shops that specialize in velvets and brocades. “I looked at men’s dinner jackets as that’s what a tuxedo is initially I found a lot more inspiration there. Men’s 1920s jackets and Oxford pants told the story of the shapes I designed,” she says. “I also got a lot of inspiration from constellations and had a special lining made for us to reflect that. Every piece is named after a constellation which I think sprinkles a little bit of magic over the collection.”
As the Racil Chalhoub brand takes its course in terms of making waves, there are already a few surprises up her sleeve that will unfold in the coming months.
In fact, all her creations are an embodiment of three cities (Paris, London and New York) she keeps traveling to quite often and she calls herself lucky that she is able to do so. “I get a different kick from each place and I love that. I love how elegant Paris is, how eclectic and homey London is to me and the madness and rush of New York,” she says.
It comes as no surprise that her style is quite eclectic as she puts it, “I would say it is modern bohemian-boyish yet very feminine at the same time.”

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Used missiles for sale: Iranian weapons used against Israel are up for grabs on Jordan-based website

Updated 16 April 2024
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Used missiles for sale: Iranian weapons used against Israel are up for grabs on Jordan-based website

  • Debris used in attack listed on OpenSooq online marketplace

LONDON: Fragments of missiles launched by Iran during the recent attack on Israel have been discovered for sale on Jordan’s prominent OpenSooq website, which is known for trading goods, including vehicles and real estate.

Al Arabiya reported on Sunday that the shrapnel was being advertised, with pieces described as “Used Iranian ballistic missile in good condition for sale,” and “One-time use ballistic missile for sale at an attractive price.”

The sellers had provided specifications and images of the missiles, describing them as “excellent type,” and mentioned their involvement in an “accident” resulting in “severe damage to the body.”

Some listings even included installment payment options.

Iran launched drones and missiles toward Israel late on Saturday as it retaliated following a suspected Israeli strike on the consulate annex building adjacent to the Iranian Embassy in Damascus, Syria, earlier this month.

While most projectiles were intercepted by a joint response from Israel, the US, UK, France, and Jordan, the attack marked Iran’s first direct military assault on Israeli territory, escalating tension and uncertainty in the region.

Following the attack, individuals shared photographs online showing debris that had fallen on Jordanian territory in areas such as Al-Hasa, Marj Al-Hamam, and Karak Governorate.

The Jordanian government confirmed that it had intercepted some flying objects in its airspace, with no reported damage or injuries.

Debris from such incidents often holds economic value. Metal debris from the Iraq War has been used by Iran-backed groups to finance their activities.

Similar items are sold online as military memorabilia, and there has been a surge in demand for such artifacts, as seen in Australia last year, preceding the country’s ban on the sale of hate symbols.

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Google Doodle celebrates Lebanese-American poet and artist Etel Adnan

Updated 15 April 2024
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Google Doodle celebrates Lebanese-American poet and artist Etel Adnan

  • Etel Adnan rose to fame for her 1977 novel Sitt Marie Rose about the Lebanese civil war

DUBAI: Google released its latest Doodle on Monday honoring Etel Adnan, a Lebanese-American poet, essayist and visual artist, considered one of the most accomplished Arab-American authors of her era.

The poet, who rose to fame for her 1977 novel Sitt Marie Rose about the Lebanese civil war, was born in Lebanon in 1925 to a Greek mother and a Syrian father, and grew up in multiple cultures, languages, nationalities and religions. Sitt Marie Rose won the France-Pays Arabes award and become a classic of war literature, so much so that it is taught in American classrooms.

In 1949, Adnan went to Paris to study philosophy at the Sorbonne before going to America to study at Harvard and Berkeley.

From 1958 to 1972, she taught philosophy in California, during which time she also started painting and writing poetry. She developed her literary voice in English and said abstract painting was the entry point into her native Arabic.

Adnan returned to Beirut, where from 1972 to 1976 she worked as the arts editor for two newspapers. She returned to California in 1979, then spent her later years living between Paris and Beirut.

In 2003, Adnan was named “arguably the most celebrated and accomplished Arab American author writing today” by the academic journal MELUS: Multi-Ethnic Literature of the United States.

Adnan’s most recent honor was in 2020. Her poetry collection “Time,” which is a selection of her work — translated from French by Sarah Riggs — won the Griffin Poetry Prize.

The King Abdulaziz Center for World Culture, or Ithra, earlier this year opened an eponymous exhibition in her honor – “Etel Adnan: Between East and West” –  showcasing 41 of her works. The space at Ithra’s gallery is the first solo exhibition of Adnan’s work in Saudi Arabia, running until June 30.

The works on display span from the beginning of Adnan’s artistic career in the late 1950s through to her final creations in 2021, shortly before her death that year aged 96.

Some of the works are on loan from significant international institutions such as the Sharjah Art Foundation, Sfier-Semler Gallery and Sursock Museum. Some are part of private collections.


‘HELP’ written in palm fronds lands rescue for Pacific castaways

Updated 12 April 2024
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‘HELP’ written in palm fronds lands rescue for Pacific castaways

  • The trio became stranded on Pikelot Atoll, a tiny island in the remote Western Pacific, after their motor-powered skiff malfunctioned
  • A US Navy aircraft saw the "help" sign and a ship came later to rescue the stranded trio, all experienced mariners in their 40s

LOS ANGELES: Sometimes all you have to do is ask for “HELP“: That’s what three men stranded on a deserted Pacific island learned earlier this week, writing the message in palm fronds which were spotted by US rescuers.

