Inside Sara Naim’s ‘From the Perspective of Language’ show in Dubai

'A Chickpea Hummus.' (Supplied)
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Updated 27 February 2026
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Inside Sara Naim’s ‘From the Perspective of Language’ show in Dubai

DUBAI: Here are three highlights from Sara Naim’s ‘From the Perspective of Language,’ running March 4 to April 7 at The Third Line in Dubai. 

‘Skin 5’

This is the Syrian artist’s fourth solo exhibition at The Third Line, and includes a new video performance — “Mother Practices Her Tongue” — which “abstracts the Arabic language into gestures and sounds that no longer produce coherent meaning.” Together with the show’s large-scale works such as this one, it “extends Naim’s ongoing investigation into how meaning is constructed through inherited systems such as language, symbols and ideology,” the press release states.

‘A Chickpea, Hummus’

This is one of the more figurative paintings on display in “From the Perspective of Language,” and an example of how Naim uses “arrangements of symbolically charged imagery” to “examine boundaries and the limits of representation,” the catalogue explains. The show as a whole “asks how meaning is constructed and imposed, and where intuition and effect persist beyond formal systems of representation.”

‘Skin 8’

The series of paintings titled “Skin” are inspired by Naim’s “interest in body tattoos as markers of belief systems” and “treat skin as both subject and medium, with the canvas functioning as a porous surface onto which images are layered,” the catalogue states. “By leaving space for interpretation, the paintings invite viewers to actively construct meaning — a process reflecting Kant’s idea that understanding arises not from objects themselves, but through engagement (with them).”


Highlights from Saher Nassar’s ‘Chronicles from the Storm’ exhibition in Dubai

Updated 27 February 2026
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Highlights from Saher Nassar’s ‘Chronicles from the Storm’ exhibition in Dubai

DUBAI: Here are three highlights from Saher Nassar’s ‘Chronicles from the Storm,’ which runs until March 18 at Zawyeh Gallery in Dubai.

‘Chronicles No. 1’

In his latest solo exhibition, the Palestinian artist “reimagines events that push past emotional capacity toward moral exhaustion, questioning the ethical certainty of the human spirit when faced with immense suffering,” according to the show catalogue, with works that “contemplate the devaluation of hope as a fundamental factor of human survival, sometimes revealed as currency for escape, sometimes seen in people resorting to their primal instincts to endure.”

‘Chronicles No. 8’

“Drawing from both personal and collective experiences, the exhibition unfolds as a layered reflection on how repeated trauma reshapes perception, belief, and the instinct to survive,” a press release for the show states. “Nasser translates lived realities into visual studies that move beyond immediate reaction. Rather than seeking resolution or catharsis, the works dwell in a state of moral exhaustion.”

‘Chronicles No. 3’

In “Chronicles from the Storm,” the UAE-based multidisciplinary artist is not attempting to offer answers, the press release suggests; rather, he is “bearing witness” and “inviting viewers to sit with unresolved questions and the uneasy persistence of the human spirit in the aftermath of the storm.” The works on show “carry a restrained intensity, resisting spectacle in favor of contemplation,” the release continues.