In the ‘Paris of the Middle East,’ Brigitte Bardot is mourned alongside memories of a golden era

Brigitte Bardot spent four days in Lebanon in March 1967. (Instagram)
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Updated 29 December 2025
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In the ‘Paris of the Middle East,’ Brigitte Bardot is mourned alongside memories of a golden era

  • Bardot’s visit in 1967 coincided with Lebanon’s cultural zenith
  • Nation highlighted as center of global style and sophistication

DUBAI, BEIRUT: The death of French film legend Brigitte Bardot at 91 has focused attention on one of the 20th century’s most captivating cultural icons — and a remarkable, if brief, moment when her star power intersected with Lebanon’s own golden age.

In March 1967, Bardot arrived in Beirut for a four-day visit that would briefly place the French screen legend at the heart of a Middle Eastern hotspot of glamor and modernity.




Brigitte Bardot in Baalbek, Lebanon. (Instagram)

At the time, Beirut was celebrated as the “Paris of the Middle East,” known for its luxuriant hotels, lively nightlife and cosmopolitan mix of cultures.

Mimi Raad, a noted Lebanese image consultant who is the Head of Image Department at MBC1, said to Arab News, “The 60s were considered the Golden Age of Beirut. Lebanese women, known at that time as the most ‘avant-garde’ and stylish women in the Middle East, were fascinated by Brigitte Bardot’s iconic style as well as by her carefree attitude and freedom. The Lebanese high society would look up to the European glamour and Brigitte Bardot was this breath of novelty in style and attitude.”

“Her visits to Lebanon cemented Lebanon's image as a glamorous Mediterranean destination, often compared to Saint-Tropez, reinforcing Beirut's reputation as a cosmopolitan hub and a trendy holiday destination that mirrored the chicest parts of Europe during that era.”

Meanwhile, Lebanese style consultant Hadia Sinno spoke to Arab News about her lifelong admiration of Bardot. “Since I was young, Brigitte Bardot was an icon I deeply admired, not just for her beauty, but for her effortless style, her natural simplicity and that unmistakable French art de vivre. I was always captivated by her look, especially the headbands she wore in her hair and those signature off-the-shoulder tops,” she said.

“For us as Lebanese, there was always a special connection. We have a deep love for French style, and her visit to Lebanon remains a legendary milestone that bridged our two cultures. Beyond the silver screen, she became a force of nature, leading the anti-fur movement that shocked the world and the fashion industry.

“With her flowing skirts, messy hair and playful confidence, she didn’t just wear clothes, she defined an era. A true icon.

“And even though we hadn’t heard much about her in recent years, it was deeply sad to hear of her passing.”




Brigitte Bardot and husband Gunter Sachs returning from Beirut. (Getty Images)

Novelist Hassan Daoud told Arab News, “Beirut at that time was teeming with artistic and cultural life, and some of the city's oldest restaurants still display photographs of famous French and American artists who frequented them.”

Daoud recounted a story from a friend who worked in the General Security Directorate at the time. He said that when Bardot arrived in Beirut by ship and needed to be transferred to a small boat to reach the shore, he helped her by holding her hand. He didn't wash his hands all day so he could retain the feeling of her hand against his own. 

Bardot stayed in the famed, five-star Phoenicia Hotel where international celebrities lounged by the pool and rubbed shoulders with jet-set elites. Paparazzi captured her in relaxed celebrity mode by the poolside, emblematic of both her global appeal and Beirut’s vibrant scene.

During her short stay the actress wandered through the old Beirut souk, the bustling marketplace that was then a fusion of merchants selling jewelry, watches, and luxury goods.

She visited Assaad Georges Daou, a jeweler celebrated for designing pieces for royalty and film stars — a testament to Beirut’s reputation as a fashion and style hub in the region.

Bardot also ventured beyond the capital to Byblos, an ancient Phoenician port city with sparkling sea views and historic ruins.

