Rhea Seehorn opts for Elie Saab look in Los Angeles

US actress Rhea Seehorn shows off a look by Lebanese designer Elie Saab. (Getty Images)
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Updated 11 January 2026
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Rhea Seehorn opts for Elie Saab look in Los Angeles

DUBAI/ LOS ANGELES: US actress Rhea Seehorn attended this weekend’s American Film Institute Awards Luncheon in Los Angeles in a monochrome look by Lebanese designer Elie Saab.

The “Pluribus” and “Better Call Saul” actress opted for an ankle-length daytime dress from Saab’s Pre-Fall 2025 collection that featured a sharp collar, cap sleeves and two pockets placed on the bodice.

She was dressed by celebrity stylist Jessica Paster, who regularly works with the liked of Emily Blunt and Quinta Brunson.




US actress Rhea Seehorn attended this weekend’s American Film Institute Awards Luncheon in Los Angeles in a monochrome look by Lebanese designer Elie Saab. (Getty Images)

Other attendees at the luncheon event included Leonardo DiCaprio, Ryan Coogler, Timothee Chalamet and George Clooney.

According to The Associated Press’s Jonathan Landrum Jr., the institute celebrated the collaborative nature of film and television by honoring creative teams — in front of and behind the camera.

Inside the ballroom on Friday there were no acceptance speeches in the traditional sense and no suspense over envelopes. Instead, the AP reported, AFI’s ceremony unfolded as a series of thoughtfully written tributes: eloquent rationales for each honored film and television program, followed by brief clips designed to place the year’s work within a broader cultural and artistic context.

Films honored include “Avatar: Fire and Ash,” “Bugonia,” “Frankenstein,” “Hamnet,” “Jay Kelly,” “Marty Supreme,” “One Battle After Another,” “Sinners,” “Train Dreams” and “Wicked: For Good.”

Television shows recognized were “Adolescence,” “Andor,” “Death by Lightning,” “The Diplomat,” “The Lowdown,” “The Pitt,” “Severance,” “The Studio” and “Task.”

Closing the ceremony was US comedian and actress Carol Burnett, who delivered AFI’s annual benediction, celebrating the honorees’ achievements while reflecting on her own lifelong love of cinema and television.

“I’ve never lost the deep respect and love that I have for all the stories we tell through cinema and television and by all of those behind and in front of the camera,” Burnett said. “Creative collaboration has always remained at the heart of our work, and AFI brings us all together. The world is a better place for having heard your voices.”

The luncheon also featured AFI’s signature March of Time video montage, a sweeping look at cinematic and television milestones from decades past, situating this year’s honorees within the evolving history of the medium.

 


Review: ‘A Knight of the Seven Kingdoms’ is an oddball comedy worthy of Westeros

Updated 19 January 2026
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Review: ‘A Knight of the Seven Kingdoms’ is an oddball comedy worthy of Westeros

DUBAI: At a time when the sprawling saga of “Game of Thrones” and its prequel “House of the Dragon” have come to define modern fantasy television, “A Knight of the Seven Kingdoms” emerges as an unexpected offering.

Based on George R.R. Martin’s “Tales of Dunk and Egg” novellas, the six-episode HBO series — created and spearheaded by showrunner Ira Parker alongside Martin — gives viewers a story that is not about dragons or imperial politics, but about two unlikely companions navigating a treacherous and unforgiving world from its humbler margins.

From the opening moments of the premiere, where the familiar “Game of Thrones” theme music is undercut in a moment of shocking levity, the show makes clear that we are far away from the grand halls of Casterly Rock, the Red Keep or even Winterfell. Grounded and whimsical, this is Westeros viewed from muddy inns, dusty roads and makeshift jousting camps.

Peter Claffey as Ser Duncan “Dunk” the Tall is the beating heart of the series. Claffey imbues Dunk with an endearing earnestness — a towering, awkward figure, constantly walking into doors, whose moral compass is as unwavering as his endless appetite.

His chemistry with Dexter Sol Ansell’s young squire, Egg, who has deep secrets of his own, is warm and organic, creating a duo that is as compelling as any knight and squire of fantasy lore. Their dynamic gives the story a cozy, almost heartfelt buddy-adventure quality.

What makes “A Knight of the Seven Kingdoms” so captivating isn’t its lack of spectacle. It has plenty of Westerosi trappings and there’s a sizeable helping of Targaryens and Baratheons and who have you. But its choice to focus on everyday courage, loyalty and the messy, funny, sometimes mundane reality of being a hedge knight truly makes this a worthy addition to the “Game of Thrones” screen universe. We hope there’s more where that came from.