59-kilogram monster fish catches eyes at Nigerian fishing festival

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A fisherman displays a catch after fishing inside the Matan-Fada river after an attempt to catch the biggest fish during the closing day of the Argungu International Fishing Festival in Argungu, Kebbi State, Nigeria, February 14, 2026. (REUTERS)
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Fishermen run towards the Matan-Fada river while attempting to catch the biggest fish during the closing day of the Argungu International Fishing Festival in Argungu, Kebbi State, Nigeria, February 14, 2026. (REUTERS)
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Fishermen attempt to catch fish in the Mata Fada river during the Argungu Fishing and Cultural Festival in Argungu Town, Kebbi State in northwest Nigeria, on February 14, 2026. (AFP)
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A fishermen carries a fish he caught during the Argungu cultural fishing festival in Argungu, Kebbi, Northern Nigeria, Saturday, Feb.14, 2026. (AP)
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Updated 15 February 2026
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59-kilogram monster fish catches eyes at Nigerian fishing festival

  • Over the decades, the festival grew into one of Nigeria’s biggest cultural events, drawing international visitors, before insecurity and funding shortages reduced it to an occasional celebration

ARGUNGU: Local fisherman Abubakar Usman’s 59-kilogram monster catch was the major highlight of the UNESCO-listed Argungu fishing festival, which returned after a six-year hiatus because of the insecurity in northwestern Nigeria’s Kebbi state.
Thousands of people, including a handful of women and children, defied the blistering 39-degree heat to take part. Fishermen from Nigeria’s West African neighbors Niger, Chad, and Togo also came to compete.
The fishing festival was first staged in 1934 by the then traditional ruler of Argungu, Mohammed Sama. It was held to mark an end to a century-old history of hostility and distrust between his people and the region’s most powerful ruler, the Sultan of Sokoto, then Hassan Dan-Mu’azu.

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The festival has grown into one of Nigeria’s biggest cultural events, drawing international visitors, before insecurity and funding shortages reduced it to an occasional celebration.

Over the decades, the festival grew into one of Nigeria’s biggest cultural events, drawing international visitors, before insecurity and funding shortages reduced it to an occasional celebration. The last full edition was held six years ago, say organizers.
On Saturday, fishermen floated on brown, round gourds as they hunted for the biggest catch in Matan Fada river, using only their hands and nets in the river’s murky waters.
Thousands of spectators lined the riverbank cheering loudly.
For the Emir of Argungu, Al-Hajji Samaila Mohammed Mera, hosting the festival this year was a victory of some sort.
Parts of Kebbi state have seen sporadic militant attacks in recent years, with analysts blaming the Lakurawa terror group for the deadly violence.
“I came back to have a fuller experience,” said Adeniyi Olugbemii, 56, who is attending the festival a second time from neighboring Sokoto state.
Outside the arena that sits on the edge of the Matan Fada, chants, drumbeats, and cultural displays added to the atmosphere, highlighting the heritage that has turned Argungu into a global tourism draw.
Rukaya Ismaila, 23, said she had traveled from Kogi state, some 850 kilometers away, to attend the festival for the first time.
“The famous Argungu that we’ve been told about since primary school,” she said.
“It is worth all the excitement,” she added, praising the way the competing fishermen helped each other out.
Days of activities preceded the fishing competition, including a motor rally from Nigeria’s capital city, Abuja, a Durbar procession, and a variety of cultural events.
Abubakar Usman’s hefty catch earned him two new saloon cars and 1-million-naira cash prize (about $739).
Hundreds of much smaller catches ended up at a makeshift market set up on the adjoining streets to the arena.
The event was overshadowed by a prominent political campaign for the re-election of President Tinubu and Kebbi Gov. Mohammed Nasir Idris.
Billboards and posters of both men lined the streets leading to the river arena.
Supporters in blue t-shirts emblazoned with their images drummed and danced, drawing crowds of their own, while songs eulogising the visiting president blared through speakers inside the main arena.
Earlier in the day, a false start around midday had forced the already anxious contestants to plunge into the river. They had defied the scorching sun to wait for the arrival of President Bola Tinubu.
The president arrived more than two hours later, after which the contest was restarted.

 


Cambodia takes back looted historic artifacts handled by British art dealer

Updated 28 February 2026
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Cambodia takes back looted historic artifacts handled by British art dealer

  • The objects were returned under a 2020 agreement between the Ministry of Culture and Fine Arts and the family of the late Douglas Latchford, a British art collector and dealer who allegedly had the items smuggled out of Cambodia

PHNOM PENH, Cambodia: Cambodian officials on Friday received more than six dozen historic artifacts described as part of the country’s cultural heritage that had been looted during decades of war and instability.
At a ceremony attended by Deputy Prime Minister Hun Many, the 74 items were unveiled at the National Museum in Phnom Penh after their repatriation from the United Kingdom.
The objects were returned under a 2020 agreement between the Ministry of Culture and Fine Arts and the family of the late Douglas Latchford, a British art collector and dealer who allegedly had the items smuggled out of Cambodia.
“This substantial restitution represents one of the most important returns of Khmer cultural heritage in recent years, following major repatriations in 2021 and 2023 from the same collection,” the Culture Ministry said in a statement. “It marks a significant step forward in Cambodia’s continued efforts to recover, preserve, and restore its ancestral legacy for future generations.”
The artifacts were described as dating from the pre-Angkorian period through the height of the Angkor Empire, including “monumental sandstone sculptures, refined bronze works, and significant ritual objects.” The Angkor Empire, which extended from the ninth to the 15th century, is best known for the Angkor Wat archaeological site, the nation’s biggest tourist attraction.
Latchford was a prominent antiquities dealer who allegedly orchestrated an operation to sell looted Cambodian sculptures on the international market.
From 1970 to the 1980s, during Cambodia’s civil wars and the communist Khmer Rouge ‘s brutal reign, organized looting networks sent artifacts to Latchford, who then sold them to Western collectors, dealers, and institutions. These pieces were often physically damaged, having been pried off temple walls or other structures by the looters.
Latchford was indicted in a New York federal court in 2019 on charges including wire fraud and conspiracy. He died in 2020, aged 88, before he could be extradited to face charges.
Cambodia, like neighboring Thailand, has benefited from a trend in recent decades involving the repatriation of art and archaeological treasures. These include ancient Asian artworks as well as pieces lost or stolen during turmoil in places such as Syria, Iraq and Nazi-occupied Europe. New York’s Metropolitan Museum of Art is one of the prominent institutions that has been returning illegally smuggled art, including to Cambodia.
“The ancient artifacts created and preserved by our ancestors are now being returned to Cambodia, bringing warmth and joy, following the country’s return to peace,” said Hun Many, who is the younger brother of Prime Minister Hun Manet.