Meet the ‘Egyptian Popeye’: The man with the world’s largest biceps

Updated 28 November 2012
Follow

Meet the ‘Egyptian Popeye’: The man with the world’s largest biceps

MILFORD, Mass.: Don’t tell Popeye. It turns out you don’t need to eat your spinach to get the world’s biggest arms.
Massachusetts bodybuilder Moustafa Ismail eats seven pounds (three kilograms) of protein, nine pounds of carbohydrates and three gallons of water each day to help maintain upper arms that measure 31 inches (79 centimeters) around — as big as a small man’s waist.
Skeptics say there must also be steroids or some other artificial means behind Ismail’s beyond-bulging biceps and triceps, and Guinness World Records is waffling on whether to recognize him.
But he insists they are all-natural, the result of a punishing workout regimen he started after a guest at his uncle’s wedding in his native Egypt mocked his overweight frame.
“They call me Popeye, the Egyptian Popeye,” Ismail, 24, said while working out in the Boston suburb of Milford. But unlike the cartoon character, “I like chicken, beef, anything but spinach.”
It’s not easy having the world’s biggest arms. Generous amounts of poultry, seafood and shakes provide the protein he needs to fuel daily two-hour workouts in which he lifts as much as 600 pounds (272 kilograms). He also takes mineral and vitamin supplements and drinks plenty of water to flush out his system.
Then there’s clothes shopping. The rest of Ismail’s body is average, so it’s a challenge finding shirts that fit his arms without making him look like a little kid playing dress-up.
Not to mention the controversy that ensued when Guinness decided to recognize him as having the largest upper arm muscles on earth and critics accused him of using steroids or other artificial methods.
He lost a night of sleep but then decided the criticism “is motivation for me — it’s not something that’s gonna put me down.”
Ismail started building his muscles in his Egyptian hometown of Alexandria before moving to the United States in 2007 and settling in Franklin, southwest of Boston.

To pay for his gym membership and dietary requirements, he worked two jobs as a gas station attendant, but gave up one after his wife complained that he was pushing himself too hard.
Then Guinness called last fall, offering him an all-expenses-paid trip to London for a signature appearance with the world’s shortest woman and others.
He went, but then the controversy started. Strangers claimed online that he used steroids or had implants in his arms. Others speculated that he might have injected his muscles with a synthetic oil substance, synthol, used by bodybuilders to fluff muscle tissues.
“It is hurtful,” Ismail said, noting that he has no scars that would have resulted from surgery and that supporting a wife in the US and family members in Egypt doesn’t leave him with spare cash to buy pricey synthetic oils.
He even went to Tokyo to appear in a Fuji TV documentary program in which independent doctors collected blood samples and X-rayed his muscles. They found nothing abnormal, he said.
Still, Guinness hastily removed references to Ismail from its website. Spokeswoman Sara Wilcox said in October that Guinness was conducting research with medical specialists and reviewing Ismail’s category. She did not respond to e-mailed questions later seeking details about when Guinness would conclude the review and what it entails.
Some fellow amateur bodybuilders at his gym, however, support Ismail and say they believe his arms are natural.
“When I first saw him I thought ‘Oh my God, he’s a freak’ — the big Popeye arms, he’s incredible, but he works out hard, so good luck to him,” said Janice Vincuilla.
Ismail has lifted as much as 600 pounds (272 kilograms) but said he doesn’t typically focus on how much weight he is hoisting.
“It’s not about me lifting heavy weights,” he said. “It’s about me making the right techniques, even with the light weights, but getting good results out of that.”


Yataghan boutique in Jeddah celebrates Saudi heritage

Updated 20 December 2025
Follow

Yataghan boutique in Jeddah celebrates Saudi heritage

JEDDAH: Yataghan, the contemporary Saudi jewelry house founded in 2008 by designer and entrepreneur Sarah Abudawood, has announced an expansion with its Riyadh debut at Kingdom Centre, alongside the relocation of its headquarters and flagship store to a street-front location on Jeddah’s Thalia Street.

The brand, known for blending Arabian heritage with modern minimalism, unveiled two boutiques designed as immersive experiences rather than mere retail spaces.

Every detail of the new Jeddah location has been carefully curated; brass accents inspired by the Yataghan blade evoke precision and luxury, while striped, gray onyx symbolizes continuity and progress, according to the brand’s founder. Vast windows, softened by Yataghan’s signature hexagonal motif, a symbol of harmony, order, and strength, flood the boutiques with natural light, creating an inviting environment for visitors.

Inspired by the Yataghan sword, with its distinctive, single-edged blade, the brand’s collections fuse minimalist design with Arabic calligraphy and tribal motifs.

“The name Yataghan draws its meaning from the two swords on the Saudi flag — a symbol that has always fascinated me for what it represents: conviction, protection, truth, and above all, balance,” Abudawood told Arab News.

“The Yataghan sword, known for its graceful curve and exquisite craftsmanship, embodies purpose and precision. It is drawn to defend what matters and to guard what is sacred. It sets boundaries and restores equilibrium, reminding us that strength is not only about force, but about knowing when to advance and when to stand still.

“That balance is reflected in every piece we create. Because, like the sword, Yataghan is more than an ornament; it is a statement of purpose, and identity.”

Abudawood explained the cultural inspiration behind the brand, highlighting pieces connected to Saudi identity. “This branch carries designs that are deeply connected to Saudi identity and cultural memory. Some pieces are exclusive, inspired by symbols, rhythms, and forms rooted in our heritage, interpreted through a modern lens … Jeddah, in particular, has a unique spirit: fluid, expressive, open, and layered with history. That essence subtly informs the designs you’ll find here.” 

The founder also spoke of the brand’s philosophy of minimalism and meaningful design.

“It comes from my belief that simplicity creates space for meaning. I have always been drawn to architecture and the principle that form must follow function. I design with intention; nothing is accidental. Every line has a purpose, every curve holds a story. Minimalism, for me, is not about removing emotion; it is about distilling it. I want each piece to feel timeless, personal, and quietly powerful.”

The label has been flaunted by high-profile clients — including Jennifer Lopez, Lady Gaga and Lama Akeel — but Abudawood emphasized the brand’s focus on connection over visibility. “Whether someone is a public figure or not, what moves me is when they feel seen by the jewelry. Yataghan has always been about resonance, about creating pieces that speak to identity, strength, and personal stories,” she said.

Looking ahead, 2026 will mark new chapters for Yataghan, including local and international expansion, innovative collections, and a stronger focus on storytelling and community collaborations. “Growth has never been about reach alone; it’s about depth, integrity, and lasting impact,” Abudawood added.

“Ultimately, what drives me is purpose. I’m motivated by the desire to create work that matters, to offer women something that reflects who they are, not who they’re expected to be. Design, for me, is a form of dialogue, a way to translate emotion into form. As long as I’m creating with honesty, intention, and heart, I know I’m exactly where I’m meant to be.”