There she strolled the scenic harbor and old souk, sampled local seafood and soaked up seaside leisure that mirrored the relaxed Mediterranean allure she embodied onscreen.

Her departure from Lebanon was part of a Mediterranean cruise. According to some accounts, the voyage was interrupted by mechanical trouble that stranded the vessel briefly at sea.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by BETA (@betalebanon)

Researcher and writer Walid Nuwayhid, specializing in philosophy and history, spoke about that era when Beirut was a magnet for actors, artists and intellectuals of various nationalities.  

“They came to relax on its famous beaches, including the Saint George pool and the pools in the Ramlet Al-Bayda area, which disappeared with the outbreak of the civil war in the 1970s. 

Nuwayhid said, “Famous artists, including Johnny Hallyday, frequented the Phoenicia and Vendome hotels, as well as Zaytouna Street, which was bustling with bars and lively nightlife venues. They also frequented Casino du Liban, the only casino in the Middle East at that time.” 

“Lebanon was a location for filming foreign movies and hosted the Beirut International Film Festival. Despite Lebanon's limited resources, the festival held a significant position on the global art scene,” he added.

He further noted, “Beirut Airport was the only major gateway from Europe to Asia at that time. There was no Dubai airport, and Egypt was undergoing socialist nationalization, which prompted the exodus of foreign communities there to leave either to Lebanon or back to Europe. Lebanon was the only refuge because of its openness and the freedom it enjoyed. The generations before us knew the importance of this country, so they built an economy based on providing services that meet needs, it is an economy based on the airport, the port, the printing press, the hospital, the school, and the cafe, all of which provided services to the region and its surroundings, so they left Alexandria and came to Beirut.”

Bardot became a global star after appearing in “And God created Woman” in 1956, and went on to appear in about 50 more movies before retiring in 1973.

Bardot then dedicated over four decades to protecting animals, a mission that resonated with animal welfare groups globally, including in Lebanon.

Beirut for the Ethical Treatment of Animals took to social media to post a heartfelt tribute, greeting her death with “immense sadness” and highlighting her “unwavering commitment” to their mission.

“Today, we say goodbye to Brigitte Bardot — a legendary soul whose love for animals reshaped countless lives. From the silver screen to the front lines of animal welfare, she devoted more than four decades to protecting those who cannot speak for themselves,” the post read.

“Through the Brigitte Bardot Foundation, she turned compassion into action and inspired the world to care more deeply, love more fiercely, and stand up for the voiceless.

“At BETA, we extend our deepest gratitude to Brigitte Bardot and the Brigitte Bardot Foundation for their generous support and unwavering commitment.

“Your kindness strengthened our mission, brought hope where there was despair, and helped save so many precious lives.”

Bardot’s visit left a lasting image of Lebanon as a center of international style and sophistication.


Incoming: The biggest movies due out before summer 2026 

Updated 01 January 2026
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Incoming: The biggest movies due out before summer 2026 

  • From Baby Yoda’s big-screen debut to the return of Miranda Priestly, here are some of the biggest films heading our way in the next few months 

‘Project Hail Mary’ 

Directors: Phil Lord, Christopher Miller 

Starring: Ryan Gosling, Sandra Huller, Lionel Boyce 

Due out: March 

MGM paid a reported $3 million to acquire the rights to this 2021 sci-fi novel by Andy Weir (author of “The Martian”), which has now been adapted for this blockbuster starring Gosling as Dr. Ryland Grace. Grace wakes up on a spacecraft with no memory of who he is or why he’s there. He gradually works out that he’s the sole survivor of a crew sent to the Tau Ceti solar system hoping to find a way to fix the results of a “catastrophic event” on Earth. Fortunately, it turns out Grace is kind of a science genius. Equally fortunately, it turns out he may not have to save the world all on his own.  