The trio, all experienced mariners in their 40s, became stranded on a lonely island after setting off from Micronesia’s Polowat Atoll on March 31 in their motor-powered skiff which subsequently experienced damage.
They were reported missing last Saturday by a woman who told the US Coast Guard her three uncles never returned from Pikelot Atoll, a tiny island in the remote Western Pacific.
“In a remarkable testament to their will to be found, the mariners spelled out ‘HELP’ on the beach using palm leaves, a crucial factor in their discovery,” said search and rescue mission coordinator Lt. Chelsea Garcia.
She reported that the trio was discovered Sunday on Pikelot Atoll by a US Navy aircraft.
“This act of ingenuity was pivotal in guiding rescue efforts directly to their location,” she said.
The aircraft crew dropped survival packages, and rescuers one day later dropped a radio which the mariners used to communicate that they were in good health, had access to food and water, and that the motor on their 20-foot (six-meter) skiff was no longer working.
On Tuesday morning a ship rescued the trio and their equipment, returning them to Polowat Atoll, the Coast Guard said.
In August 2020, three Micronesian sailors also stranded on Pikelot were rescued after Australian and US warplanes spotted a giant “SOS” they had scrawled on the beach.
 


Dining hall with Trojan War decorations uncovered in ancient Roman city of Pompeii

Updated 12 April 2024
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Dining hall with Trojan War decorations uncovered in ancient Roman city of Pompeii

  • One fresco depicts Paris and Helen, whose love affair caused the Trojan War, according to classical accounts
  • Pompeii and the surrounding countryside was submerged by volcanic ash when Mount Vesuvius exploded in AD 79

ROME: A black-walled dining hall with 2,000-year-old paintings inspired by the Trojan War has been discovered during excavations at the Roman city of Pompeii, authorities said on Thursday.
The size of the room — about 15 meters long and 6 meters wide — the quality of the frescoes and mosaics from the time of Emperor Augustus, and the choice of characters suggest it was used for banquets, Pompeii Archaeological Park said.

A fresco of a mythological character inspired by the Trojan War is seen in this handout picture taken in the ancient archeological site of Pompeii and released on April 11, 2024. (Parco Archeoligico di Pompei/Handout via REUTERS)

“The walls were painted black to prevent the smoke from the oil lamps being seen on the walls,” Gabriel Zuchtriegel, head of the park, said.
“People would meet to dine after sunset, and the flickering light of the lamps had the effect of making the images appear animated, especially after a few glasses of good Campanian wine.”
Pompeii and the surrounding countryside was submerged by volcanic ash when Mount Vesuvius exploded in AD 79, killing thousands of Romans who had no idea they were living beneath one of Europe’s biggest volcanoes.
The site has seen a burst of archaeological activity aimed at halting years of decay and neglect, largely thanks to a 105-million-euro ($112 million) European Union-funded project.

A fresco of a mythological character inspired by the Trojan War is seen in this handout picture taken in the ancient archeological site of Pompeii and released on April 11, 2024. (Parco Archeoligico di Pompei/Handout via REUTERS)

The dominant theme of the newly discovered paintings is heroism and fate.
One fresco depicts Paris and Helen, whose love affair caused the Trojan War, according to classical accounts. Another one shows doomed prophetess Cassandra and the Greco-Roman god Apollo.
According to Greek mythology, Cassandra predicted the Trojan War after receiving the gift of foresight from Apollo, but no-one believed her. This was because of a curse Apollo put upon her for refusing to give herself to him.


Bosnian Formula One fan brings speed dreams to the mountains

Updated 10 April 2024
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Bosnian Formula One fan brings speed dreams to the mountains

  • The 36-year-old mechanic bought the car from another racing superfan in the capital Sarajevo last year
  • Since purchasing the vehicle, he has been methodically making tweaks to its exterior, while nursing hopes of one day replacing its engine

KLJUC, Bosnia and Herzegovina: Far from the glitzy racetracks where legendary drivers made their mark in the world of Formula One, Himzo Beganovic has turned his dreams of speed into reality along the dirt roads of northwestern Bosnia.
“I always wanted to own a Formula One car, to have it in front of the house, to be able to go for a spin,” Beganovic told AFP, as he tuned up a replica “Ferrari red” race car outside his home near the Bosnian town of Kljuc.
The 36-year-old mechanic bought the car from another racing superfan in the capital Sarajevo last year.
The replica, which took two years to build, remains a ramshackle mock-up, crafted with sheet metal — a far cry from the advanced carbon fiber used in the multimillion-dollar cars of Formula One teams.
Despite Beganovic’s limited means, he still hopes to make his car more efficient, bit by bit.
Since purchasing the vehicle, he has been methodically making tweaks to its exterior, while nursing hopes of one day replacing its engine.
Along with a more powerful motor, Beganovic hopes to install an automatic gearbox and better tires.
“When you drive Formula One, you feel like you are flying. It is not like a car,” he said.
“It is the only one in Bosnia-Herzegovina. There are no others.”
A self-professed lover of “fast driving” and taking “dangerous turns,” Beganovic has been turning heads along Bosnia’s mountain roads where he reaches speeds of up to 200 kilometers per hour (124 miles per hour).
Other times he simply parks the car in a popular area and lets people check it out.
“I sometimes put it on a trailer to take it to other places in the country. People come, photograph it, and ask questions,” he said.
“The feeling is indescribable.”
For Beganovic, there was no question of what color the car would be.
As a longtime fan of seven-time world champion Michael Schumacher, the Ferrari-red paint pays tribute to the driver who won five titles with the famous Italian team.
Since the legendary German champion’s skiing accident in 2013 in the French Alps, Beganovic said he has yet to find another driver that interests him as much.
With Schumacher in mind, he hopes to put an Audi V-8 engine into his car soon.
“When a German engine and Bosnian ingenuity combine, you get an Italian car,” laughed one of Beganovic’s neighbors.