‘Good Luck, Have Fun, Don’t Die’ 

Director: Gore Verbinski 

Starring: Sam Rockwell, Haley Lu Richardson, Michael Pena 

Due out: January 

After its premiere at Fantastic Fest last year, Variety described Verbinski’s sci-fi action comedy as “an unapologetically irreverent, wildly inventive, end-is-nigh take on the time-loop movie” with a “hyper-referential script … full of inside jokes for gamers.” The guy stuck in that time loop is Rockwell’s man from the future, who’s on his 118th attempt to save the world from a rogue artificial intelligence. To do so, he needs to convince just the right mix of misfits from the late-night patrons of a diner in Los Angeles to undertake what could well be a suicide mission.  

‘Wuthering Heights’ 

Director: Emerald Fennell 

Starring: Margot Robbie, Jacob Elordi, Hong Chau 

Due out: February 

Fennell’s latest feature is billed as a “loose adaptation” of Emily Bronte’s 1847 Gothic classic —the story of the ill-fated passion shared between the well-to-do Catherine Earnshaw and Heathcliff, a young man of low social standing and uncertain ethnic origins, in the moorlands of Yorkshire in northern England. Warner Bros. are playing up the love-story side of Bronte’s layered and often troubling novel, setting a Valentine’s week release. 

‘The Super Mario Galaxy Movie’ 

Director: Aaron Horvath, Michael Jelenic 

Voice cast: Chris Pratt, Anya Taylor-Joy, Charlie Day 

Due out: April 

Critics were not especially kind to 2023’s “The Super Mario Bros. Movie,” but that certainly didn’t dissuade audiences, who made it the second-highest grossing film of that year, behind only “Barbie.” With the same team returning to helm and voice the movie (with the additions of Benny Safdie and Brie Larson to the cast), chances are that “Galaxy” will have much the same reaction from the two groups as the eponymous Brooklyn plumber and his brother Luigi head into outer space with Princess Peach and Toad to take on Bowser’s son, Bowser Jr (Safdie). 

‘Michael’ 

Director: Antoine Fuqua 

Starring: Jaafar Jackson, Nia Long, Miles Teller 

Due out: April 

The biggest biopic of the year will likely be this feature about one of the most culturally significant music stars in history, Michael Jackson — aka The King of Pop. It depicts his journey from child star in the Jackson 5 to global superstar in the Eighties, and reportedly does not whitewash the allegations of child sexual abuse that dogged the singer for years (with producer Graham King saying he wanted to “humanize but not sanitize” Jackson’s story)  — although Michael’s own daughter, Paris, has described the script as “sugar-coated” and “dishonest.” 

‘The Devil Wears Prada 2’ 

Director: David Frankel 

Starring: Meryl Streep, Anne Hathaway, Emily Blunt 

Due out: May 

With all the original stars returning (despite the reported initial reluctance of Streep and Hathaway to do so) along with the director and main producer, this sequel to the acclaimed 2006 comedy drama about aspiring journalist Andrea “Andy” Sachs (Hathaway), who lands a job as PA to an absolute nightmare of a fashion-magazine editor — Miranda Priestly (Streep) should be a guaranteed hit. If it sticks to the story of Lauren Weisberger’s “Revenge Wears Prada: The Devil Returns,” then we’ll find that Andy, a decade on, is now herself the editor of a bridal magazine and planning her own wedding. But she’s still haunted by her experiences with Miranda.  

‘The Mandalorian and Grogu’ 

Director: Jon Favreau 

Starring: Pedro Pascal, Sigourney Weaver, Jeremy Allen White 

Due out: May 

The latest feature from the “Star Wars” franchise builds on one of its most successful TV spinoffs, “The Mandalorian.” It sees bounty hunter Din Djarin (aka The Mandalorian) and his one-time target-turned-adoptive son Grogu — the Force-sensitive infant from the same species as the Jedi master Yoda — enlisted by the New Republic to help them combat the remaining Imperial warlords threatening the galaxy after the collapse of the Galactic Empire.